Art Horror

In this book, horror-expert Mathias Clasen delves into the psychological science of horror cinema to bust some of the worst myths and correct the biggest misunderstandings surrounding the genre. In short and highly enjoyable chapters peppered with vivid anecdotes and examples, he addresses the nervous person's most pressing questions: What are the effects of horror films on our mental and physical health? Why do they often cause nightmares? Aren't horror movies immoral and a bad influence on children and adolescents?

The Story Behind "The Man in the Window" is a special inside revelation about the real-life spooky events that inspired the supernatural action horror short story The Man in the Window. James J. Caterino is the author of Night Skies, The Anti-Matter Girl, Cool Stuff, Escape to Nowhere, True Stories, Time Travel Stories, The Girl Out of Time, Ghost Stories, and much more.

The first sign was the disgustingly mutilated carcass of a cow. The second, an old man torn to pieces. The third, the eerily beautiful blue fires that hovered over the small town… Stark white faces, diabolical eyes—raging within the unearthly flames—were turned toward the innocent town. And now it moved—toward the children walking home from school. Toward the young priest who wondered if this hideous power came from heaven…or from hell.

Film historian David Thomson, leads us into this very delicate subject. While unpacking classics such as Seven, Strangers on a Train, The Conformist, The Godfather, and The Shining, he offers a disconcerting sense of how the form of movies makes us accomplices in this sinister narrative process. Murder and the Movies admits us into what Thomson calls "a warped triangle": the creator working out a compelling death; the killer doing his and her best; and the entranced spectator trying to cling to life and a proper sense of decency.

Based on very real and practical commentary, life experience, and occasionally, tongue-in-cheek-misfortunes of horror legends, Necessary Death explores how the horror genre offers individuals a unique opportunity for insight and understanding of their own lives.

“Shepherd of the Kingdom” Shepherd Kingston wanted fame and fortune and when the young photographer found the opportunity to photograph the beautiful and elusive Wall Street wizard, Ericka Elvina, he thought he had discovered his chance. Warned by his friend and mentor, Abraham Trent, a professor of mysticism and the ancient black arts, that Ms. Elvina was not who she seemed to be, Shepherd ignores his “superstitious nonsense” and agrees to accompany her back to the mysterious kingdom apparently unknown to the civilized world. Realizing, to his horror, the kingdom has not progressed...

Dead ShapeShifters. A missing warlock. And a demon with an ancestral grudge. Marradith Ryder's job as a Sojourner means she is tasked with finding threats of the paranormal sort, and stopping them before they cause havoc. Even with Justin and Fiona to help her, things get complicated fast. And as they face one danger, a new one presents itself, threatening Marradith and those she loves. This is the second book in The Marradith Ryder Series, which began with Hunting in Closed Spaces. The series also includes two novellas: The Moon Goddess and Marradith, Darkly.

Tom Sutherland, a young doctor, goes to London where he becomes involved with the mysterious Dr. Nordhagen and his seductive assistant, Lina Ravachol. Obsessed, he follows Lina deeper into dark fantasies and forbidden pleasures. But fantasy turns to nightmare when Tom discovers Nordhagen's basement laboratory. A secret chamber where cruelty, desire, and madness combine to form the ultimate terror.

A Nightmare on Elm Street. Halloween. Night of the Living Dead. These films have been indelibly stamped on moviegoers' psyches and are now considered seminal works of horror. Guiding readers along the twisted paths between audience, auteur, and cultural history, author Kendall R. Phillips reveals the macabre visions of these films' directors in Dark Directions: Romero, Craven, Carpenter, and the Modern Horror Film.

Since the 1970s, the name Stephen King has been synonymous with horror. His vast number of books has spawned a similar number of feature films and TV shows, and together they offer a rich opportunity to consider how one writer's work has been adapted over a long period within a single genre and across a variety of media - and what that can tell us about King, about adaptation, and about film and TV horror. Starting from the premise that King has transcended authorship, Screening Stephen King explores the impact and legacy of over 40 years of King film and television adaptations.

Why would anyone want to watch horror movies? Why would Christians, in particular, bother with the genre? In Fear Not!, critic Josh Larsen makes the case that monster movies, creature features, slashers, and other fright films artfully reflect our deep worries in a way that resonates with the Christian experience. Combining critical observation and theological reflection, Larsen devotes each chapter to a different horror subgenre, connecting that subgenre to a commonly shared fear.

Daemiana shifts rampantly each night in proportion to the phase of the moon. And during the day, she is on a frantic quest for a cure. Out of nowhere, a brooding and self-loathing loser, Caelin, stumbles into and narrowly survives her situation. Oblivious to what is happening and what he's getting into, a fiery passion for Daemiana and her quest ignites in Caelin. Knowing that she will only devour him, Daemiana refuses to get too attached since Caelin's days are certainly numbered if he remains with her due to her accurst fix.

"The House on the Borderland," tells the story of an unnamed protagonist who discovers a manuscript written by a previous occupant of a remote and decaying house on the edge of a vast and mysterious abyss. The manuscript details the strange and terrifying experiences of the previous occupant, who is drawn into a world of cosmic horror and ancient evil.

Ghost Stories is an epic collection of novellas and short stories featuring six spooky tales of supernatural suspense and mesmerizing horror from the prolific imagination of James J. Caterino, the author of over sixty published works including Time Travel Stories, Pop Star, The Promise, Starfighter Year 1, and The Geek Girl and The Quarterback.

The Turn of the Screw is an 1898 horror novella by Henry James which first appeared in serial format in Collier's Weekly. In October 1898, it was collected in The Two Magics, published by Macmillan in New York City and Heinemann in London.

What would you get if you mixed Edgar Allan Poe, Alfred Hitchcock, and Stephen King? The answer might be something resembling Howard Phillips Lovecraft, an extremely influential poet and author who mixed science fiction, horror, and fantasy into a subgenre known as “weird fiction”. H.P. Lovecraft: The Life and Career of the Influential Horror Fiction Author chronicles how Lovecraft became one of the 20th century’s most important writers.

The St. Charles Players present multi-cast dramatizations of some of Edgar Allan Poe's greatest works, including The Black Cat, The System of Dr. Tarr and Prof. Fether, The Purloined Letter, and The Murders in the Rue Morgue.

This collection features reviews of the Hellraiser, Pulse, Feast, Leprechaun, and Boogeyman franchises as well as classic horror films like Children Shouldn't Play with Dead Things, Keep My Grave Open, Beast of the Yellow Night, The Vampire's Night Orgy, and more.

"The Murders in the Rue Morgue" is a short story written by Edgar Allan Poe in 1841. Poe referred to it as a "tale of ratiocination" featuring the brilliant deductions of C. Auguste Dupin; it is today regarded as one of the first detective stories and is almost certainly the first locked-room mystery. Auguste Dupin is a man in Paris who solves the mystery of the brutal murder of two women.

Since the zombie invasion, the island of Manhattan has been turned into a wintery wasteland. The Zombie King has arrived in search of a mythical Opener. A human who can create a bridge to the land of the dead and unleash all its horrors on earth. But, who is the mysterious Giant, and why can no one get onto the island of Manhattan? Then we take a trip to the carnival and learn the origins of the Dead-Killer and why he wants the Zombie King dead forever. And finally, where does the Vamp get her tattoos? And why are they so important?