Art Study

The work of Stanley Kubrick amounts to a sustained reflection on the male condition: past, present, and future. The persistent theme of his filmmaking is less violence or sex than it is the pressurized exertion of masculinity in unusual or extreme circumstances, where it may be taxed or exaggerated to various effects, tragic and comic—or metamorphosed, distorted, and even undone.

Trans woman and screenwriter Tilly Bridges takes you through the trans allegories of the Matrix franchise, with deep dives into The Matrix, The Matrix Reloaded, The Animatrix, The Matrix Revolutions, and The Matrix Resurrections, tracking one person’s transition journey—from Thomas Anderson, to Neo… to Trinity. Each movie’s allegory is deeply layered, building from movie to movie, and speaks to a different aspect of trans existence.

Este libro analiza la metamorfosis del mito desde la leyenda del castillo de Transilvania hasta su reinterpretación animada en el cine. Los niños del pasado temían a los vampiros; los de hoy en día quieren ser uno. Y los adultos encuentran en su promesa de felicidad un refugio ante los empleos precarios, las relaciones tóxicas y las megacorporaciones que nos chupan la sangre a diario.

Misinformation isn’t just noise—it’s a strategic weapon used to sway elections, distort reality, and weaken democracy. Democracy Unveiled exposes the tactics behind political manipulation, revealing how digital platforms, media bias, and psychological tricks shape public perception. This book breaks down real-world examples from the 2024 election cycle, illustrating the growing influence of disinformation and providing listeners with the tools to think critically, identify deception, and protect democratic values.

The hilarious memoir from award-winning comedian Bridget Christie. When Bridget Christie walked into her local bookshop, she thought she'd come out with a book (hopefully like you've just done). And maybe a calendar of cute photos of cats (hopefully unlike you've just done). The last thing she thought she'd be leaving with was the need for a new wave of feminism and the start of an incredibly successful career.

Back in January 1995 in Los Angeles, California, a Singaporean pornstar named Annabel Chong took cultural rebellion to an extreme, on terms that had never been negotiated before. She was filmed having sex with a long receiving line of men, servicing them 251 times over a ten-hour period to set a new world record: The World’s Biggest Gangbang.

At the same time Adolf Hitler was attempting to take over the Western world, his armies were seeking and hoarding the finest art treasures in Europe. He had begun cataloguing the art he planned to collect as well as the art he would destroy: "degenerate" works he despised. A special force of American and British museum directors, curators, art historians, and others, called the Monuments Men, risked their lives scouring Europe to prevent the destruction of thousands of years of culture.

Today it is widely recognized that gay men played a prominent role in defining the culture of mid-20th-century America, with such icons as Tennessee Williams, Edward Albee, Aaron Copland, Samuel Barber, Montgomery Clift, and Rock Hudson defining much of what seemed distinctly "American" on the stage and screen. Even though few gay artists were "out," their sexuality caused significant anxiety during a time of rampant anti-homosexual attitudes.

At once the most lucrative, popular, and culturally oppositional musical force in the United States, hip-hop demands the kind of interpretation Imani Perry provides here: criticism engaged with this vibrant musical form on its own terms. A scholar and a fan, Perry considers the art, politics, and culture of hip-hop through an analysis of song lyrics, the words of the prophets of the hood.

From the critically acclaimed artist, designer, and author of the bestsellers The Principles of Uncertainty and My Favorite Things comes a collection of moving meditations on the beauty and complexity of women’s lives and roles, revealed in the things they hold, and on remorse, joy, ancestry, and memory. Ultimately, she reveals that many of the things we hold dear—as well as those that burden or haunt us—remain constant and connect us from generation to generation.

Jorge Ramos, an Emmy award-winning journalist, Univision's longtime anchorman and widely considered the "voice of the voiceless" within the Latino community, was forcefully removed from an Iowa press conference in 2015 by then-candidate Donald Trump after trying to ask about his plans on immigration. In this personal manifesto, Ramos sets out to examine what it means to be a Latino immigrant, or just an immigrant, in present-day America. With current research and statistics, a journalist nose for a story, and his own personal experience, Ramos shows us the changing face of America.

One of America's best-known rock and entertainment journalists describes his journey from his childhood, cooped up in the "rice room" of his family's restaurant in Oakland's Chinatown, where he did chores, to the major role he played as a writer and editor at Rolling Stone. It is a story of teen worship of Elvis, but also of Chinese customs and the tragic murder of his brother, and of the '60s scene in San Francisco, where he found freedom - and his career.

Ser humano es un arte. No es una ciencia. Si fuera una ciencia, tendríamos definiciones aceptadas, teorías confirmadas, respuestas unívocas, protocolos y manuales para la vida. Pero no los tenemos. Ser humano es un arte. Un arte que cada individuo—con todos los deseos, incertidumbres, dudas, miedos y derrotas que son inherentes a nuestra existencia—tiene que dominar. Sólo así podremos alcanzar nuestra humanidad, la cual nos permitirá vivir en la verdad, crear belleza, ser justos, tener compasión.

Unlike the First Gospel of the Infancy of Jesus Christ, the events here deal primarily with the birth of the Virgin Mary herself and her own life during pregnancy and up to the birth of Jesus.

This is a new, beautifully-produced edition of Neville’s powerful meditation on the meaning and method of prayer.

In this fascinating and deeply researched book, Sharon Marcus challenges everything you thought you knew about our obsession with fame. Icons are not merely famous for being famous; the media alone cannot make or break stars; fans are not simply passive dupes. Instead, journalists, the public, and celebrities themselves all compete, passionately and expertly, to shape the stories we tell about celebrities and fans. The result: a high-stakes drama as endless as it is unpredictable.

"I have breast cancer." When Good Morning America anchor Amy Robach revealed her shocking diagnosis on live television in November 2013, the seasoned news reporter embarked on the most difficult and illuminating journey of her life. In this intimate memoir, she retraces the 12 months following her announcement and speaks candidly, for the first time, about how her illness affected her family life and her marriage, tapped in to her deepest fears and strengths, and transformed her in ways she never could have imagined.

In this memoir of the craft, Ben Palpant unpacks a lifetime of wisdom gained through the long, hard work of learning to write and to live well. Delivered as a series of letters from father to daughter, he patiently and gracefully paints a vision of what it means to enter into one's creative work as an act of generative obedience - an act that blesses the writer, the work itself, and the world that receives it.

An anthology of essays and reviews by the eminent art historian and writer, Edward Lucie-Smith. The articles cover a broad span, from the Italian Renaissance of Giotto and Antonello da Messina, Leonardo, and Michelangelo, progressing to Rubens, Velázquez, and Ingres, with essays on William Hogarth, John Constable, and John Everett Millais for British art. With the experience of his landmark publications on modern art, which remain in print, the author sweeps the listener on a fabulous journey of perception.

Even as our world has suffered through successive upheavals, Jesse McCarthy contends, "something was happening in the world of culture: a surging and unprecedented visibility at every level of Black art making". Who Will Pay Reparations on My Soul? reckons with this resurgence, arguing for the central role of art and intellectual culture in an age of widening inequality and moral crisis. McCarthy reinvigorates the essay form as a space not only for argument but for experimental writing that mixes and chops the old ways into new ones.