Classic Film

Two classic filmmaking books in one box set: Fast, Cheap and Under Control: Lessons Learned from the Greatest Low-Budget Movies of All Time--Learn the tricks and pitfalls of low-budget filmmaking from 33 successful independent films and the filmmakers who created them. Fast, Cheap and Written That Way: Top Screenwriters on Writing for Low-Budget Movies--Hollywood's top screenwriters look back at their early low-budget efforts and provide valuable tips, tricks, and advice on how to create a solid screenplay for a low-budget movie.

We'll Always Have Casablanca is celebrated film historian Noah Isenberg's rich account of this most beloved movie's origins. Through extensive research and interviews with filmmakers, film critics, family members of the cast and crew, and diehard fans, Isenberg reveals the myths and realities behind Casablanca's production, exploring the transformation of the unproduced stage play into the classic screenplay, the controversial casting decisions, and the effect of the war's progress on the movie's reception.

Do you remember BlockBuster video and the nostalgic cinematic experience this business offered consumers? Pick up a copy of this book and transport back in time today as we remember what it was like to Rent a movie from BlockBuster. Enjoy - C.

"Mrs. Robinson, you're trying to seduce me. Aren't you?" These famous lines from The Graduate (1967) would forever link Anne Bancroft (1931-2005) to the groundbreaking film and confirm her status as a movie icon. Along with her portrayal of Annie Sullivan in the stage and film drama The Miracle Worker, this role was a highlight of a career that spanned a half-century and brought Bancroft an Oscar, two Tonys, and two Emmy awards. In the first biography to cover the entire scope of Bancroft's life and career, Douglass K. Daniel reveals how, from a young age, Bancroft was committed to challenging herself and strengthening her craft.

LOYALTY IS THE HEART OF HONOR Loyalty and Rebellion Three French patriots come out of retirement to stop a coup d’état and clear the King’s Musketeers when Cardinal Richelieu blames them for it. Love and Secrets Richelieu plots to expose Queen Anne’s secret relationship with his arch-rival, Tréville, captain of the Musketeers. D’Artagnan must choose between two women, who both have dark secrets. Betrayal and Honor Athos, Porthos, and Aramis discover not all their allies can be trusted. Power corrupts. Greed persuades. Loyalty is tested.

Some Like It Hot occupies a unique place in American culture. This beloved classic showcases five comic geniuses: Tony Curtis, Jack Lemmon, I. A. L. Diamond, Billy Wilder, and Marilyn Monroe. It has been honored by the American Film Institute as the funniest film of all time. It has contributed quotes, styles, and stories to film lore. Yet the full story of its making has never been told - until now.

Damn good coffee, cherry pie, and the “big bang of auteur television”―why Twin Peaks deserves to be a pop culture classic In 1990, avant garde filmmaker David Lynch (Eraserhead, The Elephant Man, Dune, Blue Velvet) and acclaimed television writer Mark Frost (Hill Street Blues) teamed up to create a television show that would redefine what the medium could achieve in a one-hour drama.

A new edition of the first book in the acclaimed Pop Classics series The Worst. Movie. Ever. is a masterpiece. Seriously. Enough time has passed since Showgirls flopped spectacularly that it’s time for a good hard look back at the sequined spectacle. A salvage operation on a very public, very expensive train wreck, It Doesn’t Suck argues that Showgirls is much smarter and deeper than it is given credit for.

In "The Dunwich Horror" (1928), Wilbur Whateley, the son of a deformed albino mother and an unknown father, matures at an abnormal rate, reaching manhood within a decade. All the while, his sorcerer grandfather indoctrinates him into certain dark rituals and the study of witchcraft. "The Thing at the Doorstep" was written five years later. Confessing to the killing of his friend Edward Derby, Daniel Upton hopes his account will prove he is not a murderer.

The Blues Brothers hit theatres on June 20, 1980. Their scripted mission was to save a local Chicago orphanage; but Aykroyd, who conceived and wrote much of the film, had a greater mission: to honour the then-seemingly forgotten tradition of rhythm and blues, some of whose greatest artists.

"I consider myself the luckiest man on the face of the Earth". On July 4, 1939, baseball great Lou Gehrig delivered what has been called "baseball's Gettysburg Address" at Yankee Stadium and gave a speech that included the phrase that would become legendary. He died two years later and his fiery widow, Eleanor, wanted nothing more than to keep his memory alive. With her forceful will, she and the irascible producer Samuel Goldwyn quickly agreed to make a film based on Gehrig's life, The Pride of the Yankees.

The late film icon and screen legend Kirk Douglas was married to Anne Buydens for more than six decades. Here they both look back on a lifetime filled with drama both on and off the screen. Sharing priceless correspondence with each other as well as the celebrities and world leaders they called friends, Kirk and Anne is a candid portrayal of the pleasures and pitfalls of a Hollywood life lived in the public eye. Compiled from Anne's private archive of letters and photographs, this is an intimate glimpse into the Douglases' courtship and marriage.

गुप्त तळघराचा माग सांगणाऱ्या कोळ्यांना बघून घाबरण्यासाठी रॉन झालेल्या रूपर्ट ग्रिंट याला अजिबातच अभिनय करावा लागला नाही! कारण नुसत्या कोळ्याच्या कल्पनेनेसुद्धा रुपर्टला घाम फुटतो! हॅरी पॉटर चित्रपटात काम केलेल्या कलाकारांची रहस्य जाणून घेण्यासाठी ऐका - मेकिंग ऑफ क्लासिक्स' .

We are all classicists - we come into touch with the classics on a daily basis: in our culture, politics, medicine, architecture, language, and literature. What are the true roots of these influences, however, and how do our interpretations of these aspects of the classics differ from their original reality?

In Chasing the Light Oliver Stone talks about his rarefied New York childhood, volunteering for combat and his struggles and triumphs making such films as Platoon, Midnight Express and Scarface. Stone, now 73, recounts those formative years with vivid details of the high and low moments.

A high-ranking scientist has been kidnapped. A secret British intelligence agency must find out why. But as the quarry is pursued from grimy Soho to the other side of the world, what seemed a straightforward mission turns into something far more sinister. With its sardonic, cool, working-class hero, Len Deighton's sensational debut The IPCRESS File rewrote the spy thriller and became the defining novel of 1960s London.

Meg, Jo, Amy e Beth: le quattro sorelle più amate di tutta la letteratura. La storia irresistibile delle ragazze March, con le loro speranze e ambizioni, ha ispirato intere generazioni. Basta ascoltarne le voci e subito ci pare di vivere i loro sogni, i litigi, le feste da ballo, li inciampi della giovinezza. Già, perché a forza di tener testa a difficoltà e delusioni, le quattro ragazze si fanno grandi, avviandosi ciascuna per la propria strada, ciascuna diversa.

A penetrating dive into the cultural phenomenon that changed horror forever. For forty years, Freddy Krueger has stalked not just our dreams but our collective imagination, becoming more than just a villain—he's become a mirror reflecting America's deepest fears. In WHY WE LOVE OUR NIGHTMARES, Dennis Santaniello confronts his own childhood terror of Freddy to uncover why this burned, wisecracking killer continues to endure. This insightful exploration reveals how "A Nightmare on Elm Street" transcended typical slasher fare to tap into profound cultural anxieties: the false security of ...

In Buffoon Men: Classic Hollywood Comedians and Queered Masculinity, Scott Balcerzak reads the performances of notable comedians such as W. C. Fields, Eddie Cantor, Jack Benny, Stan Laurel and Oliver Hardy, Bert Wheeler and Robert Woolsey, and Bud Abbott and Lou Costello through humor and queer theory to expose a problematic history of maleness in their personas.

It's one of the greatest movie romances of all time. Yet the friction and controversy surrounding The Way We Were was so enormous, the movie was nearly never made at all. Drawing on Laurents's and Pollack's unpublished writings, as well as interviews with Streisand, Redford, and other key players, this is the definitive account of a film that changed the rules of moviemaking and defined romance ever since.