Artist Architect

The Post-Impressionist artist and writer Paul Gauguin led an extraordinary, troubled and restlessly itinerant life; he came late to painting and spent most of his last decade in the Pacific islands of Tahiti and the Marquesas, where he produced paintings loosely based on Polynesian tradition that heralded the emergence of primitivism and would exert a profound influence on modernist artists from Picasso and Matisse to Jackson Pollock. But his art, despite its growing popularity following Gauguin’s death in 1903, has provoked mixed responses.

Leonardo da Vinci (1452-1519) never signed a painting, and none of his supposed self-portraits can be securely ascribed to his hand. He revealed next to nothing about his life in his extensive writings, yet countless pages have been written about him that assign him an identity: genius, entrepreneur, celebrity artist, outsider. Addressing the ethical stakes involved in studying past lives, Stephen J. Campbell shows how this invented Leonardo has invited speculation from figures ranging from art dealers and curators to scholars, scientists, and biographers.

Jean Strouse's Family Romance: John Singer Sargent and the Wertheimers looks at twelve portraits of one English family painted by the expatriate American artist at the height of his career—and at the intersections of all these lives with the sparkle and strife of the Edwardian age.

Coco Chanel created the look of the modern woman and was the high priestess of couture. She believed in simplicity, and elegance, and freed women from the tyranny of fashion. She inspired women to take off their bone corsets and cut their hair. She used ordinary jersey as couture fabric, elevated the waistline, and created bell-bottom trousers, trench coats, and turtleneck sweaters. In the 1920s, when Chanel employed more than 2,000 people in her workrooms, she had amassed a personal fortune of $15 million and went on to create an empire.

Scritta tra il 1943 e il 1944, durante la sua militanza nel Comitato di Liberazione Nazionale, viene pubblicata nel 1945, a guerra ormai conclusa...

Revered as much for her fierce spirit as she is for her art, Frida Kahlo stands today as a brazen symbol of daring creativity. She was a woman ahead of her time whose paintings have earned her generations of admirers around the globe. But perhaps her greatest work of art was her own life. What Would Frida Do? explores the feminist icon's signature style, outspoken politics, and boldness in love and art, even in the face of pain and heartbreak.

We didn't know what to expect when we jumped through the Leap Point. We certainly didn't anticipate finding that humans had been out here before. We thought we were the first to leave our star system, but we we're wrong. Maybe Hegemony was correct. Maybe we are just blundering our way from discovery to discovery, and it's only a matter of time before we encounter something in the vast darkness that takes a real bite out of us. It would certainly help if the government had our back.

One of the nation’s top art critics shows how six great artists made old age a time of triumph by producing some of the greatest work of their long careers—and, in some cases, changing the course of art history. Though these six artists differed in many respects, they shared one thing: a determination to go on creating, driven not by the bounding energies of youth but by the ticking clock that would inspire them to produce some of their greatest masterpieces.

Harvey Kurtzman created Mad, and Mad revolutionized humor in America. Kurtzman was the original editor, artist, and sole writer of Mad, one of the greatest publishing successes of the twentieth century. But how did Kurtzman invent Mad, and why did he leave it shortly after it burst, nova-like, onto the American scene? For this heavily researched biography, Bill Schelly conducted new interviews with Kurtzman’s colleagues, friends, and family, including Hugh Hefner, R. Crumb, Jack Davis, and many others, and examined Kurtzman’s personal archives.

Master Italian sculptor, goldsmith, and writer Benvenuto Cellini is best remembered for his magnificent autobiography. In this work, which was actually begun in 1558 but not published until 1730, Cellini beautifully chronicles his flamboyant times. He tells of his adventures in Italy and France, and his relations with popes, kings, and fellow artists.

An intimate biography of Richard Avedon, the legendary fashion and portrait photographer who “helped define America’s image of style, beauty and culture” (The New York Times) by his longtime collaborator and business partner Norma Stevens and award-winning author Steven M. L. Aronson.

In 1945, Edith Farnsworth asked the German architect Mies van der Rohe, already renowned for his avant-garde buildings, to design a weekend home for her outside of Chicago. Edith was a woman ahead of her time—unmarried, she was a distinguished medical researcher, as well as an accomplished violinist, translator, and poet. The two quickly began spending weekends together, talking philosophy, Catholic mysticism, and, of course, architecture over wine-soaked picnic lunches.

Keith Haring is synonymous with the downtown New York art scene of the 1980s. His artwork - with its simple, bold lines and dynamic figures in motion - filtered in to the world's consciousness and is still instantly recognizable, 20 years after his death.

Lucian Freud (1922-2011) is one of the most influential figurative painters of the 20th century. His paintings are in every major museum and many private collections here and abroad. William Feaver's daily calls from 1973 until Freud died in 2011, as well as interviews with Freud's family and friends, were crucial sources. Freud's circle was broad, including not just other well-known artists but writers, bluebloods, royals in England and Europe, drag queens, fashion models, gamblers, bookies, and gangsters like the Kray twins.

Sex, Surrealism, Dali and Me was first published in 2000 and was a top-10 best-seller a year later. It tells the biographies of two remarkable men. Salvador Dali, one of the 20th century's greatest painters, and his long-term muse - the Colombian dancer Carlos Lozano. Dali was famously a voyeur, and in this extraordinary audiobook, we are witnesses to the bizarre sexual fantasies he lived out among celebrities, aristocrats, enemies, and the plain crazy.

From the Pulitzer Prize-winning historian Richard Rhodes comes the first major biography of John James Audubon in forty years and the first to illuminate fully the private and family life of the master illustrator of the natural world.

Phoebe Hoban, author of definitive biographies of Jean-Michel Basquiat and Alice Neel, now turns her attention to Lucian Freud, the grandson of Sigmund and one of the greatest painters England has produced. Lucian Freud: Eyes Wide Open is the first biography to assess Freud’s work and life, showing how the two converge.

Ten years ago, an FBI investigation was about to expose a scandal in the art world that would have been front-page news in New York and London. After a trail of fake paintings of astonishing quality led federal agents to art dealers, experts, and major auction houses, the investigation inexplicably ended, despite an abundance of evidence. The case was closed and the FBI file was marked “exempt from public disclosure”. Now that the statute of limitations on these crimes has expired and the case appears hermetically sealed shut by the FBI, this audiobook, Caveat Emptor, is that artist, Ken Perenyi’s, confession.

A self-professed "comprehensive anticipatory design scientist", the inventor Buckminster Fuller (1895-1983) was undoubtedly a visionary. Fuller's creations often bordered on the realm of science fiction, ranging from the freestanding geodesic dome to the three-wheel Dymaxion car to a bathroom requiring neither plumbing nor sewage. Yet in spite of his brilliant mind and lifelong devotion to serving mankind, Fuller's expansive ideas were often dismissed, and have faded from public memory since his death.

G. Eric Kuskey, former colleague of Thomas Kinkade and close friend until the artist's death in 2012, tells Kinkade's story for the first time, from his art's humble beginnings on a sidewalk in Carmel, California, to his five-house compound in Monte Sereno. It's a tale of addiction and grief, of losing control, and ultimately, of the price of our dreams.