Art Study

Unique insights into Shakespeare, from one of the world’s most revered theatre directors. Who was the man who wrote Shakespeare’s plays? Why does Shakespeare never go out of date? How should actors approach Shakespeare’s verse? In this short but immensely wise book, visionary theatre director Peter Brook debates the questions that are central to our understanding of Shakespeare, and revisits the plays he has directed with notable brilliance, including King Lear, Titus Andronicus, and, of course, A Midsummer Night’s Dream.

This is a new, beautifully-produced edition of Neville’s powerful meditation on the meaning and method of prayer.

At the center of The Dark Night of the Soul (La noche oscura del alma) is a poem written by the 16th century Spanish poet and mystic St John of the Cross. Consisting of eight stanzas, each of five lines, the poem outlines the journey in pursuit of divine union, within which the only source of light comes from the soul. This recording in English includes the poem itself and St John's two accompanying treatises (1584-1585), essentially commentaries, which offer line-by-line explanations of the poem. Many modern listeners have found guidance and consolation in this work.

In a captivating realm where cinematic narratives enchant countless viewers, how can one harmonize their faith with the craft of filmmaking? The Wages of Cinema encourages a deep dive into this relationship, drawing upon the significant reflections of Dorothy L. Sayers defending the authenticity of art and truth's manifestation.

What if we viewed reading as not just a personal hobby or a pleasurable indulgence but a spiritual practice that deepens our faith? In Reading for the Love of God, award-winning author Jessica Hooten Wilson does just that—and then shows listeners how to reap the spiritual benefits of reading. She argues that the simple act of reading can help us learn to pray well, love our neighbor, be contemplative, practice humility, and disentangle ourselves from contemporary idols.

Award-winning author Jessica Hooten Wilson explains that learning to hear the call of holiness requires cultivating a new imagination-one rooted in the act of reading. Learning to read with eyes attuned to the saints who populate great works of literature moves us toward holiness, where God opens up a way of living that extends far beyond what we can conjure for ourselves. Literature has the power to show us what a holy life looks like, and these depictions often scandalize even as they shape our imagination.

An entertaining and insightful examination of the Emmy-award winning American satirical news show, broadcast on Comedy Central in the US, and (in an edited edition) on More4 in the UK and CNN International around the world.

In the latest chapter of his best-selling Joshua series, Joseph Girzone offers fresh inspiration in this collection of fifty never-before-published contemporary vignettes that underscore the most important lessons of the gospel. In The Parables of Joshua, perhaps his most powerful since since the original Joshua, Girzone distills the essence of Christian teaching in entertaining and inspiring "bite-sized" tales set against the background of current society.

Now in a second edition, Theatre Studies: The Basics is a fully updated guide to the wonderful world of theatre. The practical and theoretical dimensions of theatre—from acting to audience—are woven together throughout to provide an integrated introduction to the study of drama, theatre and performance.

In the chaos of daily life, many Christians long for the time and mental clarity to reflect on scripture, to worship, and to pray. The Tarot can become an unexpected tool in this journey, inviting us to pause, contemplate, and find insight and wisdom in our walk. In The Contemplative Tarot, author Brittany Muller draws deeply on Christian tradition and theology to create a tarot practice built on spiritual reflection, prayer, and worship.

Toni Morrison's Spiritual Vision unpacks this oft-ignored, but essential, element of Toni Morrison's work - her religion - and in so doing, gives listeners a deeper, richer understanding of her life and her writing.

This explosively entertaining memoir abounds in gossip, satire, historical apercus, and trenchant observations. Vidal’s compelling narrative weaves back and forth in time, providing a whole view of the author’s celebrated life, from his birth in 1925 to today, and features a cast of memorable characters - including the Kennedy family, Marlon Brando, Anais Nin, and Eleanor Roosevelt.

Wounds Are Where Light Enters is a collection of stories that are warm, sometimes funny, sometimes not, but always taking unexpected turns to find the care of God in all the pathways of life. In them we find the grace that enables us to live with the answers we see and the answers we don't see. In this collection we meet Arthur Bias, the retired black police officer who loves those who hate; Agnes Brill, the shrill piano teacher of patience; Junie Piper, precious of the homeless; Melvin, who honors his aging mother by honoring the little girl she has become; Lucian; and more.

On November 22, 1963, three great men died within a few hours of each other: C. S. Lewis, John F. Kennedy, and Aldous Huxley. All three believed, in different ways, that death is not the end of human life. Suppose they were right, and suppose they met after death. How might the conversation go? Peter Kreeft imagines their discussion as a part of The Great Conversation that has been going on for centuries. Does human life have meaning? Is it possible to know about life after death? What if one could prove that Jesus was God?

Marilyn Monroe’s image is so universal that we can’t help but believe that we know all there is to know of her. Every word and gesture made headlines and garnered controversy. Her serious gifts as an actor were sometimes eclipsed by her notoriety - and the way the camera fell helplessly in love with her. But what of the other Marilyn? To confront the mounting difficulties of her life, she wrote.

This banned and largely forgotten biblical book, dating to the first century, is a series of secret messages and instructions, which Moses revealed to Joshua, prior to the act of passing leadership of the Israelites on to him, and it includes apocalyptic descriptions in addition to prophecies. It is a fascinating look at one small piece of a much larger, rich history of the myths surrounding Moses.

Chesterton's Gateway was made for the person who has always loved Chesterton quotes, but has never been able to finish - or perhaps even start - a Chesterton book. This is because there really is no really good "first" Chesterton book. They are all hard the first time around. Chesterton was an essayist, and it is through his essays he is best discovered. Ethan Nicolle has put together this assortment of essays, a list he often gives to people who ask him where to start with Chesterton. Included are chapter introductions to help with context.

Brian Godawa, Hollywood screenwriter and novelist, explores the nature of imagination in the Bible. How God subverts pagan religions by appropriating their creativity and redeeming them within a Biblical worldview. Improve your imagination in glorifying God and defending the faith.

In this book in praise of wait times, award-winning author Jason Farman passionately argues that the delay between call and answer has always been an important part of the message. Traveling backward from our current era of Twitter and texts, Farman describes how societies have worked to eliminate waiting in communication and how they have interpreted those times' meanings. And in a rebuttal to the demand for instant communication, Farman makes a powerful case for why good things can come to those who wait.

All of the greatest creators, from Beethoven to Edison, had something in common. They didn't just create stuff. They created a ton of stuff. That's why I'm a big believer that producers should produce more, directors should direct more, and, of course, writers should write more. The funny thing is, too many writers I know just can't finish a script. Maybe they have ideas, and maybe they write a few scenes, but they don't get to the end. Or maybe they've never written anything and are too afraid to start! That's why I wrote this book.