Bios Memoirs

Camas Davis was at an unhappy crossroads. A longtime magazine writer and editor in the food world, she'd returned to her home state of Oregon with her boyfriend from New York City to take an appealing job at a Portland lifestyle magazine. But neither job nor boyfriend delivered on her dreams, and in the span of a year, Davis was unemployed and on her own. Disillusioned by the years she’d spent mediating the lives of others for a living, she had no idea what to do next. She did know one thing: She no longer wanted to write about the real thing; she wanted to be the real thing.

In 1835, at the age of 13, a young boy walked nearly 300 miles to Paris; he worked odd jobs, and did whatever it took to survive. He eventually learned a craft: box making. Before long, the young boy had earned enough to open his own box-making store.

In 2007, during the months before Nick Flynn's daughter's birth, his growing outrage and obsession with torture, exacerbated by the Abu Ghraib photographs, led him to Istanbul to meet some of the Iraqi men depicted in the photos. Haunted by a history of addiction and a longing to connect with his mother who committed suicide, Flynn artfully interweaves in this memoir passages from his childhood, his relationships with women, and his growing obsession.

Orthodoxy, first published 1908, is Chesterton's spiritual autobiography. Subtitled, 'The romance of faith', Chesterton declares that people need a life of 'practical romance; the combination of something that is strange with something that is secure.'

On July 19, 1924, Eric Liddell was on top of the world. He was the most famous Briton at the time, having just won the gold in the Olympic 400-meter race. The story of that race - and the one he didn't run - was told in the popular movie classic Chariots of Fire. But what most of us don't know is what became of Eric Liddell in the years after the credits rolled. As the storm clouds of World War II rolled in, Liddell's strength of character led him to choose an uncertain future in China during World War II to continue helping the Chinese.

Anyone who's read or listened to the classic I Know Why the Caged Bird Sings knows Maya Angelou was raised by her paternal grandmother in Stamps, Arkansas. In Mom and Me and Mom, Angelou details what brought her mother to send her away and unearths the well of emotions Angelou experienced long afterward as a result. While Angelou's first six autobiographies reveal about her out in the world, influencing and learning from statesmen and cultural icons, her final autobiography and conclusion to the series, Mom and Me and Mom, shares the intimate, emotional story about her own family.

During her lifetime, Emily Dickinson did not seek out recognition or attempt to change the world around her, even in the smallest way. A private but not antisocial person, she kept her life’s work, and her innermost feelings, almost entirely to herself. After her death in 1886, it was only the good judgment of her sister Lavinia that preserved the more than 1,700 poems Dickinson had secretly produced. Her poetry was so intensely individual that it immediately captivated a national audience. More than a century later, her special genius continues to surprise readers young and old.

Dans Entre nous. Mieux se connaître, mieux s’aimer, Sophie Grégoire Trudeau nous invite à entreprendre un voyage à travers notre paysage émotionnel, de l’enfance à l’âge adulte, en s’appuyant sur l’intervention de spécialistes parmi les plus réputés dans les domaines de la santé mentale et du bien-être (psychologues, neuroscientifiques, experts en relations, enseignants de la pleine conscience).

When Ned Kelly's mother, Ellen, arrived in Melbourne in 1841 aged nine, British convict ships were still dumping their unhappy cargo in what was then known as the colony of New South Wales. By the time she died aged 91 in 1923, having outlived seven of her 12 children, motor cars plied the highway near her bush home north of Melbourne, and Australia was a modern sovereign nation.

Volumes 1 and 2 of Combat Veterans’ Stories of Small Wars and Nation Building present 20 autobiographical stories of men and women that were in fire fights, raids, and other dangerous situations that exposed them to enemy ordnance. Their stories give listeners an understanding of warfare, as the US military has experienced it since the Vietnam War.

Lead singer of the hugely successful Irish rock band Kodaline, Steve Garrigan plays to thousands of fans worldwide - his business is being in the spotlight. But for years, Steve was privately battling his own demons. Here in this deeply personal memoir, he shares his experiences.

A FARMING LIFE shares the uplifting stories of women from six rural families as their resilience is tested by personal loss, illness, fractured relationships, natural disasters and the challenges that come with working in a traditionally male-dominated world. These women are all hands-on farmers - in fact, most are responsible for managing their own farms - and their defiance, tenacity and genuine humility shines through, as does their hope for the next generation of young women already lining up to follow in their footsteps.

Three Wee Bookshops at the End of the World picks up Ruth's story with more charming, heartbreaking, brave and funny tales. Having found the love of her life, Lance, she tells of their sailing adventures together, world travels, conservation efforts and their wee bookshops. Life has never been easy for Ruth but, despite that, her book is chock full of extraordinary people and situations, many of them laugh-out-loud funny. Tales from the bookshops are interwoven with Ruth's story, along with expert book recommendations.

Jonathan Franzen's work raises major questions about the possibilities of contemporary fiction: How does one appeal to a broad mass of mainstream readers on the one hand while persuading connoisseurs, on the other, that one's fiction has is high art? Even more acutely, how did Franzen move from the rage that animates his first two novels to the more generous comic stance of the two later novels, on which his reputation rests?

It is possible to start your own company and increase your purchasing power so that you can become a billionaire. In this audiobook, you will learn about the most influential billionaires in the world. We will tell you their stories, their background, what they studied, and most important of all, how they became billionaires.

Edgar Laplante was a small-time grifter, an erstwhile vaudeville performer, and an unabashed charmer. But after years of playing thankless gigs and traveling with medicine shows, he decided to undertake the most demanding and bravura performance of his life. In the fall of 1917, Laplante reinvented himself as Chief White Elk: war hero, sports star, civil rights campaigner, Cherokee nation leader - and total fraud.

Born into one of the wealthiest families in America - he was the youngest son of Standard Oil scion John D. Rockefeller, Jr., and the celebrated patron of modern art Abby Aldrich Rockefeller - David Rockefeller has carried his birthright into a distinguished life of his own.

D. H. Lawrence is no longer censored, but he is still on trial - and we are still unsure what the verdict should be, or even how to describe him. History has remembered him, and not always flatteringly, as a nostalgic modernist, a sexually liberator, a misogynist, a critic of genius and a sceptic who told us not to look in his novels for 'the old stable ego’, yet pioneered the genre we now celebrate as auto-fiction. But where is the real Lawrence in all of this, and how - 100 years after the publication of Women in Love - can we hear his voice above the noise?

The father that the brothers shared was as elusive a figure for George as he had been for Barack Obama; he died when George was six months old and George was raised by his mother and stepfather. But after his mother and stepfather separated, he drifted into gangs and petty crime. Arrested for robbery, restless, willful, and troubled, he lost himself in Nairobi's vast Mathare ghetto. After being framed for an armed robbery he did not commit and spending time in jail, he represented himself at trial and won the case.

This is the story of John McGahern's childhood - of his mother's death, his father's anger and bafflement, and of his own discovery of literature and his ambition to become a writer. At the heart of the book is an unembarrassed homage by a loving son to a woman who protected him and his sisters from his father's unpredictable moods. His joy in her presence is recovered with great lyrical tact.