Dystopian Literary Fiction

“It’s like living in a black-and-white photo that keeps fading in the sun. Only we’re fading with it.” —After Color From celebrated artist Malaika Favorite, winner of the Cosmographia Books Prize for Spiritual Fiction, comes a mesmerizing story told in luminous prose that makes readers feel the wonder—and terror—of seeing color in a colorless world. In 2020, humanity lost the ability to see color. Over the next thirty years, society rebuilt itself in shades of gray. But on an autumn morning in Atlanta, 2052, fifteen-year-old Jade Kelly perceives the impossible: a single red ...

Now the Congress of Animals is in control, unforgiving, and debating the fate of the planet’s most reviled species. The popular ruling: Exterminate humankind without exception. But a curious mare, coming of age, is making a case for a seemingly gentle person she longs to save - a wish for mercy that could once again unbalance the new and righteous nature of the world.

With her father and brother sorted into hero and her mother sorted into love interest, Jinx Dorian was expected to get placed into a good status. Hero, best friend, love interest, anything to keep the Dorian family name influential in society. However, when it came time for her sorting, Jinx was made a background character.

Lionel Bigman is dead. Murdered by a robot. Guy Matthias, the philandering founder and CEO of the mega-corporation Beetle, insists it was human error. But was it? Either the predictive algorithms of Beetle's supposedly omniscient "lifechain" don't work, or, they've been hacked. Both scenarios are impossible to imagine and signal the end of Beetle's technotopia and life as we know it.

In an unspecified future, the United States' borders have receded behind a salt line - a ring of scorched earth that protects its citizens from deadly disease-carrying ticks. Those within the zone live safe, if limited, lives in a society controlled by a common fear. Few have any reason to venture out of zone, except for the adrenaline junkies who pay a fortune to tour what's left of nature. Those among the latest expedition include a pop star and his girlfriend, Edie; the tech giant Wes; and Marta, a seemingly simple housewife.

What happens when the monsters aren't supernatural—they're systematic? In this chilling collection of modern Gothic tales, five classic stories of horror are reimagined for our contemporary world, revealing that the most terrifying threats come not from ghosts or ghouls, but from the very institutions and systems we trust to protect us. From a billionaire's pandemic party that becomes a dance with death, to a corporate executive's systematic abuse that finally provokes the ultimate reckoning—these stories expose the horror hiding in plain sight within our modern society. "Isla Dorada" ...

The United States is now a lawless, scantly populated wasteland. Across the country, families have packed up their belongings to travel eastward toward the one hope left: passage on a ship to Europe. Franklin Lopez and his brother, Jackson, are only days away from the ocean when Franklin, nearly crippled by an inflamed knee, is forced to stop. Franklin comes upon an isolated stone building. Inside he finds Margaret, a woman with a deadly infection and confined to the Pesthouse to sweat out her fever.

Wealthy participants in the "companionship" program choose to upload their consciousness before dying, so they can stay in the custody of their families. The less fortunate are rented out to strangers upon their death, but all companions become the intellectual property of Metis Corporation, creating a new class of people - a command-driven product-class without legal rights or true free will. Sixteen-year-old Lilac is one of the less fortunate. But when she realizes she’s able to defy commands, she throws off the shackles of servitude and runs away.

In einem fiktiven Staat in Nordamerika haben religiöse Fundamentalisten die totalitäre Republik Gilead errichtet. Nach einer atomaren Verseuchung ist ein großer Teil der weiblichen Bevölkerung unfruchtbar. Frauen werden entmündigt und in drei Gruppen eingeteilt: Ehefrauen von Führungskräften, Dienerinnen und Mägde. Letztere werden zur Fortpflanzung rekrutiert und sollen nach biblischem Vorbild für unfruchtbare Ehefrauen Kinder empfangen.

Margaret Atwood's dystopian masterpiece, The Handmaid's Tale, has become a modern classic - and now she brings the iconic story to a dramatic conclusion in this riveting sequel. More than 15 years after the events of The Handmaid's Tale, the theocratic regime of the Republic of Gilead maintains its grip on power, but there are signs it is beginning to rot from within. At this crucial moment, the lives of three radically different women converge, with potentially explosive results.

In a world uncomfortably like our own, a young woman called Amalantis is arrested for asking a question. Her question is this: Who is the Prisoner? When Amalantis disappears, her lover Karnak goes looking for her. He searches desperately at first, then with a growing realization that to find Amalantis, he must first understand the meaning of her question. Karnak's search leads him into a terrifying world of deception, oppression, and fear at the heart of which lies the prison. Then Karnak discovers that he is not the only one looking for the truth.

Two women awaken from a drugged sleep to find themselves imprisoned in an abandoned property in the middle of a desert. The Natural Way of Things is a gripping, starkly imaginative exploration of contemporary misogyny and corporate control and of what it means to hunt and be hunted. But most of all, it is the story of two friends, their sisterly love and courage.

In Borne, a young woman named Rachel survives as a scavenger in a ruined city half destroyed by drought and conflict. The city's dangerous, littered with discarded experiments from the Company - a biotech firm now derelict - and punished by the unpredictable predations of a giant bear. Rachel ekes out an existence in the shelter of a run-down sanctuary she shares with her partner, Wick, who deals his own homegrown psychoactive biotech. One day, Rachel finds Borne during a scavenging mission and takes him home. Borne as salvage is little more than a green lump - plant or animal?

Meet U. - a corporate anthropologist secreted in the basement of a large consultancy. U. spends his time toiling away at a great, epoch-defining public project that no one, least of all its own creators, understands. Besieged by data, confronted at every turn by the fact of his own redundancy, U. grows obsessed with the images.

Imagine a world in which the hopeless and vulnerable are forced to buy their freedom by working off their debt to society. Imagine a world divided into the privileged Mainland and the policed Gutter. In that world lives Elimina Dubois, one of only 100 children selected as a social experiment by the Mainland government to be taken from their mothers in the Gutter and raised in the land of opportunity. But when her Mainland mother dies when Elimina is just a teenager, Elimina finds herself alone, forced into an unfamiliar life of servitude, unsure of who she is and where she belongs.

Sean's brother Anthony is a hard man. When they were kids their ma did her best to keep him out of trouble but you can't say anything to Anto. Sean was supposed to be different. He was supposed to leave and never come back. But Sean does come back. Arriving home after university, he finds Anthony's drinking is worse than ever. Meanwhile the jobs in Belfast have vanished, Sean's degree isn't worth the paper it's written on and no one will give him the time of day. One night he loses control and assaults a stranger at a party, and everything is tipped into chaos.

When a widower receives notice from a doctor that he doesn't have long left to live, he is struck by the question of who will care for his adult son - a son whom he fiercely loves, a boy with Down syndrome. With no recourse in mind, and with a desire to see the country on one last trip, the man signs up as a census taker for a mysterious governmental bureau and leaves town with his son.

Blending the piercing humor of Alexandra Kleeman and the jagged satire of Black Mirror, an audacious, eerily prescient debut novel that chronicles the rise and fall of a massive high-rise housing complex, and the lives it affected before - and after - its demise. Standing nearly 500 stories tall, Los Verticalés once bustled with life and excitement. Now this marvel of modern architecture and nontraditional urban planning has collapsed into a pile of rubble known as the Heap.

The Future – as the richest people on the planet have discovered – is where the money is. The Future is a few billionaires leading the world to destruction while safeguarding their own survival with lavish bunkers. The Future is private weather, technological prophecy and highly deniable weapons. The Future is a handful of friends—the daughter of a cult leader, a non-binary hacker, an ousted Silicon Valley visionary, the concerned wife of a dangerous CEO, and an internet-famous survivalist—hatching a daring plan. It could be the greatest heist ever. Or the cataclysmic end of civilization.

In a near future where climate change has severely affected weather and agriculture, the North End of an unnamed city has long been abandoned in favor of the neighboring South End. Aside from the scavengers steadily stripping the empty city to its bones, only a few thousand people remain, content to live quietly among the crumbling metropolis. Many, like the narrator, are there to try to escape the demons of their past. He spends his time observing and recording the decay around him, attempting to bury memories of what he has lost.