Art Genre

Kate Martinelli has seen her share of peculiar things as a San Francisco cop but never anything quite like this: an ornate Victorian sitting room straight out of a Sherlock Holmes story - complete with violin, tobacco-filled Persian slipper, and gunshots in the wallpaper that spell out the initials of the late queen.

It's 1957, long before computers have replaced the skillful eye and hand, and our narrator at State U is determined to major in Art. After several false starts, he ends up by accident in a new class called "Introduction to Graphic Design," taught by the enigmatic professor Winter Sorbeck - equal parts genius, seducer, and sadist. Sorbeck is a bitter yet fascinating man whose assignments hurl his charges through a gauntlet of humiliation and heartache, shame and triumph, ego-bashing and enlightenment.

El Greco visits the Sistine Chapel and is appalled by Michelangelo's bodies. The mystery of Rothko's refusal to finish murals for the Seagram Building in New York is blended with the story of a hospital in which a prostitute walks the halls while the narrator's husband receives chemotherapy. Alfred de Dreux visits Gericault's workshop; Gustave Courbet's devilish seascapes incite viewers "to have sex, or to eat an apple"; Picasso organizes a cruel banquet in Rousseau's honor.... All of these fascinating episodes in art history interact with the narrator's life in Buenos Aires.

On a day that contains much conversation and some rain, the seventy-eight-year-old painter Hope Chafetz, who in the course of her eventful life has been Hope Ouderkirk, Hope McCoy, and Hope Holloway, answers questions put to her by a New York interviewer named Kathryn, and recapitulates, through the story of her own career, the triumphant, poignant saga of postwar American art.

After wading through the tragedy of San Francisco's Japantown murders, struggling antiques dealer Jim Brodie is back in Japan for a well-earned vacation. But checking in at the PI firm Brodie inherited from his father, he immediately acquires a new case: a Japanese World War II veteran shows up and spins a dark story connected to the war and a pair of violent home invasions committed in Tokyo only days earlier.

At a time when nothing seems real, it takes something truly unusual to put your life into focus. When her beloved husband, Jackson, disappeared without a trace, popular novelist Sia Dane stopped writing, closed down her house, stuffed her heart into a cage, and started floating. It wasn’t the normal response to heartache, but Sia rarely did things the normal way. Exactly one year, one month, and six days after Jackson’s disappearance, Sia discovers a mysterious man on the beach. He’s mute, unresponsive, and looks as if he has just walked out of the sea.

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Written seven years before The Town and the City officially launched his writing career, The Sea Is My Brother marks the pivotal point at which Kerouac began laying the foundations for his pioneering method and signature style. The novel chronicles the misadventures of two seamen who at first seem different but are really two sides of the same coin: 27-year-old Wesley Martin, who “loved the sea with a strange, lonely love,” and William Everhart, an assistant professor of English at Columbia College.

With The Opposite of Art, three-time Christy Award winner Athol Dickson delivers a compelling tale of reconciliation and redemption. The discovery of a painting signed by a renowned artist - dead for 25 years - causes quite a stir when it seems to be recently completed. After the world’s foremost expert pronounces it authentic, three lives are destined to collide: a circus sketch artist longing to paint God’s face, the daughter he never knew, and the man plotting to kill them both.

Vom St. Petersburg der Zarenzeit über das Deutschland des Zweiten Weltkriegs bis in ein Norwegen der nahen Zukunft erzählt Maja Lunde von drei Familien, dem Schicksal einer seltenen Pferderasse und vom Kampf gegen das Aussterben der Arten. Wie verändert sich das Ganze, wenn ein Teil verschwindet? Ein bewegender, großer Roman über Freiheit und Verantwortung, die große Gemeinschaft der Lebewesen und die alles entscheidende Frage: Reicht ein Menschenleben, um die Welt für alle zu verändern?

Since the 1970s, the name Stephen King has been synonymous with horror. His vast number of books has spawned a similar number of feature films and TV shows, and together they offer a rich opportunity to consider how one writer's work has been adapted over a long period within a single genre and across a variety of media - and what that can tell us about King, about adaptation, and about film and TV horror. Starting from the premise that King has transcended authorship, Screening Stephen King explores the impact and legacy of over 40 years of King film and television adaptations.

Howard's End is about three families in England at the beginning of the twentieth century. The three families represent different gradations of the Edwardian middle class: the Wilcoxes, who are rich capitalists with a fortune made in the Colonies; the half-German Schlegel siblings (Margaret, Tibby, and Helen), who represent the intellectual bourgeoisie and have a lot in common with the real-life Bloomsbury Group; and the Basts, a couple who are struggling members of the lower-middle class. The Schlegel sisters try to help the poor Basts and try to make the Wilcoxes less prejudiced.

Wide-eyed Kate Sullivan is thrilled when she scores a job as the assistant to the fabulous yet slightly unhinged Brazilian art dealer Rafaela de Souza. Struggling in her new position, fish-out-of-water Kate is on the verge of being fired when she catches the eye of both "it artist" Kodi Best and charming dealer Cole Beaumont. Suddenly her career takes off, and she’s swept into the murkier depths of the art market, where she must question how far she’s willing to go to make the illustrious career she imagined a reality.

How is it that Flaubert, the great 19th-century novelist and last of the great French romantics, still seems so very modern? In this stunning biography, Geoffrey Wall investigates why Flaubert and his work, Madame Bovary, exert such a firm hold on the popular literary imagination.

It's 1980s New York, and though the coke flows freely, money and glamour are the more powerful intoxicants. While fortunes are being made in SoHo galleries and on Wall Street, an underclass of transient drag queens and dandies, club kids and strippers, artists and actors, models and waitstaff wander the streets, providing the city's background color, cheap labor, and even cheaper entertainment.

In seventeenth-century Rome, an arrogant and reckless artist named Caravaggio drinks and brawls his way through his violent, insatiable life, all while painting some of the world’s greatest religious works of art. But it is his bitter feud with Giovanni Roero, a brutal knight in the Maltese Order of St. John, that is his fatal error. Now, in the village of Monte Piccolo, a priest claims to have discovered a lost painting by the famed artist in the storage room of an orphanage. Retired professor A. R. Richman believes it’s a delusional dream.

Akemi’s desire for independence and aversion to marriage are unusual in her small village. A gift for drawing allows her to move to a rooming house in Tokyo where she studies medical illustration, finding satisfaction in the precision and purpose of her work. Sayako is the first roommate to pay Akemi attention, and they quickly become inseparable—Sayako drawn to Akemi’s humble origins, so distinct from her own insufferable, wealthy family; Akemi attracted to Sayako’s rebelliousness and her aspiration to be a painter.

A wonderful, warm novel from a major new American voice. In The Art of Fielding, we see young men who know that their four years on the baseball diamond at Westish College are all that remain of their sporting careers. Only their preternaturally gifted fielder, Henry Skrimshander, seems to have the chance to keep his dream – and theirs, vicariously – alive, until a routine throw goes disastrously off course, and the fates of five people are upended.

The Chinese dragon is flexing its muscles. As its military begins to prey on neighbors in the South China Sea, attacking fishing vessels and scheming to seize natural resources, the US goes on high alert. But a far more ominous danger lurks closer to home: a Chinese sleeper cell has planted a nuclear weapon in the harbor at Norfolk, Virginia, the biggest naval base on the planet. The target: a secret rendezvous of the Atlantic Fleet aircraft carriers and their battle groups.

Rivers Sullivan bears both visible and invisible scars - those on her shoulder from a bullet wound and those on her heart from the loss of her fiancé during the same brutal attack. Not even her background as an art therapist can help her regain her faith in humanity. Still, she scrapes together the courage to travel to St. Simons Island to see the beach cottage and art gallery she’s inherited from her fiancé. When she stumbles upon recovering addicts running her gallery, she’s forced to reckon with her own healing.