Classic African American Fiction

Zora Neale Hurston is best remembered today for her work as a novelist, but she was also an accomplished dramatist, short story writer, and folklorist. That range of interests and styles is on full display in this collection.

The author of 30 critically acclaimed works, Walter Mosley has had his novels translated into 23 languages. The Tempest Tales, an Essence Book Club Recommended Read, features Tempest Landry, a black man shot down by an over-eager cop. But that's not the end of the line for Tempest. Unwilling to accept St. Peter's judgment that he spend eternity in Hell, Tempest is sent back to Harlem - guardian angel in tow - to make things right.

A striking mosaic of prose, poetry, and dramatic dialogue, Jean Toomer’s Cane has come to be considered a masterpiece of the Harlem Renaissance. Structured as a series of vignettes ripe with longing, passion, violence, and revenge, the haunting novel gives a powerful voice to the interior lives of African Americans in the rural South and urban North. Championed for its unsparing honesty and psychological insight by such luminaries as Langston Hughes, Richard Wright, Alice Walker, and Maya Angelou, Cane shines as a beacon to generations of African-American writers.

Northern-educated physician Kenneth Harper moves back to his hometown in Georgia with a relatively modest goal: he wants to start his own medical practice. He hopes that racist prejudices have relaxed enough to allow room for someone like him, but the local presence of the Ku Klux Klan offers some sense of how little the community has actually changed. In response to that reality, Harper seeks to liberate local sharecroppers from white landowners via a cooperative society - but that’s something the area’s ruling class simply cannot abide.

Link Williams is a handsome and brilliant Dartmouth graduate who tends bar due to the lack of better opportunities for an African-American man in a staid mid-century Connecticut town. The routine of Link’s life is interrupted when he intervenes to save a woman from a late-night attack. Drinking in a bar together after the incident, “Camilo” discovers that her rescuer is African American and he learns that she is white. Unbeknownst to him, “Camilo” is a wealthy married woman who has crossed the town’s racial divide to relieve the tedium of her life.

In this trenchant twentieth-century satire, George S. Schuyler—fearless provocateur of the Harlem Renaissance—asked: What if there were an invention that could turn everyone’s skin pork-belly pink? Would the plague of white supremacy subside? Would Black people be able to avoid persistent social and economic prejudice? Would the entire arbitrary notion of race become a thing of the past?

"We'd had to be cut free of our mother's womb. Abby and I were fused, you see. But here's the real kicker; Abby had the magic, I didn't." Now adults, Makeda and Abby still share their childhood home. The surgery to separate the two girls left Makeda with what feels like an even worse deformity: no mojo. The daughters of a celestial demigod and a human woman, Makeda and Abby were raised by their magical father. Today, Makeda has decided it's high time to move out and make her own life.

Joaquim Maria Machado de Assis (1839-1908) was the greatest writer ever to come from Brazil and one of the masters of nineteenth-century fiction. Susan Sontag calls him "the greatest writer ever produced in Latin America", surpassing even Borges. Harold Bloom says that Machado is "the supreme black literary artist to date". And Allen Ginsburg calls him "another Kafka". And The Posthumous Memoirs of Bras Cubas is his masterpiece, a dazzling, tragic, and profound novel that belongs next to the greatest works of his contemporaries Melville and Dostoevsky.

Claude McKay’s first novel, Home to Harlem, was published in 1928 during the height of the Harlem Renaissance. McKay portrays Harlem post-WWI through two Black migrants to New York: Jake, a Southern-born African American longshoreman who deserts the U.S. army and returns to his home in Harlem; and Ray, an educated Haitian immigrant. With his innovative use of Black dialects, McKay portrays a complex world of Black people, both native-born and immigrant, who navigate a dynamic society in the midst of radical change.

These 13 stories by the author of The Invisible Man "approach the elegance of Chekhov" ( The Washington Post) and provide "early explorations of [Ellison's] lifelong fascination with the 'complex fate' and 'beautiful absurdity' of American identity" (John Callahan).

W.E.B. Du Bois said, on the launch of his groundbreaking 1903 treatise, The Souls of Black Folk, "for the problem of the 20th century is the problem of the color-line", a prescient statement. Setting out to show to the audience "the strange meaning of being black here in the dawning of the 20th century", Du Bois explains the meaning of the emancipation, and its effect, and his views on the roles of the leaders of his race.

This recently rediscovered and critically acclaimed 1937 novel tells the story of Janie Crawford, a long-legged, articulate, and fiercely independent African-American woman of the 1930s. Janie's quest for identity includes three marriages and a return to her roots. Despite her struggles, Janie never defines herself by regret, fear, or unrealistic dreams, and refuses to be anything but her own person.

"The Heroic Slave" is the only work of fiction by the eminent abolitionist Frederick Douglass. The narrative was inspired by Madison Washington, a slave on the Creole who led a rebellion on the ship in November 1841, and had it sail to Nassau in the Bahamas instead of New Orleans. The short story appeared in the collection Autographs for Freedom (1852).

The distinguished American civil rights leader, W. E. B. DuBois first published these fiery essays, sketches, and poems individually in 1920 in the Atlantic, the Journal of Race Development, and other periodicals. Reflecting the author's ideas as a politician, historian, and artist, this volume has long moved and inspired readers with its militant cry for social, political, and economic reform. It is essential reading for all students of African American history.

The Autobiography of Miss Jane Pittman has sold over a million copies nationwide since its publication in 1971, making the fictional character of Miss Jane so real many people don’t know she exists only in the imagination of Louisiana-born author Ernest J. Gaines. Miss Jane is 100 years old when she is interviewed by an area high school teacher looking to teach his students more about plantation society in the Deep South. Her story is not only a vivid picture of the South before the dawn of the civil rights era, but also a story of one woman’s survival against overwhelming odds.

Frederick Douglass was an American abolitionist, women's suffragist, editor, orator, author, statesman and reformer. He was called both "The Sage of Anacostia" and "The Lion of Anacostia" and is one of the most prominent figures in African-American history and United States history.

Clotel; or, The President’s Daughter is rooted not only in the horrific reality of institutional slavery but also in the historical fact of Thomas Jefferson’s relationship with the enslaved Sally Hemings (here represented by the character Currer). In William Wells Brown’s telling, Currer has two daughters by Jefferson, Clotel and Althesa. Both become Jefferson’s legal property when they are born, and both wind up at auction - along with their mother - when Jefferson dies.

In ancient mythology, the Titan Prometheus was punished by the gods for bringing man the gift of fire - an event that set humankind on its course of knowledge. As punishment, Prometheus was bound to a rock. But in The Gift of Fire, those chains cease to be, and the great champion of man walks from that immortal prison into present-day South Central Los Angeles. Disheveled and lost, he is thrown in jail, where he meets lifelong criminal Nosome Blane....

When Jackson returns home to his family after an absence of 10 years, he discovers that his bonds to them have been irreparably rent by his absence. In the midst of his alienation, he falls in love with Catherine Carmier, setting the stage for conflicts and confrontations which are complex, tortuous, and universal in their implications.

First published in 1923, Jean Toomer's Cane is an innovative literary work powerfully evoking black life in the South. Rich in imagery, Toomer's impressionistic, sometimes surrealistic sketches of Southern rural and urban life are permeated by visions of smoke, sugarcane, dusk, and fire; the northern world is pictured as a harsher reality of asphalt streets.