Art Research

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An anthology of essays and reviews by the eminent art historian and writer, Edward Lucie-Smith. The articles cover a broad span, from the Italian Renaissance of Giotto and Antonello da Messina, Leonardo, and Michelangelo, progressing to Rubens, Velázquez, and Ingres, with essays on William Hogarth, John Constable, and John Everett Millais for British art. With the experience of his landmark publications on modern art, which remain in print, the author sweeps the listener on a fabulous journey of perception.

The Art of Manipulation offers you a framework to master powerful and practical ways to influence and control people’s behavior, negotiate better, make your pitch, and manipulate others to get what you want. The Art of Manipulation will reshape the way you think about influencing people and getting what you want. You will get tools and effective strategies - not mere theories, but real practical strategies and how-to’s to start transforming your thinking and behavior, influencing people, and thus, get desired results faster.

Second-guessing a double agenda While treating a patient in the fall of 1972, Daisy managed to winkle out of him that he worked for MI6. Then she blabbed about a planned visit to East Berlin with her friend Margery, who was a chemistry researcher at King’s College. Back at the office, the man asked his spooks to do some background checks. It turned out that without even knowing it his blind physiotherapist and her chum had an indirect connection to a high-ranking communist party boss… Meanwhile, in East Berlin, clever operatives of the GDR secret services realized that Margery must know...

A collection of reviews and studies of photographers published since 2001. Includes David Bailey, Horst, Cecil Beaton, Don McCullin, Lee Miller, Francesca Woofman, E.O.Hoppe, and others.

Cv/VAR no.100 publishes an interview with the American artist Jim Dine, recorded by cell phone from Wales to the artists Paris studio on May 11th, 2010. In this, he discusses his beginnings as an artist, his work with Claes Oldenburg and the Happenings, the Pinocchio series, 52 Books at Pace Gallery, New York, and the relationship of drawing to his graphic work.

A commentary on the Pierre Bonnard exhibition recorded at the press view on Monday January 21, 2018. Views figure studies and landscapes made between 1900 and 1940 and responds to the conception of the compositions with their radiant color fields.

Cv/VAR no.103 publishes an interview recorded 2010 with American artist John Dugger (b.California 1948) in which he gives an account of his art and development. He recounts 1960s America and arriving in London 1967: pioneering The Exploding Galaxy with David Medalla; 1970-2, their travels in the Philippines, Sri Lanka, India, then the China Journey of 1972 into Mao's Republic. The monograph documents the artists work for Banner Arts and other projects to date.

Assemblage guides you through the art and science of creating transformative brands by combining personal, social, and cultural components.

Are you sick of writing factual reports that put you and your audience asleep? Do you wish there were a way to write research that both informed and entertained like your favorite non-fiction books do? Do you need a laugh? Do you want to make your teacher laugh? Congratulations! You hold in your hands the key to facing the facts with fun. 51 Wacky We-search Reports will teach you how to hunt for the best facts and turn them into cartoons, parody performances, jokes, wacky poetry and much, much more. For students or teachers, this latest book from author and teacher Barry Lane will add ...

A review of the Mary Quant exhibition at the Victoria and Albert Museum London. The audiobook looks at the beginnings of the designer's practice, launched with the Kings Road boutique Bazaar in the 1950s; progressing to Quant's mini skirts and trouser suits in the 1960s, and development of a cosmetic range in the 1970s. Includes quotations from associates and biographical data.

One of the commonest and most loosely used terms in any discussion of contemporary art is the word avant-garde. Indeed it often seems to be taken for granted that valid contemporary art and avant-garde art are synonymous.

In the past century, average life expectancies have nearly doubled, and today, for the first time in human history, many people have a realistic chance of living to 80 or beyond. As life expectancy increases, Americans need accurate, scientifically grounded information so that they can take full responsibility for their own latter years. In The Art and Science of Aging Well, Mark E. Williams, MD, discusses the remarkable advances that medical science has made in the field of aging and the steps that people may take to enhance their lives as they age.

The exhibition attempts a revaluation of the pre-Raphaelite movement of the mid 19th century, as Dr Marsh indicates it is not about gender competition. Rather, it's about rebalancing the contribution of partners, models, and studio managers. It is also about creative discourse and the other significant roles undertaken by women associated with individual artists.

Eco-art exhibitions are part of the trend of our times. Radical Nature, the show at the Barbican Art Gallery in London, demonstrated some of the possibilities and paradoxes of enterprises of this sort. Basically what the organizers had to do is to move the outside indoors. This set them both practical and, in their own terms at least, moral problems.

Marina Vaizey and Anne Blood consider the historical impact of photography on the fine and interpretive arts, from pioneers such as Hill and Adamson, Fox Talbot and Louis Daguerre to Edward Steichen and Man Ray. The documentary power and graphic clarity of the medium challenged and persuaded artists such as Degas, Sickert, Warhol, and innumerable creative voices. In their essays Marina and Anne explore the conjunctions and variations where document and dream intermingle.

Anyone who Googles the phrase curatorial theory will immediately come upon quite a long list of suggested websites. Sometimes it is a little difficult to be sure if the texts offered are intended to be taken entirely seriously. However, if I hack my way through the dense thickets of language, I find myself in agreement with what they seem to be trying to say, which is that curating an exhibition - or for that matter, a website - is not an end in itself.

Charles Thomas "Chuck" Close (born July 5, 1940) is an American painter and photographer who achieved fame as a photo-realist. He developed his own highly resolved heads (his preferred term to portraits), which were worked on a massive scale. Despite suffering a disabling spinal aneurysm in 1988, the artist has continued to forge a monumental body of work in a variety of media: paintings, drawings, prints, and photographs, of potent and original effect.

The Titian Show at the National Gallery here in London has just opened to the public again. It was available for just three days before the big lockdown. Now, it is with us once more, though on rather different terms from what was the case previously. You have to book a time. You have to be wearing a mask. You have to maintain distance between yourself and other visitors booked in for the same slot. Is it worth the hassle? Yes, of course it is. Titian is one of the greatest figures in the history of Western art.

Cv/VAR series 146 reviews the work of Damien Hirst (b.Bristol 1965), presented in a retrospective exhibition spanning 20 years, held at Tate Modern, April to September 2012. It explores the development of his art - from the controversial animal vitrines and beautiful butterfly composites, to an extensive series of spot paintings, where the artist engaged in a complex invigilation of coded systems that govern daily existence.