Classic American Short Stories Anthology

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

These 13 stories by the author of The Invisible Man "approach the elegance of Chekhov" ( The Washington Post) and provide "early explorations of [Ellison's] lifelong fascination with the 'complex fate' and 'beautiful absurdity' of American identity" (John Callahan).

Here is the preface to 12 magnificent stories, originally part of The John Cheever Audio Collection, in which John Cheever celebrates - with unequaled grace and tenderness - the deepest feelings we have.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

These treasured stories from the most influential authors of the 19th and early 20th centuries are selected for their literary importance as well as their dramatic, oral qualities. Listen to these 10 unabridged classics by Nathaniel Hawthorne, Herman Melville, O. Henry, and Willa Cather.

In ancient mythology, the Titan Prometheus was punished by the gods for bringing man the gift of fire - an event that set humankind on its course of knowledge. As punishment, Prometheus was bound to a rock. But in The Gift of Fire, those chains cease to be, and the great champion of man walks from that immortal prison into present-day South Central Los Angeles. Disheveled and lost, he is thrown in jail, where he meets lifelong criminal Nosome Blane....

Zora Neale Hurston is best remembered today for her work as a novelist, but she was also an accomplished dramatist, short story writer, and folklorist. That range of interests and styles is on full display in this collection.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

A striking mosaic of prose, poetry, and dramatic dialogue, Jean Toomer’s Cane has come to be considered a masterpiece of the Harlem Renaissance. Structured as a series of vignettes ripe with longing, passion, violence, and revenge, the haunting novel gives a powerful voice to the interior lives of African Americans in the rural South and urban North. Championed for its unsparing honesty and psychological insight by such luminaries as Langston Hughes, Richard Wright, Alice Walker, and Maya Angelou, Cane shines as a beacon to generations of African-American writers.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

Widely acclaimed as a progenitor of 20th-century Latin American fiction, Joaquim Maria Machado de Assis (1839-1908), the son of a mulatto father and a washerwoman, was hailed in his lifetime as Brazil's greatest writer. His prodigious output of novels, plays, and stories rivaled contemporaries like Chekhov, Flaubert, and Maupassant, but, shockingly, he was barely translated into English until 1963, and still lacks proper recognition today.

Art and life. Each the mirror of the other. This then is the classic definition of what ‘Realism’ as a writing form really is. Some might call it a fancy term for the mundane day to day pursuits but in the hands of an author it comes alive. We are drawn into characters and landscapes that we can empathize with, we can, metaphorically speaking, help shoulder their burden, be on the long trail with them whatever the landscapes, the hurdles, incidents and other people may place in their literary way.

Before Jack Kerouac expressed the spirit of a generation in his 1957 classic On the Road, he spent years figuring out how he wanted to live and, above all, learning how to write. Atop an Underwood brings together more than sixty previously unpublished works that Kerouac wrote before he was twenty-two, ranging from stories and poems to plays and parts of novels, including an excerpt from his 1943 merchant marine novel, The Sea Is My Brother. These writings reveal what Kerouac was thinking, doing, and dreaming during his formative years and reflect his primary literary influences.

Here are eight stories from master American writers of the 19th century. They vary from sinister tales by Ambrose Bierce - why is that window boarded up? - and a reflective moment in the life of a woman without children, but forced to look after children, to classic short stories by O. Henry and Stephen Crane. There is even an elegiac description of an eclipse by James Fenimore Cooper, author of The Last of the Mohicans.

This collection of short stories includes the works of three famous American writers who contributed a great deal to world literature.

America's richest legends come from the frontier - from the land where the events of a single moment might erase the lines between law and lawlessness, between safety and mortal danger, between heroes and villains. The carefully selected stories in this collection are vibrant proof that the great American West is a fertile ground to storytellers. Here's the most varied collection of short stories, by 17 highly acclaimed Western writers.

Here is the preface to twelve magnificent stories, originally part of The John Cheever Audio Collection, in which John Cheever celebrates - with unequaled grace and tenderness - the deepest feelings we have.

Selections include "The Robber Bridegroom" by Washington Irving, "The Stolen White Elephant" by Mark Twain, "Chickamauga" by Ambrose Bierce, "The Mission of Jane" by Edith Wharton, and "The Black Cat" by Edgar Allan Poe.

American Fairy Tales, A Collection of 3 Short Stories, #04 contains three short stories written in 1901 by L. Frank Baum. This audiobook contains 3 of Baum's stories: "The Dummy That Lived", "The King of the Polar Bears", and "The Mandarin and the Butterfly".