Art Study

From the Baillie Gifford and Orwell Prize longlisted author of The Ministry of Truth comes an equally original and revealing exploration of one of the central concerns of our times: fantasies and nightmares of the end of the world, from Mary Shelley’s The Last Man to the Manic Street Preachers’ Everything Must Go.

One of America's best-known rock and entertainment journalists describes his journey from his childhood, cooped up in the "rice room" of his family's restaurant in Oakland's Chinatown, where he did chores, to the major role he played as a writer and editor at Rolling Stone. It is a story of teen worship of Elvis, but also of Chinese customs and the tragic murder of his brother, and of the '60s scene in San Francisco, where he found freedom - and his career.

Wounds Are Where Light Enters is a collection of stories that are warm, sometimes funny, sometimes not, but always taking unexpected turns to find the care of God in all the pathways of life. In them we find the grace that enables us to live with the answers we see and the answers we don't see. In this collection we meet Arthur Bias, the retired black police officer who loves those who hate; Agnes Brill, the shrill piano teacher of patience; Junie Piper, precious of the homeless; Melvin, who honors his aging mother by honoring the little girl she has become; Lucian; and more.

Jorge Ramos, an Emmy award-winning journalist, Univision's longtime anchorman and widely considered the "voice of the voiceless" within the Latino community, was forcefully removed from an Iowa press conference in 2015 by then-candidate Donald Trump after trying to ask about his plans on immigration. In this personal manifesto, Ramos sets out to examine what it means to be a Latino immigrant, or just an immigrant, in present-day America. With current research and statistics, a journalist nose for a story, and his own personal experience, Ramos shows us the changing face of America.

Today it is widely recognized that gay men played a prominent role in defining the culture of mid-20th-century America, with such icons as Tennessee Williams, Edward Albee, Aaron Copland, Samuel Barber, Montgomery Clift, and Rock Hudson defining much of what seemed distinctly "American" on the stage and screen. Even though few gay artists were "out," their sexuality caused significant anxiety during a time of rampant anti-homosexual attitudes.

Movies do more than tell a good story. They are expressions of raw emotion, naked vulnerability, and unbridled rage. They often function in the same way as prayers, communicating our deepest longings and joys to a God who hears each and every one. In this captivating book, Filmspotting co-host Josh Larsen brings a critic's unique perspective to how movies function as expressions to God of lament, praise, joy, confession, and more.

At once the most lucrative, popular, and culturally oppositional musical force in the United States, hip-hop demands the kind of interpretation Imani Perry provides here: criticism engaged with this vibrant musical form on its own terms. A scholar and a fan, Perry considers the art, politics, and culture of hip-hop through an analysis of song lyrics, the words of the prophets of the hood.

Ser humano es un arte. No es una ciencia. Si fuera una ciencia, tendríamos definiciones aceptadas, teorías confirmadas, respuestas unívocas, protocolos y manuales para la vida. Pero no los tenemos. Ser humano es un arte. Un arte que cada individuo—con todos los deseos, incertidumbres, dudas, miedos y derrotas que son inherentes a nuestra existencia—tiene que dominar. Sólo así podremos alcanzar nuestra humanidad, la cual nos permitirá vivir en la verdad, crear belleza, ser justos, tener compasión.

Unlike the First Gospel of the Infancy of Jesus Christ, the events here deal primarily with the birth of the Virgin Mary herself and her own life during pregnancy and up to the birth of Jesus.

This is a new, beautifully-produced edition of Neville’s powerful meditation on the meaning and method of prayer.

Theatrical gender-bending, also called drag, is a popular form of entertainment and a subject of scholarly study. However, most drag studies do not question the standard words and ideas used to convey this performance genre. Drawing on a rich body of archival and ethnographic research, Meredith Heller illuminates diverse examples of theatrical gender-bending.

In this practical and inspiring book, Willow Creek Executive vice president and teaching pastor Nancy Beach speaks to women with God-given gifts of leading and teaching. Sharing from her thirty-year journey in a local church, Nancy offers guidance on such issues as: character development, earning respect, finding your voice, managing work and personal life, and forming an intentional support network.

"I have breast cancer." When Good Morning America anchor Amy Robach revealed her shocking diagnosis on live television in November 2013, the seasoned news reporter embarked on the most difficult and illuminating journey of her life. In this intimate memoir, she retraces the 12 months following her announcement and speaks candidly, for the first time, about how her illness affected her family life and her marriage, tapped in to her deepest fears and strengths, and transformed her in ways she never could have imagined.

In this engaging and deeply informed audiobook, Stephen Knight looks at the different manifestations of Robin Hood at different times and places in a mythic biography with a thematic structure. The best way to get at the essence of the Robin Hood myth, Knight believes, is in terms not of chronological and generic progression but of the purposes served by heroes.

An anthology of essays and reviews by the eminent art historian and writer, Edward Lucie-Smith. The articles cover a broad span, from the Italian Renaissance of Giotto and Antonello da Messina, Leonardo, and Michelangelo, progressing to Rubens, Velázquez, and Ingres, with essays on William Hogarth, John Constable, and John Everett Millais for British art. With the experience of his landmark publications on modern art, which remain in print, the author sweeps the listener on a fabulous journey of perception.

In 2021, when the gavel fell at Christie’s on the sale of Mike Winkelmann’s Everydays series—a compilation of 5,000 digital artworks—it made a thunderous announcement: Non-fungible tokens had arrived. The ludicrous world of CryptoKitties and Bored Apes had just produced a piece of art worth $69.3 million (at least according to the highest bidder). On that day, the traditional art market—the largest unregulated market in the world—put its stamp of approval on a very new and carnivalesque digital reality. But what did it mean for these two worlds to collide?

The JT LeRoy scandal is a story of our times. In January 2006, the New York Times unmasked Savannah Knoop as the face of the mysterious author JT LeRoy. A media frenzy ensued as JT's fans, mentors, and readers came to terms with the fact that the gay male-ex-truck stop prostitute turned literary wunderkind was really a girl from San Francisco whose sister-in-law wrote the books.

Scandal, shock, and rivalry all have negative connotations, don't they? They can be catastrophic to businesses and individual careers. A whiff of scandal can turn a politician into a smoking ruin. But these potentially disastrous "negatives" can and have spurred the world of fine art to new heights. A look at the history of art tells us that rivalries have, in fact, not only benefited the course of art, from ancient times to the present, but have also helped shape our narrative of art, lending it a sense of drama that it might otherwise lack.

In a captivating realm where cinematic narratives enchant countless viewers, how can one harmonize their faith with the craft of filmmaking? The Wages of Cinema encourages a deep dive into this relationship, drawing upon the significant reflections of Dorothy L. Sayers defending the authenticity of art and truth's manifestation.

A Thousand Cuts is a candid exploration of one of America's strangest and most quickly vanishing subcultures. It is about the death of physical film in the digital era and about a paranoid, secretive, eccentric, and sometimes obsessive group of film-mad collectors who made movies and their projection a private religion in the time before DVDs and Blu-rays.