Art Essays

This is the remarkable and tragic story of Oscar Wilde, legendary wit and conversationalist, author of perhaps the most perfect comedy in the English language, yet seemingly doomed by his own flawed temperament to suffer at the hands of a censorious and hypocritical society...

Pop Song is a book about love and about falling in love - with a place, or a painting, or a person - and the joy and terror inherent in the experience of that love. Plumbing the well of culture for clues and patterns about love and loss - from Agnes Martin's abstract paintings to James Turrell's transcendent light works, and Anne Carson's Eros the Bittersweet to Frank Ocean's Blonde - Larissa Pham writes of her youthful attempts to find meaning in travel, sex, drugs, and art, before sensing that she might need to turn her gaze upon herself.

From the late editor, writer, and critic, one of the great chroniclers of the art, fashion, and celebrity scenes: an expansive collection of 35 essays that offer an intimate look into the worlds of some of the most important and well-known artists, designers, and actors of our time.

Some people write college essays just to turn in the required assignment, but rare students - through their passion - turn into the assignments as works of art. Five of these were actual assignments for classes in autobiography, bloomsbury, religion, peace studies, one was written just for fun during college years, and the final essay was my actual admissions essay.

This audiobook includes unabridged recordings of all George Orwell's greatest non-fiction: three full-length books, a collection of his most well-renowned essays and the complete collection of his poetry.

Making music and playing drums does not start at the tip of your drumstick, not even with the motion before you strike a drum. It really starts with the desire, actually with the compulsion, to make music and to play. Play as You Are is an open invitation to explore a different approach to playing music and a sharing of the author's experiences.

Since Andrew Hudgins was a child, he was a compulsive joke teller, so when he sat down to write about jokes, he found that he was writing about himself — what jokes taught him and mistaught him, how they often delighted him but occasionally made him nervous with their delight in chaos and sometimes anger. Because Hudgins’s father, a West Point graduate, served in the US Air Force, his family moved frequently; he learned to relate to other kids by telling jokes and watching how his classmates responded. And jokes opened him up to the serious, taboo subjects that his family didn’t talk about openly — religion, race, sex, and death. Hudgins tells and analyzes the jokes that explore the contradictions in the Baptist religion he was brought up in, the jokes that told him what his parents would not tell him about sex, and the racist jokes that his uncle loved, his father hated, and his mother, caught in the middle, was ambivalent about. This audiobook is both a memoir and a meditation on jokes and how they educated, delighted, and occasionally horrified him as he grew.

Milan Kundera's brilliant new collection of essays is a passionate defense of art in an era that, he argues, no longer values art or beauty. With the same dazzling mix of emotion and ideas that characterizes his bestselling novels, the internationally acclaimed author revisits the artists whose works help us better understand what it means to be human. Elegant, startlingly original, and provocative, Encounter combines many of the author's signature themes with personal reflections and stories.

An essay from Things I've Learned From the Women Who've Dumped Me.

Throughout his 25-year journalistic career, David Carr was noted for his sharp and fearless observations, his uncanny sense of fairness and justice, and his remarkable compassion and wit. His writing was informed both by his own hardships as an addict, and his intense love of the journalist's craft. His range - from media politics to national politics, from rock-n-roll celebrities to the unknown civil servants who make our daily lives function - was broad and often timeless.

Trost finden. In einer Welt, die so überwältigend, ängstigend, fordernd sein kann. Trost finden im Empfinden von Schönheit, weil das, so Gabriele von Arnim, nicht weniger ist als Selbsterhalt. "Ich brauche Schönheit. Den Trost der Schönheit. Denn wenn ich Schönheit sehe, höre, lese, spüre, dann glaube ich an Möglichkeiten. An Wege, Räume, Purzelbäume." "Der Trost der Schönheit" ist eine schillernde Verbindung aus autobiografischem und essayistischem Erzählen: keine Kulturgeschichte, die ihren Gegenstand mit Theorie einhegen will, sondern eine literarische Spurensuche.

Like Love is a momentous, raucous collection of essays drawn from twenty years of Maggie Nelson's brilliant work. These profiles, reviews, remembrances, tributes and critical essays, as well as several conversations with friends and idols, bring to life Nelson's passion for dialogue and dissent. Arranged chronologically, Like Love shows the writing, thinking, feeling, reading, looking and conversing that occupied Nelson while writing iconic books such as Bluets and The Argonauts.

This work is a collection of humorous insights into important topics ranging from annoying pet people ("I’m Not Talking About You, of Course"), to analyzing your inner child ("Irrational Fears"), to living like the Amish in the aftermath of a hurricane ("A Jolt of Electricity").

Leaping from ballet to quiltmaking and from the The Nutcracker to an Annie-B Parson interview, Idiophone is a strikingly original meditation on risk-taking and provocation in art and a unabashedly honest, funny, and intimate consideration of art-making in the context of motherhood, and motherhood in the context of addiction. Amy Fusselman’s compact, beautifully digressive essay feels both surprising and effortless, fueled by broad-ranging curiosity, and, fundamentally, joy.

Joan Didion has always kept notebooks: of overheard dialogue, observations, interviews, drafts of essays and articles. Here is one such draft that traces a road trip she took with her husband, John Gregory Dunne, in June 1970, through Louisiana, Mississippi and Alabama. She interviews prominent local figures, describes motels, diners, a deserted reptile farm, a visit with Walker Percy, a ladies' brunch at the Mississippi Broadcasters' Convention.

An endlessly entertaining collection of wayward autobiographical tales about a search for a richer life thwarted at every turn by beagles, bureaucrats, and ill-advised love affairs. The unlikely story of how a failed dishwasher, tour guide, cabinet maker, bus driver, bookseller and literary journal publisher became one of Australia's hottest humor essayists.

Oscar Wilde (16 October 1854 - 30 November 1900) was an Irish poet and playwright. After writing in different forms throughout the 1880s, he became one of the most popular playwrights in London in the early 1890s. ART AND THE HANDICRAFTSMAN: The fragments of which this lecture is composed are taken entirely from the original manuscripts which have but recently been discovered. It is not certain that they all belong to the same lecture, nor that all were written at the same period. Some portions were written in Philadelphia in 1882.

In Mad, Bad, Dangerous to Know, Colm Tóibín turns his incisive gaze to three of Ireland's greatest writers, Oscar Wilde, W. B. Yeats and James Joyce, and their earliest influences: their fathers.

Chapters from My Autobiography is a collection of twenty-five pieces of autobiographical work published by American author Mark Twain in the North American Review between September 1906 and December 1907. Rather than following the standard form of an autobiography, they comprise a typically Twain-esque collection of rambling anecdotes and ruminations.

From bestselling and Booker-nominated author Colm Tóibín comes a beautiful collection of essays ranging from personal memoir to brilliantly acute writing on religion, literature and politics.