Artist Architect

Andy Warhol claimed that he loved being outside a party—so that he could get in. But more often than not, the party was at his own studio, The Factory, where celebrities—from Edie Sedgwick and Allen Ginsberg to the Rolling Stones and the Velvet Underground—gathered in an ongoing bash.

To get a sense of the kind of prestige that Claude Monet enjoys within the art world, one need only learn that his Le Bassin Aux Nympheás (1919) - from his series of paintings featuring water lilies - sold for the equivalent of more than $70 million. This is a staggering price, especially considering that early in his life, Monet had been so poor and debt-ridden that some of his paintings were taken from him by creditors.

We didn't know what to expect when we jumped through the Leap Point. We certainly didn't anticipate finding that humans had been out here before. We thought we were the first to leave our star system, but we we're wrong. Maybe Hegemony was correct. Maybe we are just blundering our way from discovery to discovery, and it's only a matter of time before we encounter something in the vast darkness that takes a real bite out of us. It would certainly help if the government had our back.

From Life tells the story of the greatest portrait photographer of the Victorian age, Julia Margaret Cameron. Born in Calcutta in 1815, she married and settled down to the life of a typical Victorian colonial matron; but, beneath this conventional exterior, she was increasingly interested in photography. After moving to England, Cameron acquired her first camera in 1863, ultimately emerging as the leading portrait photographer of the Victorian art world.

Man Ray (1890-1976), a founding father of Dada and a key player in French Surrealism, is one of the central artists of the 20th century. He is also one of the most elusive. In this new biography, journalist and critic Arthur Lubow uses Man Ray’s Jewish background as one filter to understand his life and art.

Unlike most artists, Van Gogh developed very slowly, beginning with work as an art dealer that exposed him to many great works. He undertook this work for several years, after which he spent time as a missionary for the Dutch Reformed Church. Thereafter, he drifted for several years before returning home to his parents’ house, where he took up painting, largely self-taught with books on anatomy and painting. His great works all date from the later years of his life.

While still a young boy, Robb White built his first boat, hewn from the tin roof of an abandoned chicken coop in the backyard. Today, without any formal training, White constructs some of the most sought-after wooden boats around. In How to Build a Tin Canoe, this Southern raconteur and self-taught expert wooden-boat builder recounts tall tales of a life lived on the water, from his childhood exploring the Gulf of Mexico to growing up - or not really growing up - to share his accrued wisdom with others.

Coco Chanel created the look of the modern woman and was the high priestess of couture. She believed in simplicity, and elegance, and freed women from the tyranny of fashion. She inspired women to take off their bone corsets and cut their hair. She used ordinary jersey as couture fabric, elevated the waistline, and created bell-bottom trousers, trench coats, and turtleneck sweaters. In the 1920s, when Chanel employed more than 2,000 people in her workrooms, she had amassed a personal fortune of $15 million and went on to create an empire.

Brilliantly funny, frank, and shattering, this is the bittersweet memoir by Peter McGough of his life with artist David McDermott. Set in New York’s Lower East Side of the 1980s and mid-1990s, it is also a devastatingly candid look at the extreme naiveté and dysfunction that would destroy both their lives.

With lips slightly parted and eyes fixed on a point in the distance, a breathtaking marble portrait of Costanza Piccolomini appears alive. Carved by Gianlorenzo Bernini in 1636 - 37 for his own pleasure, the portrait of Costanza is one of his most captivating works, but until now little has been known about its subject. For centuries Costanza was identified only as Bernini's mistress, who later incited his rage by betraying him for his brother. Author Sarah McPhee corrects and expands this story in her remarkable biography of a sculpture and its subject.

Capturing history was Jonathan Alpeyrie's job, but he never expected to become a news story himself. For a decade, the French-American photojournalist weaved in and out of over a dozen conflict zones. But, during his third assignment to Syria, Alpeyrie was betrayed by his fixer and handed over to a band of Syrian rebels. For 81 days, he was bound, blindfolded, and beaten. Over the course of his captivity, Alpeyrie kept his spirits up and strived to see, without his camera lenses, the humanity in his captors.

Hans Holbein the Younger is chiefly celebrated for his beautiful and precisely realized portraiture, which includes representations of Henry VIII, his advisors Thomas More and Thomas Cromwell, his wives Jane Seymour and Anne of Cleves, and an array of the Tudor lords and ladies encountered during the course of two sojourns in England. But beyond these familiar images, which have come to define our perception of the age, Holbein was a multifaceted genius: a humanist, satirist, and political propagandist, and a deft man whose work was rich in layers of symbolism and allusion.

A rich, penetrating memoir about the author's relationship with a flawed but influential figure—the painter Lucian Freud—and the satisfactions and struggles of a life lived through art.

On the surface, my new boyfriend is a stiff, buttoned-up architect. He plans every detail of his life while carefully maintaining the walls he’s built around his heart. But when the biggest project of his career pulls him away, Clay’s solution is both temporary and unconventional. It even comes with a name—Travis. This handsome stranger is sweet and thoughtful. He’s only meant to be a stand-in, to fulfill my needs under Clay’s watchful direction, yet these two men couldn’t be more different. The one thing they share? Well, I guess that would be me.

This intimate account offers a new, unexpected understanding of the artist’s work and of the vibrant 1930s surrealist scene.

An intimate biography of Richard Avedon, the legendary fashion and portrait photographer who “helped define America’s image of style, beauty and culture” (The New York Times) by his longtime collaborator and business partner Norma Stevens and award-winning author Steven M. L. Aronson.

Dutch painter and printmaker Rembrandt Harmenszoon van Rijn is considered one of the greatest artists of all time. As a painter, he never considered glamorizing what he saw, and he was a master of creating extraordinary scenes with light and shadows. His paintings were unique for their ability to depict action and moods. Sadly, having a mistress and spending recklessly went far to ruin his reputation during his lifetime. Rembrandt died penniless and was buried in a pauper’s grave.

He was the original 20th-century enfant terrible with the looks of a Greek god who blazed like a comet across the worlds of art, photography, and fame. The scion of several old WASP fortunes, he was by instinct an adventurer, and the more dangerous the escapade, the better. Journalist and author Graham Boynton was a friend for more than 30 years, spending time with Beard at his bush camp in Africa, in London, and at his Long Island home. From hundreds of Boynton’s interviews with Beard’s closest friends, former lovers, and fellow artists comes this intimate portrait.

Rembrandt's life has always been an enigma. How did a miller's son from a provincial Dutch town become the greatest artist in the world? To find out, Onno Blom immersed himself in the world, the country, the city, and the house in which Rembrandt was born in 1606 and where he spent the first 25 years of his life. The result is a fascinating portrait of the artist as a young man, rich in local and biographical detail, and restless in its efforts to seek out the roots of his genius.

Bestselling author Leonard Shlain explores the life, art, and mind of Leonardo da Vinci, seeking to explain his singularity by looking at his achievements in art, science, psychology, and military strategy (yes), and then employing state of the art left-right brain scientific research to explain his universal genius. Shlain shows that no other person in human history has excelled in so many different areas as Da Vinci and he peels back the layers to explore the how and the why.