Chinese Historical Fiction

Thirteen year-old Johnny Merrimon had the perfect life: happy parents and a twin sister that meant the world to him. But Alyssa went missing a year ago, stolen off the side of a lonely street with only one witness to the crime. His family shattered, his sister presumed dead, Johnny risks everything to explore the dark side of his hometown in a last, desperate search.

In The White Mirror, Li Du, an imperial librarian and former exile in 18th-century China, is now an independent traveler. He is journeying with a trade caravan bound for Lhasa when a detour brings them to a valley hidden between mountain passes. On the icy planks of a wooden bridge, a monk sits in contemplation. Closer inspection reveals that the monk is dead, apparently of a self-inflicted wound. His robes are rent, revealing a strange symbol painted on his chest.

San Francisco, 1906: Fifteen-year-old Mercy Wong is determined to break from the poverty of Chinatown, and an education at St. Clare’s School for Girls is her best hope. Although St. Clare’s is off-limits to all but the wealthiest white girls, Mercy gains admittance through a mix of cunning and a little bribery, only to discover that getting in was the easiest part. Not to be undone by a bunch of spoiled heiresses, Mercy stands strong—until disaster strikes.

In the winter of 1919 Somerset Maugham, at the age of 45, undertook an arduous journey up the Yangtze River in China. Ever the astute observer of people and places, he wrote down his experiences and collected them into 58 exquisite vignettes which were subsequently published a few years later. No one is spared his searching intelligence, especially the company managers, salesmen, missionaries, bureaucrats, military officials and adventurers he encounters.

In modern-day New York City, five seemingly unconnected individuals—Ethan IcarOgun, a brilliant financial trader; Sophia Madira, a fierce attorney; Dr. Amir Seshan, a dedicated physician; Lucimar Bacerra, an intuitive language professor; and Zander Paquette, a relentless detective—are haunted by vivid dreams that feel more like memories than fantasies.

China, 1957: Chairman Mao has declared a new openness in society. “Let a hundred flowers bloom; let a hundred schools of thought contend.” Many intellectuals fear it is only a trick, and Kai Ying’s husband, Sheng, a teacher, has promised not to jeopardize their safety or that of their young son, Tao. But one July morning, just before his sixth birthday, Tao watches helplessly as Sheng is dragged away for writing a letter criticizing the Communist Party and sent to a labor camp for “reeducation”. Once again, Tsukiyama brings us a powerfully moving story of ordinary people facing extraordinary circumstances with grace and courage.

According to Confucius, ‘an educated woman is a worthless woman’, but Tan Yunxian – born into an elite family, yet haunted by death, separation and loneliness – is being raised by her grandparents to be of use. She begins her training in medicine with her grandmother and, as she navigates the male world of medicine, requiring tact and diplomacy, she struggles against the confining world of her class. From a young age, Yunxian learns about women’s illnesses, many of which relate to childbearing, alongside a young midwife-in-training, Meiling.

Jingwen spends her nights as a showgirl at the Paramount, one of the most lavish clubs in Shanghai, competing ruthlessly to charm wealthy patrons. To cap off her shifts, she runs money for her grandmother, the exclusive surgeon to the most powerful gang in the city. A position her grandmother is pressuring her to inherit. When a series of dancers are targeted—the attacker stealing their faces—Jingwen fears she could be next. And as the faces of the dancers start appearing on wealthy foreign socialites, she realizes Shanghai's mirage of carefree luxury comes at a terrible price.

The Three Kingdoms is one of the Chinese Noble Classics. The great empire of China is in turmoil. As the government becomes increasingly incompetent, warlords and nobles battle for power. In the north is the Kingdom of Wei, headed by cunning and manipulative Cao Cao. In the southeast is the Kingdom of Wu, ruled by masterful and charismatic Sun Quan. In the west is the Kingdom of Shu, commanded by kindhearted and humble Liu Bei.

Lily is haunted by memories of who she once was, and of a person, long gone, who defined her existence. She has nothing but time now, as she recounts the tale of Snow Flower and asks the gods for forgiveness.

China: AD 1200 Guo Jing and Lotus have escaped Qiu Qianren’s stronghold, but at a steep price: Lotus has been mortally wounded. The only one who could save her life is Duan, King of the South, a man skilled and renowned for his healing. But little do they know that danger awaits, including a plan to tear them apart.

《金瓶梅》借《水浒传》中武松杀嫂一段故事为引子，通过对兼有官僚、恶霸、富商三种身份的封建时代市侩势力的代表人物西门庆及其家庭罪恶生活的描述，揭露了明代中叶社会的黑暗和腐败…… 《金瓶梅》借《水滸傳》中武松殺嫂一段故事為引子，通過對兼有官僚、惡霸、富商三種身份的封建時代市儈勢力的代表人物西門慶及其家庭罪惡生活的描述，揭露了明代中葉社會的黑暗和腐敗……

From within the hopelessness and terror of China's Cultural Revolution, Dai Sijie has fashioned a beguiling and unexpected story about the resilience of the human spirit, the wonder of romantic awakening, and the magical power of storytelling. "An unexpected miracle," raves the Los Angeles Times Book Review, "a delicate, and often hilarious, tale."

《金瓶梅》借《水浒传》中武松杀嫂一段故事为引子，通过对兼有官僚、恶霸、富商三种身份的封建时代市侩势力的代表人物西门庆及其家庭罪恶生活的描述，揭露了明代中叶社会的黑暗和腐败…… 《金瓶梅》借《水滸傳》中武松殺嫂一段故事為引子，通過對兼有官僚、惡霸、富商三種身份的封建時代市儈勢力的代表人物西門慶及其家庭罪惡生活的描述，揭露了明代中葉社會的黑暗和腐敗……

Nainai has lived in Shanghai for many years, and the time has come to find a wife for her adopted grandson. But when the bride she has chosen arrives from the countryside, it soon becomes clear that the orphaned girl has ideas of her own. Her name is Fu Ping, and the more she explores the residential lanes and courtyards behind Shanghai’s busy shopping streets, the less she wants to return to the country as a dutiful wife. As Fu Ping wavers over her future, she learns the city through the stories of the nannies, handymen, and garbage collectors of postwar Shanghai....

Spring 1939 - Dashing young William Burton and the beautiful Constance Han set sail from London on the same ocean liner to Hong Kong. Connie is intrigued by Will’s talent for writing poetry, and as romance blossoms she offers to give him Cantonese lessons to help him with his new job — a cadet in the colonial service. But once in Hong Kong, Connie is constrained by filial duty towards her Eurasian parents, and their wish for her to marry someone from her own background.

In 1931, young English-born missionary Jakob Kellner brings all the crusading passion of his untried Christian faith to a China racked by famine and bloody civil war. He burns to save the world's largest nation from Communism. But when he is swept along on the cold, unforgiving Long March, Jakob becomes entangled with Mei-ling, a beautiful and fervent revolutionary. Soon, powerful new emotions challenge and reshape his faith—and entrap him forever in the vast country's tortured destiny.

《红楼梦》，中国古代四大名著之一，是一部具有高度思想性和高度艺术性的伟大作品。…… 《紅樓夢》，中國古代四大名著之一，是一部具有高度思想性和高度藝術性的偉大作品。

Every year on the day of the Ghost Festival, creatures from the underworld roam city streets freely when the gate of hell is opened. The owner of the House of Life set out a lavish banquet to entertain and appease these hungry ghosts. This year, however, foul creatures led by a long-dead Manchurian nobleman came down from the Devil's Peak on horseback and stormed the banquet hall. They harassed the guests and wrecked havoc to the festivity, demanding the House of Life to hand over something it has been safe-keeping for centuries.

大宋很文雅，大宋也曾富庶；正因如此，大宋有很多被人误解的另一面。大宋王朝三百年，风云变幻常如许？……大宋很文雅，大宋也曾富庶；正因如此，大宋有很多被人誤解的另一面。大宋王朝三百年，風雲變幻常如許？