Art Biography

For 6,557 miles, Chuck Klosterman thought about dying. He drove a rental car from New York to Rhode Island to Georgia to Mississippi to Iowa to Minneapolis to Fargo to Seattle, and he chased death and rock 'n' roll all the way. Within the span of 21 days, Chuck had three relationships end, one by choice, one by chance, and one by exhaustion. He snorted cocaine in a graveyard. He walked a half-mile through a bean field.

In That Time of Year, Garrison Keillor looks back on his life and recounts how a Brethren boy with writerly ambitions grew up in a small town on the Mississippi in the 1950s and, seeing three good friends die young, turned to comedy and radio. Through a series of unreasonable lucky breaks, he founded A Prairie Home Companion and put himself in line for a good life, including mistakes, regrets, and a few medical adventures.

Christopher and His Kind covers the most memorable 10 years in the writer's life, from 1929, when Isherwood left England to spend a week in Berlin and decided to stay there indefinitely, to 1939, when he arrived in America. When the book was published in 1976, readers were deeply impressed by the courageous candor with which he describes his life in gay Berlin of the 1930s and his struggles to save his companion, Heinz, from the Nazis.

The definitive, authorized, and first-ever biography of Terry Allen, the internationally acclaimed visual artist and iconoclastic songwriter who occupies an utterly unique position straddling the disparate, and usually distant, worlds of conceptual art and country music.

"Walden. Yesterday I came here to live." That entry from the journal of Henry David Thoreau, and the intellectual journey it began, would by themselves be enough to place Thoreau in the American pantheon. His attempt to "live deliberately" in a small woods at the edge of his hometown of Concord has been a touchstone for individualists and seekers since the publication of Walden in 1854. But there was much more to Thoreau than his brief experiment in living at Walden Pond.

Early in his career, A.J. Jacobs put his Ivy League education to work at Entertainment Weekly. He emerged five years later knowing which stars have fake boobs, which stars have toupees, which have both, and not much else. This realization led Jacobs on a life-changing quest: to read the entire contents of the Encyclopedia Britannica, all 33,000 pages, all 44 million words.

Decades before The Daily Show, The Smothers Brothers Comedy Hour proved there was a place on television for no-holds-barred political comedy with a decidedly antiauthoritarian point of view. In this explosive, revealing history of the show, veteran entertainment journalist David Bianculli tells the fascinating story of its three-year network run---and the cultural impact that's still being felt today.

Henry Fonda and James Stewart were two of the biggest stars in Hollywood for 40 years. They became friends and then roommates as stage actors in New York, and when they began making films in Hollywood, they roomed together again. Between them they made such memorable films as The Grapes of Wrath, Mister Roberts, Twelve Angry Men, and On Golden Pond; and Mr. Smith Goes to Washington, Destry Rides Again, The Philadelphia Story, It's a Wonderful Life, Vertigo, and Rear Window.

In the middle of the twentieth century, four American Catholics, working independently of one another, came to believe that the best way to explore the quandaries of religious faith was in writing. The four writers were Thomas Merton, Dorothy Day, Flannery O'Connor, and Walker Percy.

Nineteen-year-old Greg Sestero met Tommy Wiseau at an acting school in San Francisco. Wiseau's scenes were rivetingly wrong, yet Sestero, hypnotized by such uninhibited acting, thought, "I have to do a scene with this guy." That impulse changed both of their lives. The Disaster Artist is Greg Sestero's laugh-out-loud funny account of how Tommy Wiseau defied every law of artistry, business, and friendship to make "the Citizen Kane of bad movies" ( Entertainment Weekly), which is now an international phenomenon.

Believe it or not, America's fascination with celebrity culture was thriving well before the days of TMZ, Perez Hilton, Charlie Sheen's breakdown, and allegations against Woody Allen. And the stars of yesteryear? They weren't always the saints that we make them out to be. Part biography, part cultural history, the stories contained in this book cover the stuff that films are made of: love, sex, drugs, illegitimate children, illicit affairs, and botched cover-ups.

Grab your lace shawl and top hat and get ready to twirl—this is a full-throttle appreciation of the life and voice of Stevie Nicks from one of rock criticism’s most celebrated writers.

Best-selling author and Rolling Stone columnist Rob Sheffield explores the music and artistry of the rock goddess who has kept generations of music lovers totally bewitched and spellbound, with such classic rock hits as "Rhiannon" and "Gypsy".

The single glass of wine with dinner... the cold beer on a hot day... the champagne flute raised in a toast... what I'd drink if Hunter S. Thompson wanted to get wasted with me... these are my fantasies lately. Too bad I've gone sober. When Sacha Z. Scoblic was drinking, she was a rock star; the days were rough and the nights filled with laughter and blackouts. Then she gave it up. She had to. Here are her adventures in an utterly and maddeningly sober world... and how she discovered that nothing is as odd and fantastic as life without a drink in hand.

Award-winning, best-selling author Edwidge Danticat taps her exceptional storytelling gifts for this memoir of the two men who raised her. When the author was only four years old, her parents emigrated from Haiti to New York in search of a better life, leaving their daughter in the care of her uncle Joseph. A peaceful pastor in Port-au-Prince, Joseph raised Edwidge with the love and devotion of a father, despite facing many hardships in politically turbulent Haiti.

Archetypal wild man Edward Abbey and proper, dedicated Wallace Stegner left their footprints all over the western landscape. Now, the award-winning nature writer David Gessner follows the ghosts of these two remarkable writer-environmentalists - from Stegner's birthplace in Saskatchewan to the site of Abbey's pilgrimages to Arches - braiding their stories and asking how they speak to the lives of all those who care about the West. What is the future of a region beset by droughts and fires, by fracking and drilling?

André Gide, one of the great intellectuals of the 20th century and a devoted pianist, invites readers to reevaluate Frédéric Chopin as a composer "betrayed...deeply, intimately, totally violated" by a music community that had fundamentally misinterpreted his work. As a profound admirer of Chopin’s "promenade of discoveries", Gide intersperses musical notation throughout the text to illuminate his arguments, but most moving is Gide’s own poetic expression for the music he so loved.

In 1939, 50 million Americans went to the movies every week, Louis B. Mayer was the highest-paid man in the country, and Hollywood produced 530 feature films a year. One decade and five thousand movies later, the studios were faltering....

For 25 years William Noonan and John F. Kennedy, Jr. were best friends. Sharing an adolescence in Hyannisport, Massachusetts, the two frequented beach bonfires and the Monday-night yacht-club dances, took road trips, shared albums, sneaked cigarettes on the widow’s walk of John’s house, and scored beer together. And as they grew older, John and Billy never lost the connection they forged in the Kennedy compound as two young boys who had both tragically lost their fathers.

Art T. Burton sifts through fact and legend to discover the truth about one of the most outstanding peace officers in late 19th-century America - and perhaps the greatest lawman of the Wild West era. Fluent in Creek and other Southern native languages, physically powerful, skilled with firearms, and a master of disguise, Bass Reeves was exceptionally adept at apprehending fugitives and outlaws, and his exploits were legendary in Oklahoma and Arkansas.

In his follow-up to the acclaimed Hellraisers, Sellers traces the intertwining lives and careers of four outrageous Hollywood movie mavericks. They’re the baddest bad-asses Hollywood as ever seen: Marlon Brando, Dennis Hopper, Warren Beatty, and Jack Nicholson. They are men to whom rules did not apply; normal standards of behavior were simply too wearisome to worry about.