Art Drama

Lucian Msamati draws on his rich experience, particularly in the context of productions at the National Theatre to delve into sets of challenges and possibilities that actors might face. He offers up his tips on getting started in the industry; navigating the various professional relationships and roles inside a rehearsal room; and offers insights into running your own company and generating your own work.

Arguably the greatest love story ever told, Shakespeare’s Romeo and Juliet continues to touch modern audiences with its passionate depiction of the tragic romance between two young lovers. With a bitter feud between their respective families, Romeo and Juliet’s love is troubled from the start, and through their relationship, Shakespeare shows the fine line between love, hatred, comedy and tragedy.

In this fascinating and deeply researched book, Sharon Marcus challenges everything you thought you knew about our obsession with fame. Icons are not merely famous for being famous; the media alone cannot make or break stars; fans are not simply passive dupes. Instead, journalists, the public, and celebrities themselves all compete, passionately and expertly, to shape the stories we tell about celebrities and fans. The result: a high-stakes drama as endless as it is unpredictable.

Based on Robert Greene’s story Pandosto, The Winter’s Tale play tells the story of Leontes, king of Sicilia, and his childhood friend Polixenes, king of Bohemia. In a jealous rage, Leontes mistakenly accuses Polixenes and his own his wife, Hermione, of adultery, and her newborn daughter as illegitimate, casting her into the wilderness, causing their son to die of grief and Hermione to seemingly follow suit. With his family dead or believed dead, Leontes must face the tragic consequences of his actions.

One house. Two people in need. On a winter night several years before, a young runaway, Kelli, stumbled onto the porch of an oceanfront cottage. The woman who lived there, Margie, took her in and gave her the gifts of safety and security. Twelve years later, Margie dies. Kelli continues living at the cottage until the day the woman’s nephew arrives for a Christmas visit. And he intends to stay. Dylan has been on the road for many years. He calls himself a traveler, but he’s tired of always being on the move. When he arrives at his aunt’s home, he learns that she has died. Who has the ...

Abandoned as an infant on the local veterinarian’s front porch, Pepper Rafferty was raised by two loving mothers, and now, at thirty-six is married to the stable, supportive Ike. She’s never told anyone that at fifteen she discovered the identity of her biological mother. That’s because her birth mother is Ula Frost, a reclusive painter famous for the outrageous claims that her portraits summon their subjects’ doppelgängers from parallel universes.

Had I become disenchanted with the form I had once fallen so madly in love with as a pubescent, pimple-faced suburban homo with braces? Maybe theatre was like an all-consuming high school infatuation that now, ten years later, I saw as the closeted balding guy with a beer gut he’d become. There were of course those rare moments of transcendence that kept me coming back. But why did they come so few and far between?

In 2014, the UK science-fiction television series Black Mirror was released on Netflix worldwide, quickly becoming a hit with US audiences. Like other beloved British imports, this series piqued Americans' interest with hints of dark comedy, clever plotlines, and six-episode seasons that left audiences frantic for more. In Transatlantic Television Drama, volume editors Michele Hilmes, Matt Hills, and Roberta Pearson team up with leading scholars in TV studies and transnational television to look at how dramas like Black Mirror captivate US audiences....

Ben is having a difficult week. After five whole years of “drinking from Mommy’s boobies”, he suddenly has to step aside for his new baby sister, Beatrice, who may or may not be human. Mommy says he has to “support her appearance no matter how humiliating it is for us as family”, but that’s hard to do when your sister has branches for arms and legs.

How do any of us really know who we are? A man arrives in a strange town only to find that everyone knows his name, but thinks he’s someone else. A woman wonders why her husband is not the man he was, but starts to rather like it. Confusion mounts as everyone uncouples from themselves. Will they ever find themselves again? And do they really want to?

Abridged, full-cast drama version of Dickens' classic tale of the French Revolution. Starring Ronald Colman.

The Risk Theatre Model of Tragedy presents a profoundly original theory of drama that speaks to modern audiences living in an increasingly volatile world driven by artificial intelligence, gene editing, globalization, and mutual-assured destruction ideologies. Tragedy, according to risk theatre, puts us face to face with the unexpected implications of our actions by simulating the profound impact of highly improbable events.

In this fourth book in this four-book series, Lindell A. Warden a former student of Neville Goddard, will be sharing with you some powerful principles around Neville's teachings. You will learn that everything begins in the theater of your mind and that you are always creating in your imagination. He shares that your thought always precedes your evidence. You can literally choose what you will think daily and transform your world from the inside out.

Morgan and Devon Gregson Bennett are an interracial creative power couple living happily enough in Brooklyn until a freak accident leaves a little girl orphaned in Los Angeles. Setting aside reservations about the price motherhood will exact on their marriage and careers, Morgan and Devon agree to adopt Vabeh, a bi-racial ethnic-hair-products heiress. Vabeh touches down in New York, wearing last season’s fur and on a mission to quickly distinguish herself from the other bold-faced names at her new school, the tony School for Spoiled Kids.

Carol, who tasted her first success in holding an audience in a high-school play, and Julia Gregg, a classmate as stage struck as herself, join Phyllis Marlowe's apprentice group in New York. In this setting, Carol beings to learn about herself as an actress. Phyllis Marlowe's criticism of her first performance is hard to take, but not half as painful as Mike Horodinsky's ruthless verdict. Mike is one member of the apprentice group whom Carol thoroughly dislikes. Their antagonism flames into open warfare when Mike almost succeeds in getting Carol away from the stage altogether. However, ...

Steven Adler examines the dynamic life and workings of the theatre company responsible for some of the world's most compelling performances and influential productions of the last 40 years, including Marat/Sade, A Midsummer Night's Dream, Les Misérables, Les Liaisons Dangereuses, and Nicholas Nickleby.

There are 83 copies of the First Folio in a vault beneath Capitol Hill - the world's largest collection. Well over 150 Indian movies are based on Shakespeare's plays - more than in any other nation. If current trends continue, there will soon be more high school students reading The Merchant of Venice in Mandarin Chinese than in early modern English. Why did this happen, and how? Ranging ambitiously across four continents and 400 years, Worlds Elsewhere is an eye-opening account of how Shakespeare went global.

Magical and dreamlike in its tone, Shakespeare’s The Tempest begins with a storm of epic proportions and a shipwreck. Banished from Italy, Prospero lives on a remote island with his daughter. Using his magic, he vows to seek revenge on the injustice dealt to him by his brother, but in doing so, Shakespeare questions the difficulty of distinguishing ‘men’ from ‘monsters’, and the realities of justice.

In 1949, John George Haigh, the infamous 'Vampire killer', was hanged for the murder of at least six people. Join him in the hangman's cell as he tells you his story and invites you to relive the seduction, murder and disposal of three of his victims. Nigel Fairs, whose great-grandfather put the shackles on Haigh in Lewes Prison, plays the charming murderer, with Louise Jameson and Richard Franklin as two of his victims.

The St. Charles Players present multi-cast dramatizations of some of Edgar Allan Poe's greatest works, including The Black Cat, The System of Dr. Tarr and Prof. Fether, The Purloined Letter, and The Murders in the Rue Morgue.