English Actors

In London’s MI5 headquarters a scandal is brewing that could disgrace the entire intelligence community. The Downing Street superforecaster—a specialist who advises the Prime Minister’s office on how policy is likely to be received by the electorate—has disappeared without a trace. Claude Whelan, who was once head of MI5, has been tasked with tracking her down. But the trail leads him straight back to Regent’s Park itself, with First Desk Diana Taverner as chief suspect. Has Taverner overplayed her hand at last?

Believe it or not, America's fascination with celebrity culture was thriving well before the days of TMZ, Perez Hilton, Charlie Sheen's breakdown, and allegations against Woody Allen. And the stars of yesteryear? They weren't always the saints that we make them out to be. Part biography, part cultural history, the stories contained in this book cover the stuff that films are made of: love, sex, drugs, illegitimate children, illicit affairs, and botched cover-ups.

While struggling to find success as an actor and pay the bills, something accidentally happened to Jeff Hiller: he aged. And while it’s one thing to get older and rest on the laurels of success from the blood, sweat, and tears of your youth, it’s quite another to be old and have no laurels. At forty, stuck in a temp job making spreadsheets, the dream of becoming a star seemed out of reach. But after twenty-five years of guest roles on TV and performing improv in a grocery store basement, he finally struck gold with a breakout role on HBO’s Somebody Somewhere, playing Joel.

Actor-dancer Alyson Stoner narrates her revelatory and incisive memoir—from family violence and betrayal, to eating disorders and religious trauma—which may begin in Hollywood, but its chilling relatability will resonate with anyone navigating identity, privacy, purpose, and mental health in a digital age.

Howard Hughes lived one of the greatest, most heroic, misunderstood, mysterious, bizarre, and tragic lives in American history. In this brilliantly documented biography, the mythology that surrounded that life is disentangled from the truth.

I’ve been in this life for fifty years, been trying to work out its riddle for forty-two, and been keeping diaries of clues to that riddle for the last thirty-five. Notes about successes and failures, joys and sorrows, things that made me marvel, and things that made me laugh out loud. How to be fair. How to have less stress. How to have fun. How to hurt people less. How to get hurt less. How to be a good man. How to have meaning in life. How to be more me. Recently, I worked up the courage to sit down with those diaries.

Jennette McCurdy was six years old when she had her first acting audition. Her mother’s dream was for her only daughter to become a star, and Jennette would do anything to make her mother happy. So she went along with what Mom called “calorie restriction." She endured extensive at-home makeovers while Mom chided, “Your eyelashes are invisible, okay? You think Dakota Fanning doesn’t tint hers?” She was even showered by Mom until age sixteen while sharing her diaries, email, and all her income. In I’m Glad My Mom Died, Jennette recounts all this in unflinching detail.

Nineteen-year-old Greg Sestero met Tommy Wiseau at an acting school in San Francisco. Wiseau's scenes were rivetingly wrong, yet Sestero, hypnotized by such uninhibited acting, thought, "I have to do a scene with this guy." That impulse changed both of their lives. The Disaster Artist is Greg Sestero's laugh-out-loud funny account of how Tommy Wiseau defied every law of artistry, business, and friendship to make "the Citizen Kane of bad movies" ( Entertainment Weekly), which is now an international phenomenon.

In his follow-up to the acclaimed Hellraisers, Sellers traces the intertwining lives and careers of four outrageous Hollywood movie mavericks. They’re the baddest bad-asses Hollywood as ever seen: Marlon Brando, Dennis Hopper, Warren Beatty, and Jack Nicholson. They are men to whom rules did not apply; normal standards of behavior were simply too wearisome to worry about.

Actors! Engage your mind and your body in order to develop your characters fully. The Lucid Body technique breaks up stagnant movement patterns and expands your emotional and physical range. Through energy analysis, this program shows how to use physical training to create characters from all walks of life - however cruel, desolate, or neurotic those characters may be.

Kelly Bishop’s long, storied career has been defined by landmark achievements, from winning a Tony Award for her turn in the original Broadway cast of A Chorus Line to her memorable performance as Jennifer Grey’s mother in Dirty Dancing. But it is probably her iconic role as matriarch Emily in the modern classic Gilmore Girls that cemented her legacy. Now, Bishop reflects on her remarkable life and looks towards the future with The Third Gilmore Girl. She shares some of her greatest stories and the life lessons she’s learned on her journey.

Eating one's own kind is a completely natural behavior in thousands of species, including humans. Throughout history we have engaged in cannibalism for reasons related to famine, burial rites, and medicine. Cannibalism has also been used as a form of terrorism and as the ultimate expression of filial piety. With unexpected wit and a wealth of knowledge, Bill Schutt takes us on a tour of the field, exploring exciting new avenues of research and investigating questions like why so many fish eat their offspring and some amphibians consume their mothers' skin.

Bryan Cranston landed his first role at seven, when his father, a struggling actor and director, cast him in a United Way commercial. Soon Bryan was haunting the local movie theater, memorizing and reenacting favorite scenes with his older brother. Acting was clearly the boy's destiny - until one day his father disappeared. Suddenly destiny took a backseat to survival. Seeking something more stable, perhaps subconsciously trying to distance himself from his absent father, Cranston decided on a career in law enforcement.

C-L-I-N-T. In that short, sharp syllable, there is an emblem of American manhood and morality and sheer bloody-minded will, for better and worse, on screen and off, for more than sixty years. Whether he's holding a pistol, an orangutan, or a boxing glove; whether he's facing down bad guys on a western street (Old West or new, no matter); staring through the lens of a camera; or accepting one of his thirteen Oscars (including two for Best Picture); he is as blunt, curt, and solid as his name.

Jeff Daniels returns with more skits, more songs, and more boundless audio storytelling in Season 2 of Alive and Well Enough. Again, Daniels begins in the middle of all the action and traipses back and forth, up and down, and side to side in the timeline of his life to figure out how he ended up where he did. But this time, he delves even deeper into his craft. He considers himself one of the few actors who didn’t want to direct, but instead to write, and write abundantly.

New York Times best-selling author Donald Spoto has brilliantly explored the lives and careers of numerous Hollywood stars and entertainment icons. In Possessed, his subject is the inimitable Joan Crawford, one of the most electrifying divas of the Golden Age of American film. A more thorough, revealing, and sympathetic portrait of the often maligned movie star - most notably lambasted, perhaps, in the scandalous best seller, Mommie Dearest - Possessed is a fascinating study of the real Joan Crawford, a remarkable actress, businesswoman, mother, and lover.

Ben Hogan was the hero no one knew. No one knew what drove him to practice until his hands bled. No one knew what private demons built the high walls that surrounded him. No one was even sure how he hit a golf ball with such godlike precision. He built a legend and a mystique that captivates golfers still.

At nine, Sean Connery saved him from drowning. At thirteen, desperate to hook up with Janis Joplin, he attended his aunt Joan Didion and uncle John Gregory Dunne’s legendary LA launch party for Tom Wolfe’s The Electric Kool-Aid Acid Test. At sixteen, he got kicked out of boarding school, ending his institutional education for good.

Stacy Keach is known for movie roles like Fat City, American History X, the television series Titus, and of course Mike Hammer, but he's also revered in the industry as a serious actor who's passionate about his craft. In his long, impressive career, he has been hailed as America's finest classical stage actor, earning acclaim for his portrayals of Hamlet, Macbeth, Richard III, and King Lear.

Just in time for the Chairman's centennial, the endlessly absorbing sequel to James Kaplan's best-selling Frank: The Voice - finally the definitive biography that Frank Sinatra, justly termed "The Entertainer of the Century", deserves and requires. Like Peter Guralnick on Elvis, Kaplan goes behind the legend to give us the man in full, in his many guises and aspects: peerless singer, (sometimes) powerful actor, business mogul, tireless lover, and associate of the powerful and infamous.