Classics Literature Horror

Powers of Darkness is an incredible literary discovery. In 1900, Icelandic publisher and writer Valdimar Asmundsson set out to translate Bram Stoker's world-famous 1897 novel Dracula. Called Makt Myrkranna (literally, 'Powers of Darkness'), this Icelandic edition included an original preface written by Stoker himself. Makt Myrkranna was published in Iceland in 1901 but remained undiscovered outside of the country until 1986, when Dracula scholarship was astonished by the discovery of Stoker's preface to the book.

At the heart of these stories, as with all the best of Lovecraft’s work, is the belief that the Earth was once inhabited by powerful and evil gods, just waiting for the chance to recolonise their planet. Cthulhu is one such god, lurking deep beneath the sea until called into being by cult followers who – like all humans – know not what they do.

Kaerion Whitehart was once a mighty paladin, but sins of the past have cast him far from the light. Together with an elf mercenary, he now survives by the might of his sword alone. In exchange for a hefty purse, the two friends agree to accompany a band of patriots into a tomb haunted by fear and legend. They soon find the mission growing beyond their control. As warring factions vie for the ultimate prize of a long-dead wizard, Kaerion finds himself caught between death and redemption.

It is winter in Area X, the mysterious wilderness that has defied explanation for 30 years, rebuffing expedition after expedition, refusing to reveal its secrets. As Area X expands, the agency tasked with investigating and overseeing it - the Southern Reach - has collapsed on itself in confusion. Now one last, desperate team crosses the border, determined to reach a remote island that may hold the answers they've been seeking.

Laura and her father live a quiet life in their remote castle in the dense forests Styria. It is a solitary existence for young Laura, who has no companionship except for her governess and the occasional visits of neighbouring gentry. Into this lonely life comes the mysterious house guest, Carmilla. Slowly Laura falls under Carmilla's spell. Whilst she is both attracted and repulsed by Carmilla, she seems unable to find the energy to resist her.

CONTENTS: 1. The Imp of the Perverse [Poe], 2. The Devil in the Belfry [Poe], 3. The Crawling Chaos [Lovecraft], 4. Aunt Joanna [Sabine Baring-Gould], 5. The Outsider [Lovecraft], 6. The Hound [Lovecraft], 7. The Disinterment [Lovecraft], 8. The Horror At Martin's Beach [Lovecraft], 9. The Tree On The Hill [Lovecraft], 10. The Outgoing of The Tide [John Buchan], 11. The Curse of Yig [Lovecraft], 12. The Haunter Of The Dark [Lovecraft], 13. Berenice [Poe], 14. The Angel Of The Odd [Poe], 15. Black Ram [Baring-Gould], 16. The Cask Of Amontillado [Poe], 17. Dracula's Guest [Bram Stoker].

When Sir Peter Pendragon, a retired pilot of the Great War, meets the free-spirited Louise, a devotee of the mysterious occultist Basil King Lamus, the two immediately get married and set off across Europe, on a drug-fueled honeymoon of heroin and cocaine. Eventually, in an attempt to break free of their recently acquired habit, the newlyweds find their way to the Abbey of Thelema in Italy, where the adults perform invocations to the sun and the children freely recite passages from the Book of the Law.

In the town of Night Vale, there’s a faceless old woman who secretly lives in everyone’s home, but no one knows how she got there or where she came from...until now. Told in a series of eerie flashbacks, the story of The Faceless Old Woman goes back centuries to reveal an initially blissful and then tragic childhood on a Mediterranean Estate in the early 19th century, her rise in the criminal underworld of Europe, a nautical adventure with a mysterious organization of smugglers, her plot for revenge on the ones who betrayed her, and ultimately her death and its aftermath.

A phantom has haunted the Paris Opera House for years. Now he is infatuated with singer Christine Daaé. Despite an astonishing debut performance, Christine fails to win the lead in Faust, and the Phantom’s cursed retaliation on the opera house is spectacularly fatal. As the chandelier falls, he kidnaps Christine, and through hidden passages and behind trapdoors, shares his life story with her. To secure her escape, Christine promises to stay true to him forever. But when the Phantom learns of the prima donna’s intention to flee, his passion turns terrifying.

The bloody-minded Montresor leads the pompous Fortunato deep into the catacombs, seeking the famed Amontillado wine. Here we have one of Poe’s most terrifying, and most “beloved” tales. Revenge and pomposity commingle beneath the river’s bed, leading to a delightfully sinister conclusion.

Some wounds take time to heal . . . and some scars never fade. Rachel Morgan, kick-ass witch and bounty hunter, has taken her fair share of hits, and has broken lines she swore she would never cross. But when her lover was murdered, it left a deeper wound than Rachel ever imagined, and now she won't rest until his death is solved . . . and avenged. Whatever the cost.

Two couples vacationing in Alabama are pursued by a maniac killer who lures them to a vacant house which won't let them leave. The "house" mirrors their own heart and souls and they must defeat the evil within.

This collection comprises stories by and inspired by the originators of weird fiction. From Allen's "The Arctic Death", through to Poe's "The Tell-Tale Heart", Stoker's "Dracula's Guest", and beyond. Time immemorial; worlds unimaginable.

On the day of his wedding, Conrad, heir to the house of Otranto, is killed under mysterious circumstances. His calculating father, Manfred, fears that his dynasty will now come to an end and determines to marry his son's bride himself, despite the fact he is already married. But a series of terrifying supernatural omens soon threaten this unlawful union, as the curse placed on Manfred's ancestor, who usurped the lawful Prince of Otranto, begins to unfold.

A collection of horror/thriller stories with surprise endings to chill you and thrill you to the bone. The nightmares include: The CONDOM IN THE COFFIN: A wife finds a condom in the lining of her husband's coffin which triggers suspicions someone at the mortuary is a necrophiliac. THE LOOKER: Kidnappers abduct an unusually beautiful woman to harvest her organs for half a million dollars. THE BEAST OF SPOOKY HOLLOW: A freelance writer goes to his college reunion and decides a legendary beast devouring the locals there may be his ticket to a Pulitzer. THE ALIEN: A man struck by lightning ...

Ariella Montero is seeking the true identities of her mother - and father and of herself. She's been taught literature, philosophy, science, and history, but she knows almost nothing about the real world and its complexities. Her world is one in which ghosts and vampires commune with humans, where Edgar Allan Poe and Jack Kerouac are role models, and where every time a puzzle seems solved, its last piece changes the entire picture.

This collection by Robert W. Chambers was first published in 1895 and features stories loosely tied together with one theme, the supernatural. Many of the stories in The King in Yellow were not received well by the critics of the time due to their supernatural undertones. Some of the stories mention a play by the same name that had been outlawed in some regions of the world. It was thought that the play could induce madness in those who viewed it. Two of the stories in this book take place in a fictional world of the future 1920s and are macabre in tone.

A young girl called Tozi stands at the bottom of a pyramid, waiting to be led to the top where her heart will be cut out.... Pepillo, a Spanish orphan who serves a sadistic Dominican friar, is aboard the Spanish fleet as it sails towards Mexico.... This is the epic story of the clash of two empires, two armies and two gods of war. Five hundred desperate adventurers are about to pit themselves against the most brutal armies of the ancient Americas, armies hundreds of thousands strong.

Dr. Henry Jekyll, fascinated by the dichotomy of good and evil, no longer wants to inhibit his dark side. He concocts a potion to create the alter ego of Mr. Edward Hyde. With the burden of evil placed on Hyde, Jekyll can now take pleasure in his immoral, nefarious fantasies - free of conscience and guilt. It's when Hyde turns to murder that Jekyll realizes how monstrous his impulses are and how hard they are to suppress.

Ginger Stuyvesant, an American heiress living in London during World War I, is engaged to Captain Benjamin Hartshorne, an intelligence officer. Ginger is a medium for the Spirit Corps, a special Spiritualist force. Each soldier heading for the front is conditioned to report to the mediums of the Spirit Corps when they die so the corps can pass instant information about troop movements to military intelligence. Ginger and her fellow mediums contribute a great deal to the war efforts, so long as they pass the information through appropriate channels.