Classic Film

Showcasing the best of Ernest Hemingway’s short stories including his well-known classics - as featured in the magnificent three-part, six-hour PBS documentary by Ken Burns and Lynn Novick - this new collection is introduced by award-winning author Tobias Wolff.

Laura and her father live a quiet life in their remote castle in the dense forests Styria. It is a solitary existence for young Laura, who has no companionship except for her governess and the occasional visits of neighbouring gentry. Into this lonely life comes the mysterious house guest, Carmilla. Slowly Laura falls under Carmilla's spell. Whilst she is both attracted and repulsed by Carmilla, she seems unable to find the energy to resist her.

Directors operate behind the scenes managing actors, establishing a cohesive creative vision, at times literally guiding our eyes with the eye of the camera. But we are often so dazzled by the visions onscreen that it is easy to forget the individual who is off-screen orchestrating the entire production - to say nothing of their having marshaled a script, a studio, and other people's money. David Thomson, in his usual brilliantly insightful way, shines a light on the visionary directors who have shaped modern cinema and, through their work, studies the very nature of film direction.

Casablanca effectively made the case that America was the land of hope and freedom in a world darkened by the forces of Nazi Germany. In the beginning of the film, a map of the world serves as the backdrop for a deep-voiced narrator explaining the flood of refugees out of Europe. This ominous mood shrouds the city of Casablanca, in Vichy North Africa, the final stop between Lisbon and freedom in America. Indeed, corrupt French bureaucrats charge a steep price for exit visas. As a result, refugees become desperate.

The films, the stars, the filmmakers - all get their due in Hollywood Black, a sweeping overview of Blacks in film from the silent era through Black Panther, with striking photos and an engrossing history by award-winning author Donald Bogle.

Ejnar Mikkelsen was devoted to Arctic exploration. In 1910 he decided to search for the diaries of the ill-fated Mylius-Erichsen expedition, which had set out to prove that Robert Peary’s outline of the East Greenland coast was a myth, erroneous and presumably self-serving. Iver Iversen was a mechanic who joined Mikkelsen in Iceland when the expedition’s boat needed repair.

From former screen legends who have faded into obscurity to new revelations about the biggest movie stars, Valderrama unearths the most fascinating little-known tales from the birth of Hollywood through its Golden Age. The shocking fate of the world's first movie star. Clark Gable's secret love child. The film that nearly ended Paul Newman's career. A former child star who, at 93, reveals her #metoo story for the first time. Valderrama unfolds these stories, and many more, in a volume that is by turns riveting, maddening, hilarious, and shocking.

For fans of one of the most successful and highly discussed shows in recent memory, LOST: Back to the Island is both a delightful time capsule and a rousing work of entertainment criticism.

The day-by-day inside story of the making of Tombstone (1993) as told to the author by those who were there--actors, extras, crew members, Buckaroos, historians and everyone in between. Historical context that inspired Kevin Jarre's screenplay is included. Production designers, cameramen, costume designers, composers, illustrators, screenwriter, journalists, set dressers, prop masters, medics, stuntmen and many others share their recollections--many never-before-told--of filming this epic Western.

We are all classicists - we come into touch with the classics on a daily basis: in our culture, politics, medicine, architecture, language, and literature. What are the true roots of these influences, however, and how do our interpretations of these aspects of the classics differ from their original reality?

Boston blueblood Charlotte Vale has led an unhappy, sheltered life. Lonely, dowdy, repressed, and pushing 40, Charlotte finds salvation at a sanitarium, where she undergoes an emotional and physical transformation. After her extreme makeover, the new Charlotte tests her mettle by embarking on a cruise and finds herself in a torrid love affair with a married man which ends at the conclusion of the voyage. But only then can the real journey begin, as Charlotte is forced to navigate a new life for herself.

Mark Kermode’s compelling study of this horror classic was originally published in 1997, and then extensively updated and expanded in 2003 to incorporate the discovery of new material. This revised edition documents the deletion and reinstatement of key scenes that have now been integrated into the film to create The Exorcist: The Version You’ve Never Seen. Candid interviews with director William Friedkin and writer/producer William Peter Blatty reveal the behind the-scenes battles which took place during the production.

The Horror of It All is a memoir from the front lines of the industry that dissects (and occasionally defends) the hugely popular phenomenon of scary movies. Author Adam Rockoff traces the highs and lows of the horror genre through the lens of his own obsessive fandom, born in the aisles of his local video store and nurtured with a steady diet of cable trash.

Shooting Midnight Cowboy is not only the definitive account of the film that unleashed a new wave of innovation in American cinema but also the story of a country (and an industry) beginning to break free from decades of cultural and sexual repression.

We'll Always Have Casablanca is celebrated film historian Noah Isenberg's rich account of this most beloved movie's origins. Through extensive research and interviews with filmmakers, film critics, family members of the cast and crew, and diehard fans, Isenberg reveals the myths and realities behind Casablanca's production, exploring the transformation of the unproduced stage play into the classic screenplay, the controversial casting decisions, and the effect of the war's progress on the movie's reception.

OSFERATU – A Symphony of Horror The Cult Film Transformed into a Novel – Darker, Deeper, Unrelenting Over 100 years ago, F.W. Murnau introduced the world to the very first vampire film, Nosferatu – A Symphony of Horror. Now, the myth awakens once again – not on the screen, but on the pages of this novel. This adaptation not only honors the cinematic classic, it expands and deepens its terror, elevating the horror to a whole new level. If you’re a fan of vampire legends, Gothic horror, and classic tales of dread, this book is made for you. A Journey into Darkness Follow Thomas ...

Jane Austen was born in Steventon, England, in 1775, where she lived for the first 25 years of her life. Her father, George Austen, was the rector of the local parish, and provided most of her education in their home. She began to write while in her teens and completed the original manuscript of Pride and Prejudice First Impressions, between 1796 and 1797. Pride and Prejudice was published in January 1813, two years after Sense and Sensibility, her first novel.

It's one of the most revered movies of Hollywood's golden era. Starring screen legend Gary Cooper and Grace Kelly in her first significant film role, High Noon was shot on a lean budget over just 32 days but achieved instant box-office and critical success. It won four Academy Awards in 1953, including a best actor win for Cooper. And it became a cultural touchstone, often cited by politicians as a favourite film, celebrating moral fortitude.

The Call of Cthulhu", written in 1926, is probably Lovecraft's best-known work. Discovering notes left by a deceased relative, the narrator pieces together the whole truth and disturbing significance of the Cthulhu cult. This release also contains the shorter tales "The Festival" and "The Hound", in which gravediggers bring home more than they bargained for!

A penetrating dive into the cultural phenomenon that changed horror forever. For forty years, Freddy Krueger has stalked not just our dreams but our collective imagination, becoming more than just a villain—he's become a mirror reflecting America's deepest fears. In WHY WE LOVE OUR NIGHTMARES, Dennis Santaniello confronts his own childhood terror of Freddy to uncover why this burned, wisecracking killer continues to endure. This insightful exploration reveals how "A Nightmare on Elm Street" transcended typical slasher fare to tap into profound cultural anxieties: the false security of ...