Civil War World History

A History of the Civil War brings to life the realities of the war and the people who lived through it. It explains how the politics around slavery led to an unbridgeable divide between the North and South, and examines the strategies that led to the Union's eventual victory in 1865.

After World War I, black Americans fervently hoped for a new epoch of peace, prosperity, and equality. Black soldiers believed their participation in the fight to make the world safe for democracy finally earned them rights they had been promised since the close of the Civil War. Instead, an unprecedented wave of anti-black riots and lynchings swept the country. From April to November of 1919, the racial unrest rolled across the South into the North and the Midwest, even to the nation's capital. Red Summer is the first narrative history about this epic encounter.

Darius vaporized the Cygnian home world to end the war before it began. It didn’t work. Little does he know, he's been played for a sucker from the start. Terrible as the Cygnians are, there is a more ruthless enemy manipulating the Union to tear itself apart in a bloody war between the Revenants and the Cygnians. Darius is surging up the ranks in the Revenant fleet, winning victory after victory, but they're all hollow with his daughter, Cassandra, frozen in cryo and no way to safely wake her.

We think we know civil war when we see it. Yet ideas of what it is and what it isn't have a long and contested history, from its fraught origins in republican Rome to debates in early modern Europe to our present day. Defining the term is acutely political, for ideas about what makes a war "civil" often depend on whether one is a ruler or a rebel, victor or vanquished, sufferer or outsider.

When the war broke out, Union soldiers assumed Confederate women would be innocent noncombatants. Experience soon challenged this simplistic belief. Stephanie McCurry reveals the vital and sometimes confounding roles women played on and off the battlefield. In this groundbreaking reconsideration of the Civil War, the award-winning author of Confederate Reckoning invites us to see America's bloodiest conflict not just as pitting brother against brother but as a woman's war.

Among the autobiographies of great military figures, Ulysses S. Grant’s is certainly one of the finest, and it is arguably the most notable literary achievement of any American president: a lucid, compelling, and brutally honest chronicle of triumph and failure. From his frontier boyhood, to his heroics in battle, to the grinding poverty from which the Civil War ironically rescued him, these memoirs are a mesmerizing, deeply moving account of a brilliant man told with great courage.

Nothing Like It in the World is the story of the men who built the transcontinental railroad. In Ambrose's hands, this enterprise comes to life. The U.S. government pitted two companies - the Union Pacific and the Central Pacific railroads - against each other in a race for funding, encouraging speed over caution. As its peak the work force approached the size of Civil War armies, with as many as 15,000 workers on each line. The surveyors, the men who picked the route, lived off buffalo, deer, and antelope.

In the decade before the onset of the Civil War, groups of Americans engaged in a series of longshot - and illegal - forays into Mexico, Cuba, and other Central American countries in hopes of taking them over. These efforts became known as filibustering, and their goal was to seize territory to create new independent fiefdoms, which would ultimately be annexed by the still-growing United States. Most failed miserably. William Walker was the outlier. Soft-spoken with no military background, in 1856 he managed to install himself as president of Nicaragua.

Even before the first rumblings of secession shook the halls of Congress, British involvement in the coming schism was inevitable. Britain was dependent on the South for cotton, and in turn the Confederacy relied almost exclusively on Britain for guns, bullets, and ships. The Union sought to block any diplomacy between the two and consistently teetered on the brink of war with Britain. For four years the complex web of relationships between the countries led to defeats and victories both minute and history-making.

Acclaimed historian Lewis Lehrman, in his path-breaking comparison of both statesmen, finds that Lincoln and Churchill - with very different upbringings and contrasting personalities - led their war efforts, to some extent, in similar ways. As supreme war lords, they were guided not only by principles of honor, duty, freedom, but also by the practical wisdom to know when, where, and how to apply these principles. They made mistakes which Lehrman considers carefully. But the author emphasizes that, despite setbacks, they never gave up.

For over 20 years, a select group of Yale undergraduates has been admitted into the year-long "Grand Strategy" seminar team-taught by John Lewis Gaddis and Paul Kennedy. Its purpose: to provide a grounding in strategic decision-making in the face of crisis to prepare future American leaders for important work. Now, John Lewis Gaddis has transposed the experience of that course into a wonderfully succinct, lucid and inspirational book, a view from the commanding heights of statesmanship across the landscape of world history from the ancient Greeks to Lincoln, and beyond.

Between 1917 and 1921 a devastating struggle took place in Russia following the collapse of the Tsarist empire. The doomed White alliance of moderate socialists and reactionary monarchists stood little chance against Trotsky’s Red Army and the single-minded Communist dictatorship under Lenin.

American Civil Wars takes listeners beyond the battlefields and sectional divides of the US Civil War to view the conflict from outside the national arena of the United States. Contributors position the American conflict squarely in the context of a wider transnational crisis across the Atlantic world, marked by a multitude of civil wars, European invasions and occupations, revolutionary independence movements, and slave uprisings - all taking place in the tumultuous decade of the 1860s.

The Civil War is Julius Caesar’s personal account of his war with Pompey the Great - the war that destroyed the five-hundred-year-old Roman Republic. Caesar the victor became Caesar the dictator. In three short books, Caesar describes how, in order to defend his honor and the freedom of both himself and the Roman people, he marched on Rome and defeated the forces of Pompey and the Senate in Italy, Spain, and Greece.

Although Christian believers agreed with one another that the Bible was authoritative and that it should be interpreted through commonsense principles, there was rampant disagreement about what Scripture taught about slavery. Furthermore, most Americans continued to believe that God ruled over the affairs of people and nations, but they were radically divided in their interpretations of what God was doing in and through the war.

The Civil War is Julius Caesar's account of the years of turmoil during which he battled Pompey the Great for control of Rome. The third member of their ruling First Triumvirate - Crassus - had been killed waging war in Syria while Caesar was in Gaul extending the empire to the shores of the English Channel. The jealous joint-ruler Pompey intimidated the Senate into ordering Caesar to disband his army, but Caesar refused and crossed the Rubicon into Roman territory, effectively declaring war on Pompey, the Senate, and Rome itself.

Our current climate of partisan fury is not new, and in The Soul of America Meacham shows us how what Abraham Lincoln called the “better angels of our nature” have repeatedly won the day. Painting surprising portraits of Lincoln and other presidents, including Ulysses S. Grant, Theodore Roosevelt, and LBJ, and illuminating the courage of influential citizen activists and civil rights pioneers, Meacham brings vividly to life turning points in American history. Each of these dramatic hours have been shaped by the contest to lead the country to look forward rather than back.

The Spanish Civil War (1936-1939) inspired and haunted an extraordinary number of exceptional artists and writers, including Pablo Picasso, Joan Miro, Martha Gellhorn, Ernest Hemingway, George Orwell, and John Dos Passos. The idealism of the cause--defending democracy from fascism at a time when Europe was darkening toward another world war--and the brutality of the conflict drew from them some of their best work.

Everyone has heard of the bloody conflict that cost the lives of over one million people. When people think of the Civil War, they think of Abraham Lincoln, the Emancipation Proclamation, and the North-South divide between the American states, but there is so much more to uncover about the American Civil War.

For the past half century, John Keegan, the greatest military historian of our time, has been returning to the scenes of America’s most bloody and wrenching war to ponder its lingering conundrums: the continuation of fighting for four years between such vastly mismatched sides; the dogged persistence of ill-trained, ill-equipped, and often malnourished combatants; the effective absence of decisive battles among some two to three hundred known to us by name.