British Fiction

When Matt Ballard was starting out his career, three boys were murdered in the same area, the remote and bleak Gibbet Fen. When the main suspect was killed in a hit-and-run, the killings stopped. But Matt was not satisfied that the real murderer had been caught. Over 25 years later, Matt gets a photo in an unmarked envelope. It's of the Gibbet Fen crime scene. And the picture was taken before the murder took place. More photos arrive, relating to the historic murders, as well as intimate pictures of Matt's very secret private life.

When a girl’s body is found strangled, raped, and horrifically mutilated by a boat’s propeller, deep in the heart of the Norfolk Broads, newly arrived Detective Inspector John Tanner is asked to assist with the investigation. At first, all the evidence points to a man who had a multi-million-pound reason to kill her. But when an alibi is produced from an unexpected source, and another body appears at the base of a slipway, Tanner finds himself turning to local girl Detective Constable Jenny Evans for help.

Struggling with his new role as a detective chief inspector, John Tanner is warned of a convicted psychopath’s early release. When a couple is found later that day; the man stabbed to death, the woman with her throat cut, he's forced to assume the convict is responsible. But when the male victim turns out to be heir to a global pharmaceutical company, and his twelve-year-old son is nowhere to be found, he has to start looking closer at the victim’s family, and their sprawling stately ancestral home.

Jack Aubrey, Post Captain in the British Royal Navy, is suffused with happiness. The Shannon's engagement with the U.S. Chesapeake off the New England coast has resulted in victory, just another in a long string of them for Aubrey, nicknamed Lucky Jack for his tendency to win big. But Jack is less sure-footed by land than by sea.

Mark Randall lay dead in a field near Lowacre long before Smith had done what he had to do in Belfast. By the time he went back to work, the investigation was well underway. "It's not my case," he says more than once, and he really doesn't need it to be; he has enough to think about as it is. But going around the Norfolk countryside dotting the i's and crossing the t's, speaking to the local farmers and the Brothers of St. Francis from Abbeyfields, Smith begins to suspect that the investigation might be heading in entirely the wrong direction.

Two weeks of rest and recuperation - that's what the doctor ordered. Detective Sergeant DC Smith could listen to some music, make some of his own, and maybe even catch up on his reading; he is almost looking forward to it. And then there is a knock on the door. It's only his next-door neighbor, but it is the beginning of a sequence of events that will bring him face to face with some of the darkest episodes and the most dangerous people from his own past.

Indomitable and bold in an era of royalty and rogues, Skye O'Malley is a woman who embraces her unbridled sensuality as valiantly as she fights for her children, her lovers, her empire. A woman of justice and honor, she will match wits with and challenge the most dangerous and powerful woman of her time: Queen Elizabeth I.

One moonlit night, the bodies of two young people are discovered lying entwined on a blanket in the woods. The young man is clutching a red rose. It appears to be a lovers' suicide pact.... Until Detective Nikki Galena and DS Joseph Easter look more closely. Romeo and Juliet, as they decide to call them, were murdered somewhere else and brought to the woods. But why? Then another young couple are found dead, again beautifully posed as lovers.

Lord Francis and Lady Ottilia Fanshawe are preparing for the birth of their first child. But Lady Fan won't let a little thing like pregnancy get in the way of solving a local mystery. Their neighbor - Sir Joslin Cadel, who recently returned from a sugar plantation in Barbados - has collapsed and died on his doorstep. And his young ward, Tamasine Roy, claims to have murdered him. With Tamasine clearly suffering from some kind of mental disorder and the rest of Cadel's household acting suspiciously, it is clear all is not as it seems.

Peter Smith is at his breaking point. He is an impoverished boy who must overcome his humble beginnings, abduction, and mistreatment to find his path. Raised in poverty and hopelessness on the streets of Portsmouth, England, Peter is forced into a life of crime just to survive, he is snatched by an uncaring Naval officer against his will and pressed into service aboard a British warship. Young Peter, scarred by his abuse, struggles to find the will to live. As the winds of war sweep across the American colonies, Peter finds himself drawn into the fight on the side of the Americans. Fate ...

Justice Beth Garner (Sanaa Lathan) just landed the appointment of a lifetime—a seat on the Supreme Court. Now a mysterious company is blackmailing her for her vote on a landmark case. Caught up in the checkered past of her hero and mentor, Chief Justice Clayton Erlenborn, Beth must cunningly maneuver through a dangerous web of secrets, deception, and cold-blooded murder. Armed with only her moral compass and unflinching nerve, she’s up against a sinister world full of undercover agents, domestic terrorists, and black ops assassins—all of whom want her to comply or die.

When old Monty discovers a dead body in his drawing room, it's up to Inspector Jess Campbell to get to the bottom of the mystery. Monty is a recluse, holed up in his crumbling manor house being generally unpleasant to everyone, even those relatives he actually likes. When his family and locals claim they've never seen the murder victim before, Campbell smells a lie. With the help of Superintendent Ian Carter, she will have to dig deep into the murky past of Monty and his family, all the way to the shocking truth.

After being jilted by her fiance, Dulcie Mainwaring despairs of ever finding true love. For a distraction, she goes to a publishing conference, where she meets Viola Dace, a dramatic woman who refuses to live without romance, as well as Aylwin Forbes, an editor whom Viola adores. The fact that Aylwin is married doesn't stop Viola. When her amorous pursuit prompts Aylwin's wife to leave him, the academic heartthrob is wide open to Viola's romantic attentions. That is, until Dulcie's 18-year-old niece moves in with Viola, and the young girl soon catches Aylwin's roving eye.

Detective Joseph Easter's daughter discovers a cottage hidden in some trees on a large fenland farm. Someone has been living there. The farm owner's wife has been receiving sinister pagan artifacts, including a witch's knife. Are they some sort of warning or message? Joseph and his daughter search the cottage and find an old satchel. Inside are photos of a beautiful girl, Jennifer Cowley. She went missing 15 years ago. She'd been stalked by a young man, who was convicted of her murder, even though her body was never found.

London, 1884. A culprit is on the run after a fatal poisoning in Bermondsey. It seems like a simple case for Penny Green to report on, until a series of macabre photographs is discovered. As the poisonings continue, Scotland Yard is convinced they have their suspect. It's not long before they're outwitted, and no one is safe. Penny and Inspector James Blakely must avoid the red herrings and track down the manipulative poisoner. But could there be more than one?

The 13 chapters of The Art of War, each devoted to one aspect of warfare, were compiled by the high-ranking Chinese military general, strategist, and philosopher Sun-Tzu. In spite of its battlefield specificity, The Art of War has found new life in the modern age, with leaders in fields as wide and far-reaching as world politics, human psychology, and corporate strategy finding valuable insight in its timeworn words.

In this piercing story of innocence betrayed set in the 30s, the orphaned Portia is stranded in the sophisticated and politely treacherous world of her wealthy half-brother's home in London. There she encounters the attractive, carefree cad Eddie. To him, Portia is at once child and woman, and her fears her gushing love. To her, Eddie is the only reason to be alive. But when Eddie follows Portia to a sea-side resort, the flash of a cigarette lighter in a darkened cinema illuminates a stunning romantic betrayal.

Though American by birth, Frances Wynn, the now-widowed Countess of Harleigh, has adapted admirably to the quirks and traditions of the British aristocracy. On August 12th, each year, otherwise known as the Glorious Twelfth, most members of the upper class retire to their country estates for grouse-shooting season. Frances has little interest in hunting - or birds or a second husband - and is expecting to spend a quiet few months in London with her almost-engaged sister, Lily, until the throng returns.

London 1884. Electricity pioneer Simon Borthwick lights up Victorian London with a stunning illuminations display - then shoots himself in a hansom cab. Plucky Fleet Street reporter Penny Green witnesses the inventor's death and suspects the clue to his suicide lies in a mysterious letter he left behind. But can she persuade Inspector James Blakely of Scotland Yard that a crime has been committed? Borthwick isn't the only person who died that day, and Penny soon encounters a shadowy world which the police can't get close to.

The launch of a new exhibit at Bexford museum is derailed when Brock and Poole discover a body in its midst. With rumors of a lost treasure, a confusing array of suspects, and a personal stake in the case, they must focus to find their culprit. Which isn't going to be easy. Detective Sergeant Guy Poole is dreading confronting his mother with the truth and faces losing a second parent from his life. Detective Inspector Sam Brock's life is changing, and there are big decisions to make for the future. Can they untangle the web of mystery to find their killer?