Artist Architect

Harry Truman and Pablo Picasso were contemporaries and were both shaped by and shapers of the great events of the twentieth century—the man who painted Guernica and the man who authorized the use of atomic bombs against civilians. But in most ways, they couldn’t have been more different. Picasso was a communist, and probably the only thing Truman hated more than communists was modern art. Picasso was an indifferent father, a womanizer, and a millionaire. Truman was utterly devoted to his family. How did they come to be shaking hands in front of Picasso’s studio in the south of France?

Francine Prose's life of Caravaggio evokes the genius of this great artist through a brilliant reading of his paintings. Caravaggio defied the aesthetic conventions of his time; his use of ordinary people, realistically portrayed - street boys, prostitutes, the poor, the aged - was a profound and revolutionary innovation that left its mark on generations of artists. His insistence on painting from nature, on rendering the emotional truth of experience, whether religious or secular, makes him an artist who speaks across the centuries to our own time.

Hans Holbein the Younger is chiefly celebrated for his beautiful and precisely realized portraiture, which includes representations of Henry VIII, his advisors Thomas More and Thomas Cromwell, his wives Jane Seymour and Anne of Cleves, and an array of the Tudor lords and ladies encountered during the course of two sojourns in England. But beyond these familiar images, which have come to define our perception of the age, Holbein was a multifaceted genius: a humanist, satirist, and political propagandist, and a deft man whose work was rich in layers of symbolism and allusion.

Vivienne Westwood is one of the icons of our age. Fashion designer, activist, cocreator of punk, global brand, and grandmother--a true living legend. Her career has successfully spanned five decades, and her work has influenced millions of people across the world. For the first and only time, Vivienne Westwood has written a personal memoir, collaborating with award-winning biographer Ian Kelly, to describe the events, people, and ideas that have shaped her extraordinary life.

Leonardo da Vinci created the two most famous paintings in history, The Last Supper and the Mona Lisa. But in his own mind, he was just as much a man of science and engineering. With a passion that sometimes became obsessive, he pursued innovative studies of anatomy, fossils, birds, the heart, flying machines, botany, geology, and weaponry. His ability to stand at the crossroads of the humanities and the sciences, made iconic by his drawing of Vitruvian Man, made him history's most creative genius.

The story of Willa Cather is defined by a lifetime of determination, struggle, and gradual emergence. Some show their full powers early, yet Cather was the opposite—she took her time and transformed herself by stages. The writer who leapt to the forefront of American letters with O Pioneers! (1913), The Song of the Lark (1915), and My Ántonia (1918) was already well into middle age. Through years of provincial journalism in Nebraska, brief spells of teaching, and editorial work on magazines, she persevered in pursuit of the ultimate goal—literary immortality.

Brilliantly funny, frank, and shattering, this is the bittersweet memoir by Peter McGough of his life with artist David McDermott. Set in New York’s Lower East Side of the 1980s and mid-1990s, it is also a devastatingly candid look at the extreme naiveté and dysfunction that would destroy both their lives.

Elizabeth Bishop's friend James Merrill once observed that "Elizabeth had more talent for life - and for poetry - than anyone else I've known." This new biography reveals just how she learned to marry her talent for life with her talent for writing in order to create a brilliant array of poems, prose, and letters - a remarkable body of work that would make her one of America's most beloved and celebrated poets. In Love Unknown, Thomas Travisano, founding president of the Elizabeth Bishop Society, tells the story of the famous poet and traveler's life.

In this engaging, cradle-to-grave biography, award-winning author Todd James Pierce explores the life of Ward Kimball, a lead Disney animator who worked on characters such as Mickey Mouse, Donald Duck, Jiminy Cricket, and the Mad Hatter. Through unpublished excerpts from Kimball's personal writing, material from unpublished interviews, and new information based on interviews conducted by the author, Pierce defines the life of perhaps the most influential animator of the 20th century.

Creativity is in our bones. It is found in our very DNA, something not known to Leonardo da Vinci or anyone else who lived in his day and time. All he did was to uncover the hidden genius which lay within himself, and he used that inner genius to the very best of his abilities. Leonardo da Vinci is best known for some of the world's most masterful paintings, but he was so much more than merely another artist with paints and brushes. Born to a peasant woman in 1452, Leonardo would go on to astound the world he lived in with his artistry and his inventions.

Anya Liftig grew up with a foot in two very different worlds: While her mother's upbringing was so rural that the other kids called her "holler rat," her father came from a comfortable, upper-middle-class Jewish family. Anya spent school years in affluent Connecticut and summers in the holler. Shaped by the experience, she would go on to win a scholarship to Yale and become an acclaimed artist, using provocative performances to explore the contradictions and unanswered questions of her life.

Born to a Jewish family in Estonia in 1901 and brought to America in 1906, the architect Louis Kahn grew up in poverty in Philadelphia; by the time of his death in 1974, he was widely recognized as one of the greatest architects of his era. Yet this enormous reputation was based on only a handful of masterpieces, all built during the last 15 years of his life.

A self-professed "comprehensive anticipatory design scientist", the inventor Buckminster Fuller (1895-1983) was undoubtedly a visionary. Fuller's creations often bordered on the realm of science fiction, ranging from the freestanding geodesic dome to the three-wheel Dymaxion car to a bathroom requiring neither plumbing nor sewage. Yet in spite of his brilliant mind and lifelong devotion to serving mankind, Fuller's expansive ideas were often dismissed, and have faded from public memory since his death.

Salvador Dalí was a master of the surreal. His paintings are known as “dream photographs”: snapshots of nightmarish scenes brought to life in stunning detail. Dalí was a technical virtuoso, but unlike the grand masters he admired - like Johannes Vermeer and Diego Velázquez - he chose to use his skill to depict the unreal and the absurd. Anyone who has seen his famous painting of the melting watches The Persistence of Memory knows that his paintings are as confusing as they are striking.

In an idyllic Los Angeles neighborhood, where generations enjoy deep roots in old homes, the O’Rourke family fits right in. Miriam and Craig are both artists and their four children carry on the legacy. When their teenage son, Nick, is diagnosed with schizophrenia, a tumultuous decade ensues in which the family careens off the conventional course. Like the 10 Biblical plagues, they are hit by one catastrophe after another: violence, evictions, arrests, a suicide attempt, a near-drowning - even cancer and a brain tumor - play against the backdrop of a wild teenage bacchanal.

Harvey Kurtzman created Mad, and Mad revolutionized humor in America. Kurtzman was the original editor, artist, and sole writer of Mad, one of the greatest publishing successes of the twentieth century. But how did Kurtzman invent Mad, and why did he leave it shortly after it burst, nova-like, onto the American scene? For this heavily researched biography, Bill Schelly conducted new interviews with Kurtzman’s colleagues, friends, and family, including Hugh Hefner, R. Crumb, Jack Davis, and many others, and examined Kurtzman’s personal archives.

Here is Jon Krakauer's portrait of the iconoclastic architect Christopher Alexander, whose revolutionary human-centered approach has shaken the foundations of modern architecture. Krakauer delves into Alexander's life and career, from his theories on a timeless "pattern language" that could be used to create buildings and towns that were simultaneously more livable and more beautiful, to his belief that architecture is correctly viewed as a powerful social instrument; from his on-site drafting techniques to his design process that, like a cocoon, shapes a building from the inside out.

Los intereses literarios de Octavio Paz se manifestaron de manera muy precoz, y publicó sus primeros trabajos en diversas revistas literarias. Sus preocupaciones sociales también se hicieron presentes a temprana edad y en 1937 realizó un viaje a Yucatán con la intención de crear una escuela para hijos de trabajadores.

Sir Nigel Thompson walked to school around the bomb craters of the London Blitz—it made him want to build things, rather than knock them down. After studying structural engineering in Africa, he worked on hospitals and theaters in London, and later headed the team that designed University of Qatar. He went on to design Embankment Place, a massive office complex built over London’s Charing Cross railway station. Turning from building to rebuilding, he explored construction opportunities for British firms during the Gulf War, in Kuwait’s still-burning oil fields.

A rich, penetrating memoir about the author's relationship with a flawed but influential figure—the painter Lucian Freud—and the satisfactions and struggles of a life lived through art.