Classic Biography

When a notorious lawyer, at the request of a famed composer, meticulously conceals his origins, his adoptive mother takes every measure to bury the truth. Pulling strings and enlisting influential allies—including a television icon—she constructs a carefully crafted facade to ensure he never uncovers his past. But as he grows older, cracks in the carefully constructed facade begin to show, leaving him haunted by an unsettling sense that something is being hidden from him.

Orlando is the extraordinary biography of a young nobleman in the court of Elizabeth I who transforms into a woman and lives for over three centuries. In his youth, Orlando is a passionate lover and poet. He dotes on the Queen, serves King James faithfully, falls deeply in love with a Russian princess, and becomes an ambassador to Constantinople, but at his heart all Orlando ever wants to be is a great writer (and living at the same time as Marlowe, Donne, and Shakespeare, this is no easy thing). But while living in Constantinople, one evening Orlando is transformed into woman.

Wolfgang Amadeus Mozart is one of the most famous composers. When he was only three years old, he played the harpsichord and the violin. At the age of four he was making up his own music. He was so young that his father had to help him write it down. When he was six years old, Mozart and his older sister Nannerl were giving concerts to kings and queens and emperors. And Mozart wrote new music all the time, even when he was sitting in bumpy coaches travelling through Europe.

Toward the end of the Hundred Years War between France and England, as Merlin predicted, a great warrior emerged, uniting a beleaguered nation and leading it to improbable victories. It was said this warrior was a messenger of God. And it may have been, for a country was saved and a kingdom restored. This great leader of men, this messenger who united a nation, was a 17-year-old maiden named Joan.

"The Girl of Many Crowns" is the true and inspiring story of Judith, the first princess of France, who is a pawn in a complex political game of chess as her father, King Charles, tries to hold on to his kingdom. King Charles, grandson of Emperor Charlemagne, is beset on every side by Vikings, rebel lords, and greedy neighboring monarchs. He marries 12-year-old Judith to Aethelwulf, the aging King of Wessex, for political advantage. When she is widowed, less than two years later, he arranges a second marriage for her.

Just as Anne had to use a male pseudonym in order to publish, Helen Graham, the novel's protagonist and a battered wife, must assume an alias in order to gain freedom from her suffering. With her young child, Helen takes up residence at Wildfell Hall, shrouding her past in secrecy, yet earning the attentions of a young, unmarried country gentlemen.

It's one of the greatest movie romances of all time. Yet the friction and controversy surrounding The Way We Were was so enormous, the movie was nearly never made at all. Drawing on Laurents's and Pollack's unpublished writings, as well as interviews with Streisand, Redford, and other key players, this is the definitive account of a film that changed the rules of moviemaking and defined romance ever since.

Ruth Padel's new sequence of poems, in four movements, is a personal voyage through the life and legend of one of the world's greatest composers. She uncovers the man behind the music, charting his private thoughts and feelings through letters, diaries, sketchbooks, and the conversation books he used as his hearing declined. She gives us Beethoven as a battered four-year-old, weeping at the clavier; the young virtuoso pianist agonized by his encroaching deafness; the passionate, heartbroken lover. Padel's quest takes her into the heart of Europe and back to her own musical childhood.

There's honest graft and dishonest graft, according to George Washington Plunkitt. Listen to this candid discourse from a 19th-century politician and decide for yourself if things have changed.

The Music Man stands as one of the greatest achievements in American musical theatre, but few know about its rocky beginnings and the against-all-odds success story of its creator, Meredith Willson. Mark Cabaniss steps back into the Golden Age of Broadway and brings to life the origins of this classic show, the music behind it, and the unlikely story of its creator. Interweaving behind-the-scenes accounts of people who worked with Willson, Cabaniss looks at his long and unusual career as a composer, conductor, radio personality, and flutist.

The biography of Titus Pomponius Atticus was one of Nepos' greatest writings during his life. Considered by many to be one of the most upstanding men in ancient history, and the friend of Julius Caesar and Marc Antony, he lived during one of the most turbulent and important periods of ancient Rome. Learn how a politican could actually manage to maintain honor and fulfill his duty without being swayed or tempted by personal interest and gain.

In this excerpt from her historically significant autobiography first published in 1889, American suffragette, educator, and president of the Woman's Christian Temperance Union Frances Willard gives us a deeper understanding of the ethos of the woman’s temperance movement, as well as the day to day struggles and triumphs of the movement in the US at the time.

Before Ratmansky was the artistic director of the Bolshoi Ballet, the resident choreographer at American Ballet Theatre, the artist in residence at New York City Ballet, and generally, as The New Yorker has it, "the most sought-after man in ballet," he was just a boy from Kyiv, sneaking into the ballet at night, concocting his own juvenile adaptations of novels and stories, and dreaming up new possibilities for bodies in motion.

Mary Prince’s astonishing narrative was the first account of the life of a Black woman to be published in the United Kingdom and was a key work in turning British public opinion against institutionalized enslavement. Born to an enslaved family, Mary was determined to open people’s eyes to the evils of slavery. Authentic and unsparing, her memoir tells of an extraordinary journey.

The Virginia Woolf Complete Collection brings together 6 of her published novels, from her very first published work, the excubrantly youthful The Voyage Out, to the modern masterpieces of Mrs Dalloway and To the Lighthouse, as well as the hugely ambitious and ever-relevant Orlando, alongside other wide-ranging and ever-inventive works of fiction.

The chilling true story of Oregon's most shocking killer! Jimmy Rode was serving a sentence for burglary in a Florida prison when he met serial killer Ted Bundy. It was Bundy who gave him a Seattle newspaper containing personal ads - an easy means for meeting vulnerable female victims - that launched Rode on a coast-to-coast killing spree under the alias of Cesar Barone. Now, in detail, Lasseter unleashes the story of Jimmy Rode.

Edited by Toni Morrison and first published in 1974, An Autobiography is a classic of the Black Liberation era which resonates just as powerfully today. Long hard to find, it is reissued now with a new introduction by Davis, for a new audience inspired and galvanised by her ongoing activism and her extraordinary example. In the book, she describes her journey from a childhood on Dynamite Hill in Birmingham, Alabama, to one of the most significant political trials of the century.

Written when Orwell was a struggling writer in his 20s, it documents his 'first contact with poverty'. Here, he painstakingly documents a world of unrelenting drudgery and squalor - sleeping in bug-infested hostels and doss houses of last resort, working as a dishwasher in Paris's vile 'Hôtel X', surviving on scraps and cigarette butts, living alongside tramps, a star-gazing pavement artist and a starving Russian ex-army captain.

Originally published in 1856, The Kidnapped and the Ransomed is the personal memoir of Peter Still, who was born a slave. He was yoked to servitude for more than four decades in Alabama and Kentucky. Still was finally freed with the help of two Jewish brothers.

William Shakespeare had nothing to do with the actor and moneylender William Shaksper from Stratford-upon-Avon. The man behind the nom de plume "William Shakespeare" was, in fact, a very well-educated aristocrat who often frequented the court of Elizabeth and whose real name was Edward de Vere, Earl of Oxford. The dramas of Shakespeare were not written for the Globe Theatre but for the Queen's court.