Art Essays

Because sometimes, we just need to cry. Make Me Cry, Please is an essay by James J. Caterino, the author of Reviews and Essays, 50 Films, My Encounter with the Partridge Family, sort of, The Girl Out of Time, What If, The Address Book, and much more.

Time Lived, Without Its Flow is an astonishing, unflinching essay on the nature of grief from critically acclaimed poet Denise Riley. From the horrific experience of maternal grief Riley wrote her lauded collection Say Something Back, a modern classic of British poetry. This essay is a companion piece to that work, looking at the way time stops when we lose someone suddenly from our lives.

Jedes Jahr findet im Caesars Palace in Las Vegas die Verleihung der Adult Video News Awards statt, der Oscars der Pornoindustrie. Im Auftrag der Zeitschrift Premiere besucht David Foster Wallace 1998 die Preisverleihung sowie die zugehörige Pornomesse und lässt sich dort von Branchenjournalisten mit so schönen Namen wie Dick Filth die subtilen Hierarchien, erbittertsten Branchenfehden und wildesten Gerüchte dieser ziemlich flamboyanten Parallelkultur näherbringen.

Der Autor Wilhelm von Kügelgen (1772-1820) beschreibt detailliert seine Kindheit und Jugend am Anfang des 18. Jahrhunderts. Er berichtet über die Kriege zwischen Napoleon und den Russen, über Hunger, seine Schulzeit und die Reisen und Freunde der Künstlerfamilie. Regie: Stefanie Hoster.

Cómo construir una barca es la historia de un hombre moderno y sin ninguna habilidad destacable que, inspirado por su amor al mar y todo lo que éste le ha enseñado, se propone construir una barca de madera según los métodos tradicionales como regalo para su hija recién nacida. Es una tarea ridículamente quijotesca para un hombre que, con una familia y una hipoteca, no sabe absolutamente nada sobre trabajar la madera. Empujado por la osadía que da la ignorancia, se embarca en un viaje de exploración y descubrimiento.

Un'ereditiera californiana viene rapita dall'Esercito di liberazione simbionese, diventa l'amante di uno dei terroristi e terrorista lei stessa, poi sposa la sua guardia del corpo e va a vivere con figli e cani in una casa finto-spagnola iper-blindata. Una banchiera d'affari di Manhattan mentre fa jogging a Central Park viene aggredita da sei adolescenti neri e ispanici, stuprata, torturata con dei rami e ridotta in fin di vita.

Sharp, insightful, shocking, and delightful...in this sparkling memoir, Vinod Mehta, India's most independent, principled - and irreverent - editor finally tells his own story. With its ringside view of some major events of our times and masterly portraits from the worlds of politics, business, films, and the media, this unpausable audiobook brims over with wit, wisdom, scandal, and gossip.

"The Spike" and "A Hanging" are two essays written by George Orwell that deal with themes of institutional cruelty, powerlessness, and injustice. "The Spike" describes Orwell's experience of living in a spike, or homeless shelter, and the brutal conditions and dehumanizing treatment he witnessed there. The essay explores the plight of the poor and marginalized in society, as well as the indifference and cruelty of those in power. "A Hanging" describes Orwell's experience of witnessing a hanging during his time serving as a police officer in Burma.

An essay from Things I've Learned From the Women Who've Dumped Me.

At 8,000 words, this collection of humorous essays explores such quirky topics as: disastrous home repairs, ("A Trip to the Hardware Store"), an unfortunate dinner party ("Dinner is Served"), the truth about lazy people ("Lazy Bones"), the weird life of a debt collector ("Your Account is Past Due") and obsessions with gadgets ("Gadget Girl"). Other essays examine how surreal the aging process is ("Where Did the Time Go?")

An essay from Things I've Learned From the Women Who've Dumped Me.

#31Days features 65 essays and reviews covering everything from Don Coscarelli's Phantasm series to the anthology horror show Masters of Horror. This nonfiction collection follows the spirit of Sketching Details, Robert's long-running entertainment media criticism website. Horror deserves the same level of respect and analysis as any other genre.

THE ENGLISH RENAISSANCE OF ART: 'The English Renaissance of Art' was delivered as a lecture for the first time in the Chickering Hall, New York, on January 9, 1882. A portion of it was reported in the New York Tribune on the following day and in other American papers subsequently. Since then this portion has been reprinted, more or less accurately, from time to time, in unauthorised editions.

When Tim O’Brien became an older father, he resolved to give his young sons what he wished his own father had given to him - a few scraps of paper signed ‘Love, Dad’. Maybe a word of advice. Maybe a sentence or two about some long-ago Christmas Eve. Maybe some scattered glimpses of their rapidly ageing father, a man they might never really know. For the next 15 years, the author talked to his sons on paper, as if they were adults, imagining what they might want to hear from a father who was no longer among the living.

In Beg, Borrow, Steal Michael Greenberg regales us with his wry and vivid take on the life of a writer of little means trying to practice his craft or simply stay alive. He finds himself doctoring doomed movie scripts; selling cosmetics from an ironing board in front of a women's department store; writing about golf, a game he has never played; and botching his debut as a waiter in a posh restaurant.

Eine fulminante Reise in ein versunkenes Land: Clemens Meyer betrachtet eine Büste Christa Wolfs, die vor ihm steht, und beginnt ein großes Gespräch mit der Verstorbenen über die Literatur der DDR, über die ungeheure Bedeutung, die das Lesen damals hatte, über die Visionen und Träume der Schriftsteller und wie sie Wirklichkeit werden sollten. Ist nicht schon der Titel seines ersten Romans "Als wir träumten" dem Werk Christa Wolfs entnommen? Wie viel in seinem Leben, seinem Schreiben verdankt Clemens Meyer der Literatur der DDR. Was für Größen gab es da, was für Leben, was für Bücher.

"Menschen können gut ohne Gedichte sein, aber ein Gedicht nicht ohne Menschen." Wie kann es sein, dass eine Strickerin aus dem Lavanttal in Kärnten zu einer der größten deutschsprachigen Dichterinnen des 20. Jahrhunderts wird? Jenny Erpenbeck lässt uns an ihrer Faszination für Christine Lavant (1915–1973) teilhaben, deren Gedichte sie zum ersten Mal liest, als sie Mitte der Neunziger in Graz lebt. An der Faszination für eine Frau, die sich durch ihre Lesewut, Sensibilität und Klugheit aus dem elenden Dasein, das ihr durch Krankheit und Armut vorgezeichnet war, herausgeschrieben hat.

Deborah Levy invites us into the interiors of her world, sharing her most intimate thoughts and experiences, as she traces and measures her life against the backdrop of the literary and artistic muses that have shaped her. From Marguerite Duras to Colette and Ballard, and from Lee Miller to Francesca Woodman and Paula Rego, we can relish here the richness of their work and, in turn, the richness of the author’s own. Each moment draws upon Levy’s life in exalting ways, encapsulating the wonderful precision and astonishing depth of her writing,.

Oscar Wilde (16 October 1854 - 30 November 1900) was an Irish poet and playwright. After writing in different forms throughout the 1880s, he became one of the most popular playwrights in London in the early 1890s. ART AND THE HANDICRAFTSMAN: The fragments of which this lecture is composed are taken entirely from the original manuscripts which have but recently been discovered. It is not certain that they all belong to the same lecture, nor that all were written at the same period. Some portions were written in Philadelphia in 1882.

An essay from Things I've Learned From the Women Who've Dumped Me.