Classic Plays

A stage adaptation of Emily Bronte's "Wuthering Heights."

Twin brothers and their twin manservants, separated as infants by a shipwreck and unaware of each other, cross paths in Epheus when they are adults. What could possibly go wrong?

The St. Charles Players present a unique telling of Owen Wister's classic Western, in a new multi-cast dramatization performed in exciting Radio Theatre style.

When a handsome young man begins to court Catherine Sloper, she feels she is very lucky. She is a quiet, gentle girl, but neither beautiful nor clever; no one had ever admired her before, or come to the front parlour of her home in Washington Square to whisper soft words of love to her. But in New York in the 1840s young ladies are not free to marry where they please. Catherine must have her father’s permission, and Dr Sloper is a rich man.

Sir Michael Morpurgo retells two of Shakespeare’s best-loved plays, Romeo and Juliet and A Midsummer’s Night Dream, in this stunning audio collection in association with the RSC, featuring readings by members of the Royal Shakespeare Company and Michael himself. Translating these iconic plays into thrilling prose, the nation’s favourite storyteller preserves all the imaginative genius and spark of the originals, while bringing a contemporary and vibrant voice to their retelling.

In Hamlet, the Prince of Denmark has recently lost his father, but his mother is in a hurry to marry her late husband's brother. Hamlet is overwhelmed with grief for his father's death but also outraged because of the hurried marriage. Most people don't realize that there are three versions of Hamlet, printed at different times. There is a considerable difference between the texts of these versions, so to have a "complete" version of this play, editors had to make some adjustments. The three texts are simply different versions of the play.

When the curtains rise on Angelina Weld Grimké’s devastating drama, the Lovings—a Black family from the South—have settled into a small but immaculate apartment in an unnamed northern city. The widowed matriarch, Mary; her daughter, Rachel; and her son, Tom anticipate a more promising future here, but Rachel, a sensitive young woman, has a sudden reckoning with the past that throws her future into serious doubt.

King Cymbeline of Britain banishes his daughter Imogen's husband, who then makes a bet on Imogen's fidelity. Imogen is accused of being unfaithful, runs away and becomes a page for the Roman army as it invades Britain. In the end, Imogen clears her name, discovers her long-lost brothers and reunites with her husband while Cymbeline makes peace with Rome.

Award-winning narrator Mike Vendetti recites William Shakespeare's Sonnet 43.

Helen heals the king of France, and the king grants her permission to marry Bertram, the man she loves. Bertram rejects her and leaves a list of tasks that she must do to have him acknowledge their marriage. She follows him to Italy, completes all the tasks and Bertram accepts her as his wife.

Mark Antony, one of three rulers of Rome, is in love with Cleopatra, queen of Egypt. Antony is summoned back to Rome, where he clashes with another ruler, Octavius, before returning to Cleopatra in Egypt. Now in battle with Octavius, Antony and Cleopatra suffer losses and miscommunication and both eventually commit suicide.

This adaptation of Charles Dickens's beloved novella, A Christmas Carol, attempts to convey this wonderful story of a covetous old sinner's redemption into a two hour long performance. In its narration, some slight liberties have been taken to make accessible obscure words and references that some modern listeners may find challenging. The retained dialogues and dialects are those of Charles Dickens and remain faithful to his writing.

After York's claims to the throne, Henry changes the succession and makes York his heir, disinheriting his own son. Henry's queen kills York, and York's son Edward seizes the throne. Henry is imprisoned several times and eventually killed by King Edward's brother, Richard.

Shakespeare was heavily influenced by Holy Writ. Bible lines, characters, and narratives are "verbal characters" in his plays, poems, and sonnets, sometimes subtly and sometimes blatantly. But they are there, revealing the deep scriptural well that was the culture from which Shakespeare drew and reminding us of scenes and stories in the Bible.

Award-winning narrator Mike Vendetti recites Shakespeare’s "Sonnet 12".

Jealous conspirators convince Caesar's friend Brutus to join their assassination plot against Caesar. To stop Caesar from gaining too much power, Brutus and the conspirators kill him on the Ides of March. Mark Antony drives the conspirators out of Rome and fights them in a battle. Brutus and his friend Cassius lose and kill themselves, leaving Antony to rule in Rome.

Much Ado About Nothing is generally considered one of Shakespeare's best comedies, because it combines elements of robust hilarity with more serious meditations on honor, shame, and court politics. The play includes two quite different stories of romantic love. Hero and Claudio fall in love almost at first sight, but an outsider, Don John, strikes out at their happiness. Beatrice and Benedick are kept apart by pride and mutual antagonism until others decide to play Cupid.

This play, which bears an alternate title of What You Will, was written in about 1602. Twelfth Night has always been one of Shakespeare's most popular comedies, and many adaptations have been made for film and musical theatre.

Bianca is beautiful and demure, with a plethora of would-be suitors, but marriage is forbidden until her older sister, Katherina, finds a suitable match. The hitch? Fiery Katherina has sworn to deny the hand or demands of any would-be suitor. That is, until she meets her match in the wily Petrucio. As Katherina’s own sharp tongue is met by Petrucio’s feigned cruelty, the ‘shrew’ apparently capitulates. Or does she?

William Shakespeare is widely considered the greatest writer in the history of the English language, so renowned and respected that the time period in which he lived is often known as the Age of Shakespeare. Indeed, his genius is questioned only by those who doubt the authenticity of his authorship of timeless classics like Romeo and Juliet. As Ben Jonson once put it, "He was not of an age, but for all time."