Classic Plays

This production is abridged and in plain English. Timon of Athens (The Life of Tymon of Athens) is perhaps Shakespeare's sharpest satire on wealth, greed, and betrayal. Scholars generally classify Timon either as a tragedy or a problem play.

Shakespeare is regarded as the greatest writer in the English language and the world's best dramatist. His plays have been translated into every major language, and are the most performed ever. His work contains stunningly modern insight, witty jokes and soaring passion; it is an endless source of amazement and inspiration.

This adaptation of Charles Dickens's beloved novella, A Christmas Carol, attempts to convey this wonderful story of a covetous old sinner's redemption into a two hour long performance. In its narration, some slight liberties have been taken to make accessible obscure words and references that some modern listeners may find challenging. The retained dialogues and dialects are those of Charles Dickens and remain faithful to his writing.

This collection of letters and excerpts from Mr. Dickens' novels, edited by Mr. Woollcott, shows us how infatuated the author was with the theater. His correspondences with Macready and Forster are brimming with reviews (both good and bad) of plays that the author attended. Mr. Woollcott also included theater-related excerpts from David Copperfield, Great Expectations, and, of course, Nicholas Nickleby. A delight for lovers of Dickens and of the stage!

A brave Scottish general named Macbeth receives a prophecy from a trio of witches that one day he will become King of Scotland. Consumed by ambition and spurred to action by his wife, Macbeth murders King Duncan and takes the Scottish throne for himself. He is then wracked with guilt and paranoia. Forced to commit more and more murders to protect himself from enmity and suspicion, he soon becomes a tyrannical ruler. The bloodbath and consequent civil war swiftly take Macbeth and Lady Macbeth into the realms of madness and death.

Rómeó er í öngum sínum yfir stúlku sem vill ekkert með hann hafa, svo vinur hans tekur hann með sér í veislu í von um að aðrar fallegar stúlkur muni leiða hugann frá henni. Það tekst svo sannarlega. Þegar Rómeó læsir augunum við unga Júlíu er ást við fyrstu sýn. Til allrar óhamingju uppgötva Rómeó og Júlía brátt að þau tilheyra fjölskyldum sem eiga í ættardeilum og verða þau að halda rómantík sinni leyndri. Frægasta ástarsaga sem skrifuð hefur verið, Rómeó og Júlía, er vísun í bæði hreina sanna ást og harmleik.

The young Danish Prince, Hamlet, is vexed by a trip home to Denmark from school in Germany, to attend his father, the king's funeral. Upon arriving at home, Hamlet has discovered that his mother has already become married to the former King's brother, Hamlet's uncle. What's more, the man has declared himself to be King of Denmark even though Hamlet was the true and rightful heir. Hamlet is enraged by this deception, and immediately suspects foul play in his father's murder.

William Shakespeare's classic masterpiece, the tragedy of Othello, Moor of Venice, joined in an interracial marriage to the beautiful Desdemona and driven to suspicion and jealousy by his maleficent officer Iago.

Shakespeare is regarded as the greatest writer in the English language and the world's best dramatist. His plays have been translated into every major language, and are the most performed ever. His work contains stunningly modern insight, witty jokes and soaring passion; it is an endless source of amazement and inspiration.

"Sein oder Nichtsein, das ist hier die Frage!" Der dänische Prinz Hamlet weiß nicht mehr weiter: Einerseits ist er sich sicher, das sein Vater, der König, ermordet wurde, und zwar durch Claudius, dessen Bruder - der jetzt König ist und sogar Hamlets Mutter geheiratet hat. Andererseits ist der wankelmütige, schöngeistige Prinz nicht sicher, ob und wie er seinen Vater rächen soll - obwohl dieser ihn in Gestalt eines Geistes dazu auffordert. Hamlet beschließt auf Zeit zu spielen, und spielt die Rolle des Verrückten. Doch dies macht nicht nur seiner Geliebten Ophelia zu schaffen.

Macbeth and his wife show how bad the evil that can possess human souls is. But evil is not all powerful. On the one hand, Macbeth is the gloomiest of the great Shakespeare's tragedies; on the other hand, it's more encouraging than Hamlet, Othello or King Lear. In no other tragedy as in Macbeth the evil is confronted by so many people, and nowhere else they are so active. Shakespeare is the author of the world famous sonnets and plays: Romeo and Juliet, Hamlet, Macbeth and Othello, as well as comedies Twelfth Night, A Midsummer's Night Dream, Love's Labour's Lost, etc.

In this great tragedy, Macbeth's ambition to fulfill the three witches' prophecy that he will become King of Scotland spurs him and his wife to assassinate King Duncan. But for persistant ghosts, Lady Macbeth's conscience, and the vengeance of Duncan's son, they might have gotten away with murder!

Ghosts is a play by the legendary Norwegian playwright Henrik Ibsen. Written in 1881, the play is a scathing commentary on 19th-century morality. Its controversial subject matter includes frank discussions of incest, euthanasia, criticism of religion, and venereal disease, a basket of deplorable themes that scandalized Victorian society. Ghosts is the story of Helen Alving, a widow who is haunted by the many mistresses of her deceased husband and by her troubled son. The theme is a refutation of the idea that one ought to sacrifice one’s dreams on the altar of duty.

William Squire, Corin Redgrave, Derek Jacobi, and Trevor Nunn perform Shakespeare's play about the fortunes of an Athenian named Timon. He loves to give parties and presents to friends, but when he cannot pay his creditors, his 'friends' refuse to help him, and he becomes a misanthropic hermit.

Newly widowed Phyllida returns from India to visit her absent-minded father, Professor Woodbridge, only to find the house locked up and deserted. Phyllida learns that he left town four months ago having dismissed the staff, telling them he was leaving for a prolonged holiday. After some further investigation, it appears that her father has vanished. As Phyllida investigates the disappearance of her missing father, she is faced with secrets and revelations she could never have been prepared for.

In this, Shakespeare's last play, the dark themes of punishment and loss give way to those of forgiveness and new beginnings. The plot involves a shipwreck on a fantastic island where friends reunite, love blooms, and magic reigns.

Originally published in 1906, Pride and Prejudice: A Play, based on Jane Austen's novel written in 1813, brings a new way to experience a much-loved story and characters. Follow the Bennet family through their daily lives as new people move into the neighborhood, romance blossoms, hearts are broken, scandals are had, and, of course, love prevails. This classic story is brought to life while keeping true to the spirit and wit of Ms. Austen herself!

King Cymbeline of Britain banishes his daughter Imogen's husband, who then makes a bet on Imogen's fidelity. Imogen is accused of being unfaithful, runs away and becomes a page for the Roman army as it invades Britain. In the end, Imogen clears her name, discovers her long-lost brothers and reunites with her husband while Cymbeline makes peace with Rome.

Sir Michael Morpurgo retells two of Shakespeare’s best-loved plays, Romeo and Juliet and A Midsummer’s Night Dream, in this stunning audio collection in association with the RSC, featuring readings by members of the Royal Shakespeare Company and Michael himself. Translating these iconic plays into thrilling prose, the nation’s favourite storyteller preserves all the imaginative genius and spark of the originals, while bringing a contemporary and vibrant voice to their retelling.

Bianca is beautiful and demure, with a plethora of would-be suitors, but marriage is forbidden until her older sister, Katherina, finds a suitable match. The hitch? Fiery Katherina has sworn to deny the hand or demands of any would-be suitor. That is, until she meets her match in the wily Petrucio. As Katherina’s own sharp tongue is met by Petrucio’s feigned cruelty, the ‘shrew’ apparently capitulates. Or does she?