Elizabethan Fiction

When the predator becomes the prey… blood will run in the gutters of Tudor London. Myles Devereux rules the streets. A ruthless gangster in the lawless underbelly of Tudor London, he controls the brothels, the taverns, the enforcers—and everyone knows not to cross him. But someone just did. His bookkeeper turns up dead. His debtors are being picked off one by one. And now the sheriff’s men are at his door, accusing him of the murders. Then Richard Fitzwarren, the Queen’s cold-eyed emissary, brings worse: a heresy charge—and death by fire This is no random attack. It’s a setup. ...

S. J. Parris returns with the next Giordano Bruno mystery, set inside Queen Elizabeth’s palace and steeped in period atmospherics and the strange workings of the occult. It is the year of the Great Conjunction, when the two most powerful planets, Jupiter and Saturn, align - an astrologi­cal phenomenon that occurs once every thousand years and heralds the death of one age and the dawn of another. The streets of London are abuzz with predictions of horrific events to come, possibly even the death of Queen Elizabeth.

In England in the Age of Shakespeare, Jeremy Black takes readers on a tour of life in the streets, homes, farms, churches, and palaces of the Bard’s era. Panning from play to audience and back again, Black shows how Shakespeare's plays would have been experienced and interpreted by those who paid to see them. From the dangers of travel to the indignities of everyday life in teeming London, Black explores the jokes, political and economic references, and small asides that Shakespeare’s audiences would have recognized.

Lady Penelope Rich is one of the most beautiful and sought-after women in Elizabethan England. The daughter of the Earl of Essex, she is married to the wealthy Baron Robert Rich. Penelope's life is full of love and scandal. The inspiration for Sir Philip Sidney’s sonnet "Astrophel and Stella", she is involved in the Essex Rebellion. A complex and fascinating woman, her life is a story of love, betrayal, and tragedy.

The day Rodney Hawkhurst rides onto her father's grand estate, Lizbeth Gillingham is a wild eighteen-year-old, with tangled red hair, dirt on her apron, and an archer's bow in her hand. A chance encounter leads to a clandestine kiss, leaving the tomboy Lizbeth wondering if the life of a sophisticated lady could be so bad if she was on the arm of Rodney Hawkhurst... But Rodney has not come to see Sir Gillingham about Lizbeth. He has come to borrow money for a daring sea voyage, and to ask for the hand of Phillida, Lizbeth's elegant sister.

Elizabeth's reign begins. Can the divide between Protestants and Catholics be healed? Or will Elizabeth's rule be as bloody as her sister Mary's was? Richard Fitzwarren's hopes that England may turn away from the religious strife wrought by Mary seem dashed. Beneath the surface, a very real battle is being waged against anyone with power who professes to an adherence to Rome and the Catholic faith. Can he still remain loyal when faced with such tyranny? Jack, recovering, finds out what it actually means to finally be in control of his inheritance. He remains a target, many would like to ...

A German Princess with a guilty secret. The King is in love with Anna's portrait, but she has none of the accomplishments he seeks in a new bride. She prays she will please Henry, for the balance of power in Europe rests on this marriage alliance. But Anna's past is never far from her thoughts, and the rumours rife at court could be her downfall. Everyone knows the King won't stand for a problem queen. Anna of Kleve. The fourth of Henry's Queens. Her story.

The 1590s were bleak years for England. The queen was old, the succession unclear, and the treasury empty after decades of war. Amid the rising tension, William Shakespeare published a pair of poems dedicated to the young Earl of Southampton: Venus and Adonis in 1593 and The Rape of Lucrece a year later. Although wildly popular during Shakespeare's lifetime, to modern readers both works are almost impenetrable. But in her enthralling new book, the Shakespearean scholar Clare Asquith reveals their hidden contents.

The writing of sonnets was a craze among poets of the 1590s. The sonnet, an Italian form, was introduced into England by Thomas Wyatt (1503-1542), who modelled himself on Petrarch, and by Henry Howard, Earl of Surrey (1517-1547). It was Surrey who invented what is now known as the Shakespearean sonnet - three differently rhyming quatrains and a clinching couplet. This collection of Elizabethan sonnets and lyrics were recorded by Anthony Quayle.

These remarkable letters represent a wealth of as-yet-undiscovered knowledge about Shakespeare's relationships, personality, and career as he carved out his place in the chaotic world of 16th-century London. Whether you are a Shakespeare scholar, merely a fan, or even if you have never read any of his works, the stories of the The Lost Letters will enthrall you with their fascinating and true tale.

As Stephen Long steps ashore in England one gray dawn in May 1581, he wonders how many more Catholics will have to die to make Queen Elizabeth feel secure. Involuntarily he trembles at the thought that soon he may be numbered among them.

For centuries, royal families have feared the gut-roiling, vomit-inducing agony of a little something added to their food or wine by an enemy. To avoid poison, they depended on tasters, unicorn horns and antidotes tested on condemned prisoners. The Royal Art of Poison is a hugely entertaining work of popular history that traces the use of poison as a political - and cosmetic - tool in the royal courts of Western Europe from the Middle Ages to the Kremlin today.

Dorset, 1682. Catherine Carey was once a vivacious beauty with the world at her feet. One tragic accident was all it took to shatter her dreams, her spirit, her everything. Now, she only wants to hide her scarred face from the world. But if she thinks she’s safe at home, she is wrong. Her scheming brother wants to marry her off to a fortune-hunter, and he won’t take no for an answer. Out on a lonely walk, Catherine is attacked and left for dead. Could this be her brother’s doing?

It is the early 1600s and the City of London sees Queen Elizabeth living out her dying days as Scottish King James waits in the wings to take to the throne. Meanwhile, in Southwark, along the south bank of the River Thames, Master Hardy Drew, Constable of the Bankside Watch, maintains law and order amongst the cut-throats and smugglers, in the taverns and brothels, as well as with the gentlefolk, who flock across the river to enjoy the latest plays by Shakespeare and Jonson.

When Sir Francis Walsingham, spymaster to the Tudor Queen Elizabeth, learns of a Jesuit assassin landing on England's shores, he's determined to go to any lengths to protect his Protestant Queen. His protege, Kit Scarlett, discovers a letter revealing the name of the assassin—Gregorio Luca. Together with Scottish agent, Iomhar Blackwood, Walsingham sends them on a mission to track Luca down. It is clear Luca is only coming with one task in mind—to kill. But is his target the English queen?

Elizabeth I acceded to the throne in 1558, restoring the Protestant faith to England. At the heart of the new queen's court lay Elizabeth's bedchamber, closely guarded by the favoured women who helped her dress, looked after her jewels and shared her bed. Elizabeth’s private life was of public, political concern. Her bedfellows were witnesses to the face and body beneath the make-up and elaborate clothes, as well as to rumoured illicit dalliances with such figures as Robert Dudley. Their presence was for security as well as propriety, as the kingdom was haunted by fears of assassination plots and other Catholic subterfuge.

To Each Their Own is a modern-writ comedy in the style of the Theatre of Elizabeth the First, written with a scholar's research and a modern Shakespearean actor's wit. It includes many of the elements we are used to seeing in Shakespeare (sassy servants, pompous Noblemen, love-at-first-sight, shipwrecks, magic, fights, sacrifice, and slapstick) and language that conveys much more than single emotions.

Mary Seymour is just a few weeks old when her mother, the Dowager Queen Katharine Parr, dies from childbed fever. She cannot know the tragedy that has befallen their home at Sudeley, or the secrets that her father, the Lord Admiral Thomas Seymour, is hiding. Lost in grief, he entrusts baby Mary to the care of Elizabeth Aglionby, one of Katharine's closest companions. But Elizabeth knows that the Lord Admiral has enemies in high places - and that he stands on the edge of a ruinous fall from grace. And, if the worst should happen, what will become of his infant daughter?

In Elizabethan England, the Queen’s chief spymaster, Francis Walsingham, and his team of agents must maintain the highest levels of vigilance to ward off Catholic plots and the ever-present threat of invasion. One agent in particular - a young Cambridge undergraduate of humble origins, controversial beliefs and literary genius who goes by the name of Kit Marlowe - is relentless in his pursuit of intelligence for the Crown. When he is killed outside an inn in Deptford, his mysterious death becomes the subject of rumours and suspicion that are never satisfactorily resolved.