Artist Architect

Pablo Picasso, born on October 25, 1881, in Málaga, Spain, was one of the 20th century’s most prolific and successful artists. A natural-born prodigy, he began painting at the age of two and never stopped until his death at the age of 91. From a young age, Picasso oozed defiance against formal authority. This was reflected not only in his personal life, which was a tangle of mistresses and wives, but especially in his art.

A rich, penetrating memoir about the author's relationship with a flawed but influential figure—the painter Lucian Freud—and the satisfactions and struggles of a life lived through art.

Anya Liftig grew up with a foot in two very different worlds: While her mother's upbringing was so rural that the other kids called her "holler rat," her father came from a comfortable, upper-middle-class Jewish family. Anya spent school years in affluent Connecticut and summers in the holler. Shaped by the experience, she would go on to win a scholarship to Yale and become an acclaimed artist, using provocative performances to explore the contradictions and unanswered questions of her life.

In Drawn Testimony, Rosenberg brings us into the high-stakes, dramatic world of her craft, where art, psychology and courtroom drama collide. Over the course of her legendary career, Jane has had a front row seat to some of the most iconic and notorious moments in our nation's recent history, sketching everything from Tom Brady's deflate-gate case, to John Lennon's murder trial to cases against Ghislaine Maxwell, John Gotti, Harvey Weinstein and most recently, the indictment against former President Donald Trump.

Artorian's stroll onto Earth is cut short by a dagger in the back. Dealing with an unjust loss, he's torn between mourning what was lost and plotting a deviously calculated revenge. An eye for an eye, a stab for a stab. It's time to roll up those sleeves, whip out the master plan, and get down to crafting the narrative.

To get a sense of the kind of prestige that Claude Monet enjoys within the art world, one need only learn that his Le Bassin Aux Nympheás (1919) - from his series of paintings featuring water lilies - sold for the equivalent of more than $70 million. This is a staggering price, especially considering that early in his life, Monet had been so poor and debt-ridden that some of his paintings were taken from him by creditors.

Capturing history was Jonathan Alpeyrie's job, but he never expected to become a news story himself. For a decade, the French-American photojournalist weaved in and out of over a dozen conflict zones. But, during his third assignment to Syria, Alpeyrie was betrayed by his fixer and handed over to a band of Syrian rebels. For 81 days, he was bound, blindfolded, and beaten. Over the course of his captivity, Alpeyrie kept his spirits up and strived to see, without his camera lenses, the humanity in his captors.

The ingenious artist we know as Michelangelo lived during the Renaissance in Northern Italy, and you could say that he was indeed a Renaissance man - he was a painter, sculptor, poet, and engineer all rolled up into one. Even though it has been some 450 years since his passing, his legacy remains one of the strongest on record. If the burgeoning art student of today wishes to learn from the best, he takes his notes directly from Michelangelo.

Desde sus humildes comienzos hasta convertirse en un reconocido cantante, actor, productor, político y activista, Mayer comparte sus experiencias, desafíos y triunfos con una gran honestidad. Explora los momentos de duda y superación, las lecciones aprendidas y las decisiones valientes que lo llevaron a reinventarse una y otra vez.

The twentieth-century artist Bruno Schulz was born an Austrian, lived as a Pole, and died a Jew. First a citizen of the Habsburg monarchy, he would, without moving, become the subject of the West Ukrainian People's Republic, the Second Polish Republic, the USSR, and, finally, the Third Reich. Schulz was also a talented illustrator and graphic artist whose masochistic drawings would catch the eye of a sadistic Nazi officer. Benjamin Balint chases the inventive murals Schulz painted on the walls of an SS villa into multiple dimensions of the artist's life and afterlife.

The lives of many famous artists have been shrouded in mystery and conjecture, but none have been more controversial than the life of Vincent van Gogh. Remembered for his swirling brushstrokes and burning colors, Vincent van Gogh is today one of the best-known painters. Though his career as a painter spanned less than ten years, he produced a body of work that remains one of the most enduring in all of modern art. In his lifetime, however, he received little recognition. Today his paintings sell for countless millions, yet during his lifetime, van Gogh managed to sell just one painting.

This combination of serious artistic engagement with warmth and clarity of prose revels in the experiences and pleasures of art and the body, identity, and community.

Anne Neilson believes that each of us begins our life as a blank canvas: clean and fresh and ready to find texture in our experiences. Each trial, each joy, each heartache, and each hope leaves an explosion of color and sweeping brushstrokes that shape us. When we allow God to take over as the Master artist, we will find that He carefully adds dimension and highlights to create a beautiful masterpiece in us. Often, though, it's hard to find the beauty when we are wading through mess. Anne shares personal stories about why her faith is so important to her and resonates in all her work.

Unlike most artists, Van Gogh developed very slowly, beginning with work as an art dealer that exposed him to many great works. He undertook this work for several years, after which he spent time as a missionary for the Dutch Reformed Church. Thereafter, he drifted for several years before returning home to his parents’ house, where he took up painting, largely self-taught with books on anatomy and painting. His great works all date from the later years of his life.

Sir Nigel Thompson walked to school around the bomb craters of the London Blitz—it made him want to build things, rather than knock them down. After studying structural engineering in Africa, he worked on hospitals and theaters in London, and later headed the team that designed University of Qatar. He went on to design Embankment Place, a massive office complex built over London’s Charing Cross railway station. Turning from building to rebuilding, he explored construction opportunities for British firms during the Gulf War, in Kuwait’s still-burning oil fields.

He looked down at her and issued his challenge: Tell me you don't want me to make love to you. Tell me you're afraid to find out what I'll do next. Tell me, and I'll stop. She wanted to tell him to leave her alone. She didn't care if he found out the truth--that she was a woman who was afraid of her own sexuality. But things had gone too far. And now she wanted it all.

With outrageous anecdotes about everyone from Leonardo Da Vinci to Caravaggio to Edward Hopper, Secret Lives of Great Artists recounts the seamy, steamy, and gritty history behind the great masters of international art. You'll learn that Michelangelo's body odor was so bad, his assistants couldn't stand working for him; that Vincent van Gogh sometimes ate paint directly from the tube; and Georgia O'Keeffe loved to paint in the nude. This is one art history lesson you'll never forget!

Madonna. Andy Warhol. Keith Haring. Fab 5 Freddie. Debbie Harry. Julian Schnabel. Jean-Michel Basquiat's transition from the subways to the chic gallery spaces of Manhattan brought the artist into the company of many of New York's established and aspiring stars. Unable to deal with the demands that his new fame brought, in 1987, at the age of 27, Basquiat, the most successful black visual artist in history, died from a heroin overdose.

Twenty-first-century scientist Matt Miller has become a wealthy businessman and politician with a beautiful wife and family. Yet, despite his every effort, Matt’s world is crumbling around him.

In Let’s Go Exploring, Michael Hingston mines the strip and traces the story of Calvin’s reclusive creator to demonstrate how imagination―its possibilities, its opportunities, and ultimately its limitations―helped make Calvin and Hobbes North America’s last great comic strip.