Drama Theater

Characters search for a conflict, upset audience members disrupt the show, a spy mission goes wrong, cowboys try but can’t do a simple shootout correctly, and a considerate and mannerly thief asks permission before he robs people. These are some of the situations found in this collection of ten-minute plays. Here are delightful theatrical nuggets that range from the comical to the serious. Each one is designed to be produced with just a few actors, few props, and within a single setting. They are easy to perform or fun to just read.

He was known as the Wildman more than 100 years ago, terrorizing lumberjacks and farmers who complained that their lives were at stake. The American Indians, depending on their tribe, had many names for the Creature: Sasahevas, Sasquatch, Bukwas (wild man of the woods), See'atco (one who runs and hides). What would Native American Indians have to gain from falsifying the existence of a Beast?

All the Ways to Say I Love You by Neil LaBute, directed by Leigh Silverman, is a thoughtful, psychological solo play centered around the character Faye Johnson, performed by multi-award-winning actress Judith Light (Transparent, American Crime Story, Who's the Boss?). Reflecting on an event from her past, Johnson confronts the defining question of her life: What is the weight of a lie?

All the Ways to Say I Love You received its World Premiere production at the MCC Theater in September of 2016. MCC is under the leadership of Artistic Directors Robert Lupone, Bernard Telsey, William Cantler, and Executive Director Blake West.

Bonus content includes an Audible-exclusive conversation between director Leigh Silverman and actress Judith Light.

Steven Adler examines the dynamic life and workings of the theatre company responsible for some of the world's most compelling performances and influential productions of the last 40 years, including Marat/Sade, A Midsummer Night's Dream, Les Misérables, Les Liaisons Dangereuses, and Nicholas Nickleby.

The Risk Theatre Model of Tragedy presents a profoundly original theory of drama that speaks to modern audiences living in an increasingly volatile world driven by artificial intelligence, gene editing, globalization, and mutual-assured destruction ideologies. Tragedy, according to risk theatre, puts us face to face with the unexpected implications of our actions by simulating the profound impact of highly improbable events.

Had I become disenchanted with the form I had once fallen so madly in love with as a pubescent, pimple-faced suburban homo with braces? Maybe theatre was like an all-consuming high school infatuation that now, ten years later, I saw as the closeted balding guy with a beer gut he’d become. There were of course those rare moments of transcendence that kept me coming back. But why did they come so few and far between?

Richard, duke of Gloucester, schemes to inherit the throne by killing all who stand in his way - including his own brother and the two young sons of King Edward IV.

Callie Miller loves drama. As a theater major, that's a given. It's hard to date in the theater department when all the guys are either taken or gay - like her best friend and longtime crush. When Callie becomes the lead in the biggest production of the year, she realizes she has no time for love. Until Sebastian "Bash" Moore reenters her life, stage left. He left everything behind three years ago to chase his dreams. But his heart remained at home, tied to memories of a tiny blonde with a flair for the dramatics - on and off the stage.

In this survey of eighteenth and nineteenth century American drama, Tice L. Miller examines American plays written before a canon was established in American dramatic literature and provides analyses central to the culture that produced them. Entertaining the Nation evaluates plays in the early years of the republic, reveals shifts in taste from the classical to the contemporary in the 1840s and 1850s, and considers the increasing influence of realism at the end of the nineteenth century.

“Todo o mundo é um teatro”, escreveu William Shakespeare, “e homens e mulheres não passam de meros atores”. No novo audiolivro de Leandro Karnal, atores-ouvintes são convidados a dar um passeio pela própria consciência: a jornada de aprender com quem mais tem a ensinar no teatro do mundo - o criador de Hamlet. O que aprendi com Hamlet, dessa forma, revela os ensinamentos deixados pela principal peça de William Shakespeare numa combinação entre a experiência de um homem do século XVI e outro do século XXI.

There are 83 copies of the First Folio in a vault beneath Capitol Hill - the world's largest collection. Well over 150 Indian movies are based on Shakespeare's plays - more than in any other nation. If current trends continue, there will soon be more high school students reading The Merchant of Venice in Mandarin Chinese than in early modern English. Why did this happen, and how? Ranging ambitiously across four continents and 400 years, Worlds Elsewhere is an eye-opening account of how Shakespeare went global.

Ben is having a difficult week. After five whole years of “drinking from Mommy’s boobies”, he suddenly has to step aside for his new baby sister, Beatrice, who may or may not be human. Mommy says he has to “support her appearance no matter how humiliating it is for us as family”, but that’s hard to do when your sister has branches for arms and legs.

The St. Charles Players present multi-cast dramatizations of some of Edgar Allan Poe's greatest works, including The Black Cat, The System of Dr. Tarr and Prof. Fether, The Purloined Letter, and The Murders in the Rue Morgue.

Stagehands argue about their relationship between acts, a mountain climber struggles to rise above the summit of public opinion, the man once sent to kill a princess finds her working at a diner, retired superheroes lament their new life, and a villain threatens to blow up the world if he can get the Henchman Union to end contract negotiations. These are some of the situations found in this second collection of ten-minute plays. Each one is designed to be produced with just a few actors, few props, and within a single setting. They are easy to perform or fun to just read.

This dramatic comedy in two acts is the first play that tells the truth about the real politics and science of the AIDS epidemic. At an annual "Black Party" held in an expensive beach house in Provincetown, a successful gay real estate agent and host of the party deals with extremely unhappy guests in the aftermath of his popular event which is cut short by a visit from an old friend he hasn't seen in four decades since they were both involved in the pioneering gay liberation movement in Kansas. The old friend is a controversial figure whose life has been devastated by what happened when ...

Lucian Msamati draws on his rich experience, particularly in the context of productions at the National Theatre to delve into sets of challenges and possibilities that actors might face. He offers up his tips on getting started in the industry; navigating the various professional relationships and roles inside a rehearsal room; and offers insights into running your own company and generating your own work.

An award winning Drama from SmartPass. Unabridged with guided description to set the scene and fill in visual moments.

This study of Hollywood's favorite "screwball" comedienne begins on the eve of her death. Following a successful war bonds tour, she awaits word in an Indianapolis hotel room to see if she's been successful in securing plane reservations for a flight back to Los Angeles. She's anxious to get home, because she suspects that her husband, Clark Gable, is cheating on her.

These remarkable letters represent a wealth of as-yet-undiscovered knowledge about Shakespeare's relationships, personality, and career as he carved out his place in the chaotic world of 16th-century London. Whether you are a Shakespeare scholar, merely a fan, or even if you have never read any of his works, the stories of the The Lost Letters will enthrall you with their fascinating and true tale.

Carol, who tasted her first success in holding an audience in a high-school play, and Julia Gregg, a classmate as stage struck as herself, join Phyllis Marlowe's apprentice group in New York. In this setting, Carol beings to learn about herself as an actress. Phyllis Marlowe's criticism of her first performance is hard to take, but not half as painful as Mike Horodinsky's ruthless verdict. Mike is one member of the apprentice group whom Carol thoroughly dislikes. Their antagonism flames into open warfare when Mike almost succeeds in getting Carol away from the stage altogether. However, ...