Comedy Performance

The Merchant of Venom traces Don Rickles's career from his rise in the 1950s to a late-in-life resurgence thanks to the Toy Story franchise, his role in Martin Scorsese's Casino, and scores of TV appearances from Carson to Seth Meyers. In the intervening decades, Rickles conquered every medium he worked in, including film, television, and on stage. He was idolized by a generation of younger comedians including Jerry Seinfeld, Chris Rock, and Jay Leno, and performed in the shadow of a shocking open secret: he was the nicest man in town.

What do the lives of Lincoln, Helen Keller, Joan of Arc, and other historical figures have in common with Paula Poundstone? In the hands of this wryly observant and self-deprecating comedian, the answer is outrageously funny and unexpectedly touching. Poundstone compares her crazy life to theirs, as she holds forth on her children, her career, and the time in her life when it appeared she would lose them both.

Make sure the kids aren’t around! Just because you’re a grown-up doesn’t mean you can’t enjoy the art of the children’s bedtime story. Nick Offerman presents this collection of 12 short stories written in the style of a classic kids' tale, but with a decidedly dark and adult approach. What really happened after Snow White died, from the perspective of the one medically trained dwarf? A naive wizard professor reports back from the trenches of an underprivileged school of magic. And much more!

A history of Saturday Night Live that finally reveals what really went on backstage, on the set, in the writers' offices, and on the town. Dozens of stars, writers, and guest hosts recall the backstage gossip, feuds, foibles, drugs, sex, struggles, and calamities of the show that changed television.

Authors Keegan-Michael Key and Elle Key build on the popularity of their 2022 Webby Award-winning podcast and delve deeper into the world of sketch, helped along with new essays created expressly for the book by comedy greats.

Romans! Madrigals! The Dark Ages! Revolutions! Trumpets! The Oranges of The First World War! All of this (except trumpets) and more, is covered in this definitive, easy-clean history of all world history so far, written by the 21st Century's leading historian, philosopher and thinkerer Philomena Cunk.

Decades before The Daily Show, The Smothers Brothers Comedy Hour proved there was a place on television for no-holds-barred political comedy with a decidedly antiauthoritarian point of view. In this explosive, revealing history of the show, veteran entertainment journalist David Bianculli tells the fascinating story of its three-year network run---and the cultural impact that's still being felt today.

From actor, comedian, writer, and host of the hit history podcast SNAFU, Ed Helms brings you an absurdly entertaining look at history’s biggest blunders.

At the height of the McCarthy era, an experimental theater troupe set up shop in a bar near the University of Chicago. Via word-of-mouth, astonished crowds packed the ad-hoc venue to see its unscripted, interactive, consciousness-raising style. From this unlikely seed grew the Second City, the massively influential comedy theater troupe, and its offshoots - the Groundlings, Upright Citizens Brigade, SNL, and a slew of others. Sam Wasson charts the meteoric rise of improv in this richly reported, scene-driven narrative.

Fred Stoller has played the annoying schnook in just about every sitcom you’ve seen on TV - Friends, Everybody Loves Raymond, Scrubs, Hannah Montana, My Name Is Earl - and was even a staff writer for Seinfeld, but he’s never found a solid gig. When it comes to Hollywood, it’s a case of always the bridesmaid and never the bride, except in his case he’s always the snarky waiter, the mopey cousin, or Man Number Two.

The Wicked Wit of Queen Elizabeth II is a celebration of the Queen's reign through some of her wittiest, most sarcastic and most humorous observations, revealing a fascinating side of her personality that often remains hidden from the public. When thinking of the Queen, our perception is often one of dignity and authority. She is seen as a serious figure: the British monarch, the Supreme Governor of the Church of England and the head of the Commonwealth. But as anyone who has ever met her will tell you, in person she has wicked sense of humour.

When first published to celebrate the 30th anniversary of Saturday Night Live, Live from New York was immediately proclaimed the best book ever produced on the landmark and legendary late-night show. In their own words, unfiltered and uncensored, a dazzling galaxy of trail-blazing talents recalled three turbulent decades of on-camera antics and off-camera escapades.

Cuando El chavo del ocho se estrenó en los años 70, el programa ofrecía un retrato poco común de la vida de la clase trabajadora que resonó en la gente de toda América Latina. En el pico de su popularidad, 350 millones de personas lo sintonizaban cada semana. Y durante casi 50 años, el legado de “el chavo” se mantuvo vivo a través de una creciente base de fans multigeneracional y sus retransmisiones diarias. Hasta 2020, cuando El Chavo dejó de emitirse repentinamente.

To age, they say, is to decline. Yet some things actually improve as they get older: certain wines, His Majesty King Charles, certain cheeses and, most of all, the Alan Partridge podcast, now back for its fourth series. What will this series offer that the first three didn’t? Nothing, that’s not the point. Instead it will continue, just as before, to draw back the curtain, open the cupboard and provide full loft access to the life of one of the most fascinating men in north Norfolk (Alan Partridge).

Mindy Kaling has lived many lives: the obedient child of immigrant professionals, a timid chubster afraid of her own bike, a Ben Affleck–impersonating Off-Broadway performer and playwright, and, finally, a comedy writer and actress prone to starting fights with her friends and coworkers with the sentence “Can I just say one last thing about this, and then I swear I’ll shut up about it?”

Step-by-Step to Stand-Up Comedy, written and narrated by Greg Dean, is a comprehensive guide for people who are funny, want to be funnier, or have dreams of being a stand-up comedian. This first-of-its-kind audiobook demystifies the craft of comedy by breaking it down to the fundamental skills used by professional funny people. Dean lays out these skills in simple-to-understand lessons that are easy to practice and master.

The Upright Citizens Brigade knows comedy, but more than that, they know how to coach aspiring comics and average joes alike on the ins and outs of how to create your own stand-out, unique voice. Led by UCB founders Matt Besser, Ian Roberts, and Matt Walsh, this series features conversations with experts in the field including Amy Poehler, Adam McKay, Ben Schwartz, Lennon Parham, Jessica St. Clair, Andy Daly, Bobby Moynihan, and Nick Kroll, among others.

“Don’t Wear Shorts on Stage…” is not only a complete guide to the previously unwritten rules of stand-up, but also a quick reference for the hundreds of questions that most comics don’t even think to ask. Durham points out mistakes most comics make before they even take the stage and continues his advice throughout the different levels of a comic’s career. His knowledge stems from over a decade of performing along with three years behind the scenes at one of America’s top clubs where he soaked up tips and anecdotes from some of the business’s biggest names like Dave Attell, ...

Comedy is king. From multimillion-dollar TV specials to sold-out stand-up shows and TikTok stardom, comedy has never been more popular, democratized, or influential. Comedians have become organizing forces across culture—as trusted as politicians and as fawned-over as celebrities—yet comedy as an art form has gone under-considered throughout its history, even as it has ascended as a cultural force.

In the mid-70s, Steve Martin exploded onto the comedy scene. By 1978 he was the biggest concert draw in the history of stand-up. In 1981 he quit forever. Born Standing Up is, in his own words, the story of "why I did stand-up and why I walked away".