Biography Girls

In the roaring '20s, adventurous young Sonora Webster sees an exciting act that will change her life forever. Hooves pound as a horse gallops up the ramp of a 40-foot-tall tower. A girl in a sparkly swimsuit waits at the top, and at the last possible second, leaps on its back as they dive through the air, falling to a tank of water far below with thunderous applause. Sonora is hooked. From that moment on, she is determined to BE that girl, despite the danger, and endeavors to join the diving horse troupe. This memoir follows her exciting career and life on the road as a traveling performer.

By the age of 13, Lily Bailey was convinced she was bad. She had killed someone with a thought, spread untold disease, and ogled the bodies of other children. Only by performing an exhausting series of secret routines could she make up for what she'd done. But no matter how intricate or repetitive, no act of penance was ever enough. Beautifully written and astonishingly intimate, Because We Are Bad recounts a childhood consumed by obsessive compulsive disorder.

In May 1972, Liese Greensfelder arrived in the small Norwegian town of Øystese to startling news: Johannes, the farmer who hired her for the summer, had just been hospitalized after a stroke. Could she please watch over his place for a month or so, until he got back on his feet? Twenty years old and with no farming experience, Liese was dropped off the next day at a centuries-old mountain farm at the end of a dirt road high above the magnificent Hardanger Fjord—with 115 sheep, two cows, one calf, a draft horse, and a Norwegian herding dog to care for.

As an Afghan girl, Zarifa Adiba has big, unfathomable dreams. Her family is poor, her country mired in conflict. Walking to school in Kabul, Zarifa has to navigate suicide bombers. But Zarifa perseveres, nurturing her passion for music despite its “sinful” nature under Taliban law. At sixteen, she gains admission to the Afghanistan National Institute of Music, and at eighteen she becomes the lead violist, conductor, and spokesperson for Zohra, the first all-female orchestra in the Muslim world.

The girl group sound, made famous and unforgettable by acts like The Ronettes, The Shirelles, The Supremes, and The Vandellas, took over the airwaves by capturing the mixture of innocence and rebellion emblematic of America in the 1960s. But while the songs are essential to the American canon, many of the artists remain all but anonymous to most listeners. But Will You Love Me Tomorrow?: An Oral History of 60s Girl Groups tells a national coming-of-age story that gives particular insight into the experiences of the female singers and songwriters who created the movement.

Kristin and Jenny’s marriage started with an ultimatum: to further their relationship, Kristin must watch Jenny's favorite show, Buffy the Vampire Slayer. With the terms set, they began a journey that has led them through seven seasons of the beloved genre show, a podcast rewatching the series with their newly minted listenership of “Scoobies,” unexpected success, and a divorce. Through it all, their love for Buffy and their commitment to their community held them together against the odds.

Shenequa Golding doesn’t aim to speak for all Black women. We’re too vast, too vibrant, and too complicated. As an adult, Golding begins to own her boldness, but growing up, she found herself “kind of in the middle,” fluctuating between not being the fly kid or the overachiever. Her debut collection of essays, A Black Girl in the Middle taps into life’s wins and losses, representing the middle ground for Black girls and women.

A través de testimonios escalofriantes y conmovedores, las autoras de este libro ofrecen explicaciones contundentes para entender por qué nuestros niños y niñas se vuelven criminales ante la indiferencia social, corrupción policiaca y la intolerancia del gobierno. Más aún se detalla la incompetencia de las autoridades, los vacíos legales y la incapacidad de las instituciones para ofrecer a estos adolescentes opciones para alejarse del delito, la drogadicción, las relaciones violentas o evitar la puerte por defender -o estar en contra- algún cártel.

Being a Girl with Glasses isn't just a style choice; it's a way of life. If you've ever had your specs steam up when walking into a bar, squinted into the sun on the soccer field, or laid eyes on a new haircut only after your locks are strewn across the floor, you know what it's like to be a GWG. Marissa Walsh has worn glasses since third grade. Now - 10 pairs of glasses, one pair of prescription sunglasses, and endless pairs of contacts later - she has fully embraced her four-eyed fate.

The untold story of five women who fought to compete against men in the high-stakes national air races of the 1920s and 1930s - and won.

Belle de Jour is the nom de plume of a high-class call girl working in London. This is her story. From the summer of 2003 to the autumn of 2004 Belle charted her day-to-day adventures on and off the field in a frank, funny, and award winning web diary. Now, in her Intimate Adventures, Belle elaborates on those diary entries, revealing (among other things) how she became a working girl, what it feels like to do it for money, and where to buy the best knickers for the job.

In a remarkable true story of faith and blessings, a mother tells of her sickly young daughter, how she survived a dangerous accident, her visit to Heaven, and the inexplicable disappearance of the symptoms of her chronic disease. Annabel Beam spent most of her childhood in and out of hospitals with a rare and incurable digestive disorder that prevented her from ever living a normal, healthy life. One sunny day when she was able to go outside and play with her sisters, she fell three stories headfirst inside an old, hollowed-out tree...

When Krystal Evans was 14, the house that she shared with her mother and little sister burned down. Krystal narrowly escaped by breaking a window and jumping out head-first; suffering burns, smoke inhalation, PTSD—and the unimaginable tragedy of losing her six year-old sister. But horrific as events were, the account of what led the family to that fatal night, and how they coped with its aftermath, is a richer and more complex story.

Soy Eufrosina Cruz y nací en la montaña zapoteca. A los 27 años gané la presidencia de mi pueblo, pero no me dejaron gobernar porque era mujer. En ese momento supe que, para cambiar mi vida y la de las mujeres indígenas, debía transformar la ley más importante de mi país. Desde entonces, mi lucha ha sido para que los pueblos indígenas y afro no sean considerados menores de edad y para que las mujeres no sean personas de segunda.

Black girls are leading, organizing, advocating, and creating. They are starting nonprofits. Building political coalitions. Promoting diverse literature. Fighting cancer. Improving water quality. Working to prevent gun violence.

Susan Swan has never fit inside the boxes that other people have made for her—the daughter box, the wife box, the mother box, the femininity box. Instead, throughout her richly lived, independent decades, she has carved her own path and lived with the consequences. In this revealing and revelatory memoir, Swan shares the key moments of her life.

At 29, Kelsey Miller had done it all: crash diets, healthy diets, and nutritionist-prescribed "eating plans", which are diets that you pay more money for. She'd been fighting her un-thin body since early childhood and, after a lifetime of failure, finally hit bottom. No diet could transform her body or her life. There was no shortcut to skinny salvation. She'd dug herself into this hole, and now it was time to climb out of it.

On August 17, 2014, the body of 15-year old runaway Tina Fontaine was found in Winnipeg's Red River. It was wrapped in material and weighted down with rocks. Red River Girl is a gripping account of that murder investigation and the unusual police detective who pursued the killer with every legal means at his disposal. The audiobook, like the movie Spotlight, chronicles the behind-the-scenes stages of a lengthy and meticulously planned investigation. It reveals characters and social tensions that bring vivid life to a story that made national headlines.

In the summer of 1916, Dorothy Woodruff and Rosamond Underwood, close friends from childhood and graduates of Smith College, left home in Auburn, New York, for the wilds of northwestern Colorado. Bored by their soci-ety luncheons, charity work, and the effete young men who courted them, they learned that two teach-ing jobs were available in a remote mountaintop schoolhouse and applied—shocking their families and friends.

Soldier Girls follows the lives of three women on their paths to the military. These women, who are quite different in every way, become friends, and we watch their interaction and also what happens when they are separated. We see their families, their lovers, their spouses, their children. We see them work extremely hard, deal with the attentions of men on base and in war zones, and struggle to stay connected to their families back home.