Artist Architect

He looked down at her and issued his challenge: Tell me you don't want me to make love to you. Tell me you're afraid to find out what I'll do next. Tell me, and I'll stop. She wanted to tell him to leave her alone. She didn't care if he found out the truth--that she was a woman who was afraid of her own sexuality. But things had gone too far. And now she wanted it all.

Mary fought for a place as a professional artist without having to live as a tragic heroine. She married George Reid, Canadian muralist, and while their relationship was more equal than most, this was still the Edwardian age. How do you find time to paint when you need to get to the market to buy a chicken for dinner?

In this insightful and provocative book, comics-industry veteran Danny Fingeroth explores the backgrounds of the most well-known superheroes and their creators—largely young American Jewish men from Eastern European backgrounds. These innovators include Jerry Siegel and Joe Shuster, Will Eisner, and Stan Lee and Jack Kirby. In Disguised as Clark Kent, Fingeroth explores how the creators’ Jewish backgrounds helped make superheroes the most familiar popular-culture icons of all.

Nace Diego de Silva y Velázquez en la ciudad de Sevilla el año de 1599. Su padre, Juan Rodríguez de Silva, es de ascendencia portuguesa y de familia noble. Su madre, Jerónima Velázquez, cuyo apellido va a perpetuarse en la historia de los pinceles, es de antigua familia sevillana. Desde muy joven siente Diego de Silva la llamada de la pintura, y acude a los talleres de los maestros sevillanos más competentes, como Herrera el Viejo, con quien se cree que estudió, aunque no hay pruebas documentales al efecto.

Arthur Fellig’s ability to arrive at a crime scene just as the cops did was so uncanny that he renamed himself “Weegee”, claiming that he functioned as a human Ouija board. Weegee documented better than any other photographer the crime, grit, and complex humanity of midcentury New York City. In Flash, we get a portrait not only of the man (both flawed and deeply talented, with generous appetites for publicity, women, and hot pastrami) but also of the fascinating time and place that he occupied....

A fascinating look into the life of a tortured genius. Using Van Gogh's letters as a primary source, the author discusses the artist's life, his approach to his work, and his mental illness. The letters vividly show the artist's life was no bed of roses. Whereas Van Gogh perfectly knew what was sellable, he continued to produce what he considered as honest, truthful art, regardless of current taste.

In less than a decade, the prodigious painter Jean-Michel Basquiat went from a teenage graffiti artist to an international art star at the peak of the heady, excessive 1980s art boom. A legend in his own lifetime, Basquiat was a fixture of the downtown scene, full of rock music, couture fashion, outrageous art, and heady drugs. Along the way, Basquiat was involved with several of the time's most infamous personalities, from Keith Haring and Andy Warhol to his brief romantic fling with Madonna.

A distilled, crystal-like companion to H is for Hawk, Birds Art Life celebrates the particular madness of chasing after birds in the urban environment and explores what happens when the core lessons of birding are applied to other aspects of art and life. Moving with ease between the granular and the grand, peering into the inner landscape as much as the outer one, this is a deeply personal year-long inquiry into big themes: love, waiting, regrets, endings.

Jean-Michel Basquiat, American artist extraordinaire: Life and work in a short biography! Everything you need to know, brief and concise. Infotainment, education and entertainment at its best!

Phoebe Hoban, author of definitive biographies of Jean-Michel Basquiat and Alice Neel, now turns her attention to Lucian Freud, the grandson of Sigmund and one of the greatest painters England has produced. Lucian Freud: Eyes Wide Open is the first biography to assess Freud’s work and life, showing how the two converge.

In Five Days Gone, Laura Cumming brilliantly unspools the tale of her mother’s life and unravels the multiple mysteries at its core. Using photographs from the time, historical documents, and works of art, Cumming investigates this case of stolen identity with the tool set of a detective and the unique intimacy of a daughter trying to understand her family’s past and its legacies. Compulsive, vivid, and profoundly touching, Five Days Gone is a masterful blend of memoir and history, an extraordinary personal narrative unlike any other.

Now celebrated as one of the great painters of the Renaissance, Michelangelo Merisi da Caravaggio fled Rome in 1606 to escape retribution for killing a man in a brawl. Three years later he was in Naples, where he painted The Seven Acts of Mercy. A year later he died at the age of thirty-eight under mysterious circumstances. Exploring Caravaggio's singular masterwork, in The Guardian of Mercy Terence Ward offers an incredible narrative journey into the heart of his artistry and his metamorphosis from fugitive to visionary.

Los intereses literarios de Octavio Paz se manifestaron de manera muy precoz, y publicó sus primeros trabajos en diversas revistas literarias. Sus preocupaciones sociales también se hicieron presentes a temprana edad y en 1937 realizó un viaje a Yucatán con la intención de crear una escuela para hijos de trabajadores.

Hoy en día, Vincent van Gogh es uno de los artistas más admirados y celebrados del mundo. Su nombre evoca pasión, originalidad, genioy, también, una obra valorada en precios exorbitantes. Sin embargo, durante su vida no conoció el éxito y quizá tampoco el amor, a no ser el de su hermano Theo. Este libro explora y recrea este fascinante mito moderno.

Wife | Daughter | Self investigates identity and the writing life through the perspective of one of the nation’s top memoir teachers and critics.

The McLaughlin twins were trailblazing female photographers, celebrated in their time as stars in their respective fields, but have largely been forgotten since. Here, in Double Click, Carol Kino brings these two brilliant women and their remarkable accomplishments to vivid life.

Lucelle Raad is an artist whose original paintings and prints decorate countless walls of homes in the United States and Europe, as well as in other locations throughout the world. The majority of her subjects are children, as well they should be, for children are the most innocent, unassuming people there are to paint. She wasn’t always an artist, however. In fact, she never intended to be anything but a happy, well-adjusted adult - the goal of all children, whether they realize it or not. How she came to be an artist is quite another story altogether.

For nearly a decade, Palley has been on the frontline of fire. He has witnessed homeowners on the worst day of their lives. He’s seen puddles of aluminum where cars were once parked. He’s watched as 150-foot walls of flame cascaded down mountainsides and crashed into the Pacific Ocean. And he’s captured, time and again, the tireless commitment of firefighters as they work to save lives and homes, in terrain where fire always seems to have the upper hand.

Henri de Toulouse-Lautrec (Albi, 1864-Malromé, 1901) nació en el seno de una de las familias aristócratas más importantes de Francia. Su familia se instaló en París en 1873. En 1878 sufrió la rotura de su fémur izquierdo, al año siguiente la del derecho, razón por la que sus piernas sufrieron un desarrollo anormal a causa de una enfermedad congénita que le provocaba falta de calcio; conservó un torso normal, pero las piernas no le crecieron.

Dorothy L. Sayers is now famous for her Lord Peter Wimsey and Harriet Vane detective series, but she was equally well known during her life for an essay asking “Are Women Human?” Women’s rights were expanding rapidly during Sayers’s lifetime; she and her friends were some of the first women to receive degrees from Oxford. Yet, as historian Mo Moulton reveals, it was clear from the many professional and personal obstacles they faced that society was not ready to concede that women were indeed fully human.