Chinese Literature

Sisterhood is difficult for Su and Emerald. Su leads a sheltered, moneyed life as the picture-perfect wife of a conservative politician in Singapore. Emerald is a nihilistic sugar baby in New York, living from whim to whim and using her charms to make ends meet. But they share a secret: once, they were snakes, basking under a full moon in Tang dynasty China. A thousand years later, their mysterious history is the only thing still binding them together.

One morning, Deming Guo's mother, an undocumented Chinese immigrant named Polly, goes to her job at the nail salon and never comes home. No one can find any trace of her. With his mother gone, 11-year-old Deming is left with no one to care for him. He is eventually adopted by two white college professors who move him from the Bronx to a small town upstate. They rename him Daniel Wilkinson in their efforts to make him over into their version of an "all-American boy".

This searing novel, originally banned in China but later named one of that nation's most influential books, portrays one man's transformation from the spoiled son of a landlord to a kindhearted peasant. After squandering his family's fortune in gambling dens and brothels, the young, deeply penitent Fugui settles down to do the honest work of a farmer. Forced by the Nationalist Army to leave behind his family, he witnesses the horrors and privations of the Civil War, only to return years later to face a string of hardships brought on by the ravages of the Cultural Revolution.

From the menacing vision of a red umbrella, to the ominous atmosphere of the Laughing Mountain; from the waking dream of virtual working to the sinister games of the locked room . . . this is a fascinating insight into the spine-chilling voices working within China today-a long way from the traditional expectations of hopping vampires and hanging ghosts.

According to Confucius, “an educated woman is a worthless woman,” but Tan Yunxian—born into an elite family, yet haunted by death, separations, and loneliness—is being raised by her grandparents to be of use. Her grandmother is one of only a handful of female doctors in China, and she teaches Yunxian the pillars of Chinese medicine, the Four Examinations—looking, listening, touching, and asking—something a man can never do with a female patient.

One autumn morning, Jia Jia walks into the bathroom of her lavish Beijing apartment to find her husband dead. One minute she was breakfasting with him and packing for an upcoming trip, the next, she finds him motionless in their half-full bathtub. Like something out of a dream, next to the tub Jia Jia discovers a pencil sketch of a strange watery figure, an image that swims into Jia Jia's mind and won't leave.

With the arrival of winter, Lu Jie’s workload has continued to increase. Now in charge of an entire sect, and mired in politics, he’d been expecting constant pushback from demonic beasts and yet … the demons seem to have vanished without a trace. Left with a foreboding feeling, Lu Jie’s problems still haven’t solved themselves. The Alchemy Halls continue to put pressure and threaten him, all the while an invite has arrived from the Jade Court, calling him to Azure city. But Lu Jie has a plan, one that can not only protect him, but change the very course of history forever.

San Kuo: Or Romance of the Three Kingdoms is a historical novel attributed to Luo Guanzhong, set during the turbulent final years of the Eastern Han Dynasty and the Three Kingdoms period (circa 184–280 AD). Widely regarded as one of the Four Great Classical Novels of Chinese literature, it combines history, legend, and myth to depict the power struggles and heroic exploits of the era.

Although largely unknown in the West, the 73 stories in this volume are just as beguiling as the more familiar Grimms’ Fairy Tales or Arabian Nights. They were collected in the early 20th century by Richard Wilhelm and first translated into English by Frederick H Martens. This beautifully produced revised and edited new edition includes updated notes which not only provide background on the tales, but also offer a fascinating insight into ancient Chinese folk lore and culture.

For Dee Kwan, every day is the perfect day. No, really. She has a house she loves, a job she adores, and a ridiculously attractive “nemesis” who never seems to mind when she wins their favorite online game. How can life possibly get better? (It can’t, obviously. It can only get much, much worse.) Soon Dee is forced to share her adorably cozy home with her parents and estranged grandmother. Then she’s tossed into the deep end at work, tasked with cleaning up a scandal for the intimidatingly chic luxury fashion firm Celeste. If that weren’t enough, she discovers her hot nemesis works there, too.

A young woman accepts a position as nanny to the young daughter of a handsome, wealthy, and mysterious Chinese businessman - only to discover her new employer is really a god...and every foul demon in creation is out to destroy him! With a premise like that, fantasy aficionados and die-hard action lovers alike will no doubt be expecting something exceptional - and Australian author Kylie Chan delivers big time.

From within the hopelessness and terror of China's Cultural Revolution, Dai Sijie has fashioned a beguiling and unexpected story about the resilience of the human spirit, the wonder of romantic awakening, and the magical power of storytelling. "An unexpected miracle," raves the Los Angeles Times Book Review, "a delicate, and often hilarious, tale."

Lu Xun (1881-1936) was born in Shaoxing, in the province of Zhejiang, China. He came from a scholar-official family and by the age of six had begun studying the ancient classics. Regarded as the founder of contemporary Chinese literature, Lu Xun used the pen as a weapon to wage an heroic struggle against imperialism, feudalism and bureaucratic capitalism. The rich heritage he has left behind is a treasure in the literature of the Chinese people.

Harbin, China, 1925. Fifteen-year-old Anyu Zhang discovers a priceless Fabergé egg in the snow and returns it to the owner, Isaac Mandelburg, a fugitive and former master jeweler for Russia’s imperial palace. In gratitude, he leaves her his address in Shanghai and a promise of hospitality, forever altering her fate. A dazzling world of jewelry shrouded in secrecy and greed awaits, when later Anyu arrives at Mandelburg’s jewelry shop as an orphan.

In this darkly comic novel, a group of women inhabits a world of constant surveillance, where informants lurk in the flower beds and false reports fly. Conspiracies abound in a community that normalizes paranoia and suspicion. Some try to flee - whether to a mysterious gambling bordello or to ancestral homes that can be reached only underground through muddy caves, sewers, and tunnels. Others seek out the refuge of Nest County, where traditional Chinese herbal medicines can reshape or psychologically transport the self. Each life is circumscribed by secrets and transcendent delusions.

With her delightfully evocative prose, Xu Xiaobin presents us with a collection of stories crawling with fraught power dynamics, strange events, and unsettling images. Not only does she write about women, but the worlds around them, the fears that dog them, and the histories that haunt them. Xu's entangled plots sneak up on the reader and make a lasting impression, from the blind singing sensation with a calculating mother, to the scornful aunt of an aging Miss Asia winner, to the young woman who becomes consumed by filth in the dilapidated house of her in-laws. Each of these mournful ...

Gracie Reed is doing just fine. Sure, she was fired by her overly “friendly” boss, and yes, she still hasn’t gotten her mother into the nursing home of their dreams, but she’s healthy, she’s (somewhat) happy, and she’s (mostly) holding it all together. But when a mysterious SUV pulls up beside her, revealing Chinese cinema's golden couple Wei Fangli and Sam Yao, Gracie’s world is turned on its head. The famous actress has a proposition: Due to their uncanny resemblance, Fangli wants Gracie to be her stand-in.

When recently widowed Maggie McElroy is called to China to settle a claim against her late husbands estate, she is blindsided by the discovery that he may have led a double life. Since work is all that will keep her sane, her magazine editor assigns her to profile Sam, a half-Chinese American who is the last in a line of gifted chefs tracing back to the imperial palace. As she watches Sam gear up for Chinas Olympic culinary competition by planning the banquet of a lifetime, she begins to see past the cuisines artistry to glimpse its coherent expression of Chinese civilization.

Authors June Hayward and Athena Liu were supposed to be twin rising stars: same year at Yale, same debut year in publishing. But Athena’s a cross-genre literary darling, and June didn’t even get a paperback release. Nobody wants stories about basic white girls, June thinks. So when June witnesses Athena’s death in a freak accident, she acts on impulse: she steals Athena’s just-finished masterpiece, an experimental novel about the unsung contributions of Chinese laborers to the British and French war efforts during World War I.

The Water Margin is one of the most popular classics of early Chinese literature. It tells the vigorous story of 108 characters who, falling foul of the established state authorities, are forced to become outlaws. They form a bandit community in Liangshan Marsh, becoming such a formidable force in their own right that they threaten the power of government itself.