Classic American Short Stories Anthology

This third collecton of great American short stories includes titles by authors such as Stephen Crane, Ambrose Bierce, and Edgar Allan Poe.

Young, impressionable Aubrey is fascinated by the enigmatic Lord Ruthven, and accompanies him on a tour to Europe. But Aubrey develops a growing distaste for Lord Ruthven’s sinister and grotesque conduct - especially as it concerns human blood. This novella, penned during that tempestuous night in Switzerland amongst such notables as Percy Shelley, Lord Byron, and Mary Shelley, served as the great inspiration for Bram Stoker to create Dracula.

Marvelous creations, including a short story set in the world of The Matrix and others set in the worlds of gothic fiction and children's fiction, can be found in this extraordinary collection, which showcases Gaiman's storytelling brilliance as well as his entertaining (and dark) sense of humor.

Here is the preface to 12 magnificent stories, originally part of The John Cheever Audio Collection, in which John Cheever celebrates - with unequaled grace and tenderness - the deepest feelings we have.

"There's no way not to suffer. But you try all kinds of ways to keep from drowning in it." The men and women in these eight short fictions grasp this truth on an elemental level, and their stories, as told by James Baldwin, detail the ingenious and often desperate ways in which they try to keep their heads above water.

A thoroughly engaging collection of great classic tales by the very best American authors. 1. 'From Beyond' by H. P. Lovecraft 2. 'The Mysterious Card and the Card Unveiled' by Cleveland Moffett 3. 'Pigs Is Pigs' by Ellis Parker Butler 4. 'The Club of One-Eyed Men' by Arthur Somers Roche 5. 'Afterward' by Edith Wharton 6. 'The Furnished Room' by O. Henry 7. 'A Descent into the Maelström' by Edgar Allan Poe 8. 'Regret' by Kate Chopin 9. 'The Terrible Old Man' by H. P. Lovecraft 10. 'The Dumb Man' by Sherwood Anderson

This second collecton of great American short stories includes titles by Mark Twain, O. Henry, and Nathaniel Hawthorne.

These 13 stories by the author of The Invisible Man "approach the elegance of Chekhov" ( The Washington Post) and provide "early explorations of [Ellison's] lifelong fascination with the 'complex fate' and 'beautiful absurdity' of American identity" (John Callahan).

Zora Neale Hurston is best remembered today for her work as a novelist, but she was also an accomplished dramatist, short story writer, and folklorist. That range of interests and styles is on full display in this collection.

With this, his first collection of stories, Raymond Carver breathed new life into the American short story and instantly became both the recognized master of the form and one of our best-loved fiction writers. Carver shows us the humor and tragedy that dwell in the hearts of ordinary people; his stories are the classics of our time.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

The fifth volume in CSA Word's massively popular complete and unabridged ‘Short Stories’ collection is bound to please. With something for everyone this collection of classic stories read by only the best-suited and most established readers will delight the ears as a vintage wine excites the gullet; The Vintage Collection is audible gold. Features eye-catching typographical series design.

Widely acclaimed as a progenitor of 20th-century Latin American fiction, Joaquim Maria Machado de Assis (1839-1908), the son of a mulatto father and a washerwoman, was hailed in his lifetime as Brazil's greatest writer. His prodigious output of novels, plays, and stories rivaled contemporaries like Chekhov, Flaubert, and Maupassant, but, shockingly, he was barely translated into English until 1963, and still lacks proper recognition today.

A striking mosaic of prose, poetry, and dramatic dialogue, Jean Toomer’s Cane has come to be considered a masterpiece of the Harlem Renaissance. Structured as a series of vignettes ripe with longing, passion, violence, and revenge, the haunting novel gives a powerful voice to the interior lives of African Americans in the rural South and urban North. Championed for its unsparing honesty and psychological insight by such luminaries as Langston Hughes, Richard Wright, Alice Walker, and Maya Angelou, Cane shines as a beacon to generations of African-American writers.

A collection of ten classic short stories including "Lost Hearts", "Miss Brill", "The Yellow Paint", "An Encounter", and "The Phantom Coach".

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

Before Jack Kerouac expressed the spirit of a generation in his 1957 classic On the Road, he spent years figuring out how he wanted to live and, above all, learning how to write. Atop an Underwood brings together more than sixty previously unpublished works that Kerouac wrote before he was twenty-two, ranging from stories and poems to plays and parts of novels, including an excerpt from his 1943 merchant marine novel, The Sea Is My Brother. These writings reveal what Kerouac was thinking, doing, and dreaming during his formative years and reflect his primary literary influences.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.