Classic African American Fiction

At the time of its publication, Wallace Thurman’s debut novel was deeply provocative. This was due not only to its frank considerations of race and sex, but also to its vivid portrait of a Harlem that few other writers had dared to explore. At the heart of this journey into new terrain is Emma Lou Morgan, a Black woman who leaves her “color-struck” Idaho hometown behind and strikes out, first for Los Angeles and later for Harlem—where, unfortunately, discrimination simply takes on a new form.

Richard Wright's powerful and eloquent memoir of his journey from innocence to experience in the Jim Crow South. At once an unashamed confession and a profound indictment, Black Boy is a poignant record of struggle and endurance - a seminal literary work that illuminates our own time. The once controversial, now classic American autobiography measures the brutality and rawness of the Jim Crow South against the sheer desperate will it took to survive as a Black boy. Seventy-five years later, his words continue to reverberate.

An unprecedented historical and literary event, this tale written in the 1850s is the only known novel by a female African American slave, and quite possibly the first novel written by a black woman anywhere. A work recently uncovered by renowned scholar and professor Henry Louis Gates, Jr., it is a stirring tale of "passing" and the adventures of a young slave as she makes her way to freedom.

Jean Toomer's Cane is one of the most significant works to come out of the Harlem Renaissance, and is considered to be a masterpiece in American modernist literature because of its distinct structure and style. First published in 1923 and told through a series of vignettes, Cane uses poetry, prose, and play-like dialogue to create a window into the varied lives of African Americans living in the rural South and urban North during a time when Jim Crow laws pervaded and racism reigned.

Gujaareh, the city of dreams, suffers under the imperial rule of the Kisuati Protectorate. A city where the only law was peace now knows violence and oppression. And nightmares. A mysterious and deadly plague haunts the citizens of Gujaareh, dooming the infected to die screaming in their sleep. Trapped between dark dreams and cruel overlords, the people yearn to rise up - but Gujaareh has known peace for too long. Someone must show them the way. Hope lies with two outcasts.

June 1957. One hot afternoon in the backwaters of the Deep South, a young black farmer named Tucker Caliban salts his fields, shoots his horse, burns his house, and heads north with his wife and child. His departure sets off an exodus of the state’s entire black population, throwing the established order into brilliant disarray. Told from the points of view of the white residents who remained, A Different Drummer stands, decades after its first publication in 1962, as an extraordinary and prescient triumph of satire and spirit.

Harriet Ann Jacob's autobiography documents her life as a slave and how she attained freedom for herself and her children. Harrowing in its descriptions of sexual abuse, Jacob's slave narrative is notable for the appeal it made to abolitionist women to open their eyes to the realities of slavery. Deemed too shocking for reading audiences at the time, the book was shelved before it was published in 1861 near the start of the Civil War.

Maud Martha Brown is a little girl growing up on the South Side of 1940s Chicago. Amidst the crumbling taverns and overgrown yards, she dreams: of New York, romance, her future. She admires dandelions, learns to drink coffee, falls in love, decorates her kitchenette, visits the Jungly Hovel, guts a chicken, buys hats, gives birth. But her lighter-skinned husband has dreams, too: of the Foxy Cats Club, other women, war. And the 'scraps of baffled hate'—a certain word from a saleswoman, that visit to the cinema, the cruelty of a department store Santa Claus—are always there.

This stirring coming-of-age tale unfolds in 1930s rural Kansas. A poignant portrait of African-American family life in the early twentieth century, it follows the story of young Sandy Rogers as he grows from a boy to a man. We meet Sandy's mother, Annjee, who works as a housekeeper for a wealthy white family; his strong-willed grandmother, Hager; Jimboy, Sandy's father, who travels the country looking for work; Aunt Tempy, the social climber; and Aunt Harriet, the blues singer who has turned away from her faith.

Gabrielle LeRoux was just like any other girl, focused on her academics and other normal teenage angst. That is, until her 18th birthday, where she inherits her powers and finds out she's a witch! She discovers that she is part of a long line of witches that descended from West Africa. They have the power to control the elements at will, breathe life into anything they wish, as well as take it away. The source of their magic comes from the melanin only their kind possess in their skin, absorbed from the sun and radiating through their bodies.

N. K. Jemisin is one of the most powerful and acclaimed speculative fiction authors of our time. In the first collection of her evocative short fiction, Jemisin equally challenges and delights listeners with thought-provoking narratives of destruction, rebirth, and redemption.

With opportunities for black men limited in post-World War II London, Rick Braithwaite, a former Royal Air Force pilot and Cambridge-educated engineer, accepts a teaching position that puts him in charge of a class of angry, unmotivated, bigoted white teenagers whom the system has mostly abandoned. When his efforts to reach these troubled students are met with threats, suspicion, and derision, Braithwaite takes a radical new approach. He will treat his students as people poised to enter the adult world.

The Mississippi River, 1861. When the enslaved Jim overhears that he is about to be sold to a new owner in New Orleans and separated from his wife and daughter forever, he decides to hide on nearby Jackson’s Island until he can formulate a plan. Meanwhile, Huck Finn has faked his own death to escape his violent father who recently returned to town. Thus begins a dangerous and transcendent journey by raft along the Mississippi River, towards the elusive promise of the free states and beyond.

Link Williams is a handsome and brilliant Dartmouth graduate who tends bar due to the lack of better opportunities for an African-American man in a staid mid-century Connecticut town. The routine of Link’s life is interrupted when he intervenes to save a woman from a late-night attack. Drinking in a bar together after the incident, “Camilo” discovers that her rescuer is African American and he learns that she is white. Unbeknownst to him, “Camilo” is a wealthy married woman who has crossed the town’s racial divide to relieve the tedium of her life.

When Sheriff Mapes is summoned to a sugarcane plantation to find a dead Cajun farmer, he knows who committed the crime. Mapes finds himself powerless, however, when nearly 20 elderly black men confess to the murder. Can justice be served, or will the dead man's brutish father pass judgment his way?

"There's no way not to suffer. But you try all kinds of ways to keep from drowning in it." The men and women in these eight short fictions grasp this truth on an elemental level, and their stories, as told by James Baldwin, detail the ingenious and often desperate ways in which they try to keep their heads above water.

The distinguished American civil rights leader, W. E. B. DuBois first published these fiery essays, sketches, and poems individually in 1920 in the Atlantic, the Journal of Race Development, and other periodicals. Reflecting the author's ideas as a politician, historian, and artist, this volume has long moved and inspired readers with its militant cry for social, political, and economic reform. It is essential reading for all students of African American history.

Set largely in the culture-blending Vieux Port of Marseille at the height of the Jazz Age, the novel takes flight along with Lafala, an acutely disabled but abruptly wealthy West African sailor. While stowing away on a transatlantic freighter, Lafala is discovered and locked in a frigid closet. Badly frostbitten by the time the boat docks, the once-nimble dancer loses both of his lower legs, emerging from life-saving surgery as what he terms "an amputated man." Thanks to an improbably successful lawsuit against the shipping line, however, Lafala scores big in the litigious United States.

In the aftermath of the Civil War, siblings Rena and John Walden seek a better life for themselves by passing as white in their new home state of South Carolina. John’s success as an attorney and marriage to a white Southerner help cement his own place, but Rena’s engagement to John’s best friend brings a new level of scrutiny that threatens to expose them both. As the rewards increase, so does the risk, and ultimately, the color line seems determined to re-exert itself.

The Autobiography of Miss Jane Pittman has sold over a million copies nationwide since its publication in 1971, making the fictional character of Miss Jane so real many people don’t know she exists only in the imagination of Louisiana-born author Ernest J. Gaines. Miss Jane is 100 years old when she is interviewed by an area high school teacher looking to teach his students more about plantation society in the Deep South. Her story is not only a vivid picture of the South before the dawn of the civil rights era, but also a story of one woman’s survival against overwhelming odds.