Elizabethan English

Scotland and England 1585: A cunning plot, a web of intrigue, a dangerous mission to free the captive Queen of Scots that will place two lovers at odds. Beautiful, emerald-eyed Moira was sworn to another—but she knew once she laid eyes on the handsome Captain Ryan Paxton, that no other man could possess her. But he was English, and she was in the service of his enemy…. Before their forbidden love could flourish, Moira was entrapped by the sinister and ruthless “spymaster” Sir Francis Walsingham—who had his own wicked designs on her. Only the English captain could save her…and ...

Tudor adventurer, courtier, explorer and poet, Sir Walter Raleigh has been called the last true Elizabethan. He didn’t dance or joust, didn’t come from a noble family, or marry into one. So how did an impoverished law student become a favourite of the queen, and Captain of the Guard? The story which began with the Tudor trilogy follows Walter Raleigh from his first days at the Elizabethan Court to the end of the Tudor dynasty.

The Crow’s Gift is a book with two separate stories set centuries apart. One is of a couple living in post-Victorian England, a time of formality and fashion, when motorcars first appeared on English roads. The other takes place three hundred years earlier, when men wore puffy breeches, and it took months to make a lady’s gown. One is a story of love lost and rekindled; the other of love ignited by the fires of youth. One is a tale of friendship, family, and the search for lost treasure; the other of superstition, witchcraft, and betrayal. How can these two widely disparate tales ...

When Maeve McQuaid loses her boyfriend and her gardening job in one fell swoop, fate intervenes in the shape of Beth, an elderly lady carrying a gap-year-size backpack. She turns out to be the owner of the mysterious Druid's Oak Farm in North Yorkshire and offers her a job. The farm is an artist's community which has become tired and run down, much like its inhabitants. The Elizabethan building needs to be saved but Beth is slowly going bankrupt. Can Maeve make a formal garden from an overgrown shambles? Can her enthusiasm lift everyone out of their lethargy or will they rise up against her...

When young actor Thomas Mapperley faces dire punishment for seducing the daughter of an aristocrat he is saved by an unlikely champion, Francis Walsingham, spymaster to Queen Elizabeth. Mapperley is soon dispatched to the Low Countries where William, Prince of Orange is engaged in a deadly struggle against the powerful forces of the Spanish Crown. If he loses the war, the Low Countries will remain part of the Spanish Empire. If he wins, the Low Countries may become a new nation. Mapperley finds he is both pawn and player in the turbulent times ahead, captured by the Spaniards, used as an ...

An aging, vain, lonely, pretentious and failed indie writer is forced to give a glowing, five-star review to 'Vampire Odyssey', the worst book ever written. "Not your typical gothic tale—brace yourself for a hilariously twisted parody that will have you laughing from dusk till dawn! This book turns the vampire genre on its head with wit, humor, and a touch of absurdity. Dive in for a wild, irreverent ride!" --Christine Jax, author of Who's Building the Ark? How to Manage Through Hell and High Water

Alexander “Sander” Cooke is the most celebrated “boy player” in the Chamberlain’s Men, William Shakespeare’s theatre company. Indeed, Sander’s androgynous beauty and deft portrayal of female roles have made him the toast of London, and his companionship is sought by noblewomen and -men alike. And yet, now at the height of his fame, he teeters on the cusp of adulthood, his future uncertain. Often, he wishes he could stop time and remain a boy forever.

1564: Devon sailor Francis Drake sets out on a journey of adventure. Drake learns of routes used to transport Spanish silver and gold, and risks his life in an audacious plan to steal a fortune.

When the predator becomes the prey… blood will run in the gutters of Tudor London. Myles Devereux rules the streets. A ruthless gangster in the lawless underbelly of Tudor London, he controls the brothels, the taverns, the enforcers—and everyone knows not to cross him. But someone just did. His bookkeeper turns up dead. His debtors are being picked off one by one. And now the sheriff’s men are at his door, accusing him of the murders. Then Richard Fitzwarren, the Queen’s cold-eyed emissary, brings worse: a heresy charge—and death by fire This is no random attack. It’s a setup. ...

Drawing on the records of national and regional archives as well as archaeological remains, James Clark explores the little-known lives of the last men and women who lived in England's monasteries before the Reformation. Clark challenges received wisdom, showing that buildings were not immediately demolished and Henry VIII's subjects were so attached to the religious houses that they kept fixtures and fittings as souvenirs. This rich, vivid history brings back into focus the prominent place of abbeys, priories, and friaries in the lives of the English people.

In the heat of their midsummer night’s dream, they tasted the ecstasy of a love more exciting than any staged masquerade. Banished from Queen Elizabeth’s court for a murder he didn’t commit, Nicholas Leighton escaped capture by assuming a new appearance and identity. Joining Shakespeare’s acting company he was thrust into the dangerous and deceptive world of London’s theater, where illusions defied the senses and false identities were commonplace. Betrayed by the golden-haired beauty he had pursued, Nicholas vowed he would trust no woman, until lovely Alandra Thatcher, the stage ...

Robert Devereux, Earl of Essex, is one of the most intriguing men of the Elizabethan period. Tall and handsome, he soon becomes a ‘favorite’ at court, so close to the queen many wonder if they are lovers. The truth is far more complex, as each has what the other yearns for. Robert Devereux longs for recognition, wealth and influence. His flamboyant naïveté amuses the ageing Queen Elizabeth, like the son she never had, and his vitality makes her feel young.

On a Sunday afternoon in May 1592, Jane Mellor is raped on the village green by the comedian of a group of strolling players. Her husband is traumatised by the attack and Jane is forced to flee the village to escape being tried for witchcraft. She sets out disguised as a boy with her catatonic husband, in pursuit of the comic and intent on revenge. However Jane quickly finds that the dangers from marauding thieves and footpads, the savagery of the law and prisons are being compounded by more sinister activities.

A young pretender raises an army to take the throne. Learning of his father’s death, the adolescent, dashing and charismatic and descended from the old kings of the North, vows to avenge him. He is supported in this war by his mother, who has spirited away her two younger sons to safety. Against them is the queen, passionate, proud, and strong-willed and with more of the masculine virtues of the time than most men. She too is battling for the inheritance of her young son, not yet fully grown but already a sadist who takes delight in watching executions.

Grace O'Malley, daughter of a clan chief in the far west of Ireland, went from marriage at fifteen to piracy on the high seas. She soon had a fleet of galleys under her commander, but her three decades of plundering, kidnapping, murder and mayhem came to a close in 1586, when she was captured and sentenced to hang. Saved from the scaffold by none other than Queen Elizabeth herself—another powerful woman in a man's world—Grace's life took another extraordinary turn, when it was rumored she had become intelligencer for the queen's spymaster, Sir Francis Walsingham.

In the reign of Edward VI, Amy, a beautiful country girl of eighteen, has a chance meeting with Robert Dudley, the son of a wealthy nobleman, which leads to their marriage. When the boy king Edward dies, fame, fortune and a life at court are disastrously cut short by the involvement of Amy's new family in the plot to place Lady Jane Grey on the throne of England. Facing financial ruin Amy tries to support her imprisoned husband - only to be betrayed by him soon after his release. Gradually abandoned by Robert, Amy now begins to fear for her life as forces beyond her control seem determined ...

Why did Henry VIII marry six times? Why did Anne Boleyn have to die? Why did Elizabeth I's courtiers hail her as a goddess come to earth? The dramas of courtly love have captivated centuries of readers and dreamers. Yet too often they're dismissed as something existing only in books and song—those old legends of King Arthur and chivalric fantasy. Not so. In this ground-breaking history, Sarah Gristwood reveals the way courtly love made and marred the Tudor dynasty.

S. J. Parris returns with the next Giordano Bruno mystery, set inside Queen Elizabeth’s palace and steeped in period atmospherics and the strange workings of the occult. It is the year of the Great Conjunction, when the two most powerful planets, Jupiter and Saturn, align - an astrologi­cal phenomenon that occurs once every thousand years and heralds the death of one age and the dawn of another. The streets of London are abuzz with predictions of horrific events to come, possibly even the death of Queen Elizabeth.

At her execution Mary, Queen of Scots wore red. Widely known as the colour of strength and passion, it was in fact worn by Mary as the Catholic symbol of martyrdom. In 16th-century Europe, women's voices were suppressed and silenced. Even for a queen like Mary, her prime duty was to bear sons. In an age when textiles expressed power, Mary exploited them to emphasise her female agency.

The Tudors are England's most notorious royal family. But, as Leanda de Lisle's gripping new history reveals, they are a family still more extraordinary than the one we thought we knew. The Tudor canon typically starts with the Battle of Bosworth in 1485 before speeding on to Henry VIII and the Reformation. But this leaves out the family's obscure Welsh origins and the ordinary man known as Owen Tudor who would fall (literally) into a queen's lap - and later her bed.