Ancient Classics

Taliesin's is one of the most important names in all Welsh literature - and one of its greatest mysteries. He has fascinated and inspired some of our greatest poets, including Tennyson and Robert Graves. He is a poet; a shape-shifter; a seer; a chronicler of battles fought, by sword and with magic, between the ancient kingdoms of the fifth- and sixth-century British Isles; a bridge between old Welsh mythologies and the new Christian theology; and a figure whose literary legend culminated with the compilation in 13th-century North Wales of The Book of Taliesin.

The Apology of Socrates, by Plato, is the dialogue that presents the speech of legal self-defense, which Socrates presented at his trial for impiety and corruption, in 399 BC. Specifically, The Apology of Socrates is a defense against the charges of “corrupting the youth” and “not believing in the same gods as the city, but in other gods which are novel” to Athens.

The Golden Fleece and the Heroes Who Lived Before Achilles is a retelling of Greek myths for children by Padraic Colum. It was first published in 1921 and was a Newbery Honor recipient in 1922. The core myth retold here is that of Jason and the Argonauts and their quest for the Golden Fleece in the land of Colchis in the Caucasus. On the journey, the poet Orpheus relates other stories to the crew, about earlier ages and the Olympian gods and goddesses, like the myths of Pandora, Perseus, Persephone and Prometheus.

Told through intimate diary entries, this fiction series unfurls the extraordinary sagas of the Bible's best-known characters through the eyes of ordinary girls. In Book 3 of The Promised Land Diaries, Alisah, a young nursemaid, must leaver her family to live with beautiful Rebekah in order to help her aging nurse Deborah and care for her growing household. Alisah learns of Rebekah's generous spirit and witnesses firsthand the tender love story of Rebekah and Isaac.

Inspired by the mythic house of Thebes, Sophocles’s defining Greek tragedies follow the fates that befall three doomed generations.

One of the world's leading historians provides a revolutionary tour of the Ancient World, dusting off the classics for the twenty-first century. Mary Beard, drawing on thirty years of teaching and writing about Greek and Roman history, provides a panoramic portrait of the classical world, a book in which we encounter not only Cleopatra and Alexander the Great, Julius Caesar and Hannibal, but also the common people - the millions of inhabitants of the Roman Empire, the slaves, soldiers, and women.

The Epic of Gilgamesh relates the tale of the fifth king of the first dynasty of Uruk (in what is modern-day Iraq), who reigned for 126 years, according to the ancient Sumerian list of kings. Gilgamesh was first inscribed in cuneiform writing on clay tablets by an unknown author during the Sumerian era and has been described as one of the greatest works of literature in the recounting of mankind's unending quest for immortality.

Aristotle's Poetics is best known for its definitions and analyses of tragedy and comedy, but it also applies to truth and beauty as they are manifested in the other arts. In our age, when the natural and social sciences have dominated the quest for truth, it is helpful to consider why Aristotle claimed poetry is more philosophical and more significant than history. Like so many other works by Aristotle, the Poetics has dominated the way we have thought about all forms of dramatic performance in Europe and America ever since.

How to think clearly, act purposefully, overcome any obstacle, and find peace and happiness along the way. The Meditations is a collection of Marcus' personal journal entries. They were not intended for publication but to remind Marcus himself of his principles and priorities. As a result, they are intimate, direct, and extremely useful. This new edition is rendered in contemporary English, with a foreword by Sam Torode.

Adrienne Mayor is renowned for exploring the borders of history, science, archaeology, anthropology, and popular knowledge to find historical realities and scientific insights—glimmering, long-buried nuggets of truth—embedded in myth, legends, and folklore. Combing through ancient texts and obscure sources, she has spent decades prospecting for intriguing wonders and marvels, historical mysteries, diverting anecdotes, and hidden gems from antiquity, medieval, and modern times. Flying Snakes and Griffin Claws is a treasury of fifty of her most amazing and amusing discoveries.

The Greek poet, Hesiod, stands out as the first personality in European literature. The Theogony contains a genealogy of the gods from the beginning of time and an account of their violent struggles before the present order was established. The Works and Days, a compendium of advice for a life of honest husbandry, shines a unique and fascinating light on archaic Greek society, ethics, and superstition. Hesiod's poetry is the oldest source of the myths of Prometheus, Pandora, and the Golden Age.

Smooth Stones Taken from Ancient Brooks is a collection of sentences and quaint sayings from this renowned Puritan. Gathered by Spurgeon from the six-volume set of Brooks' Works, it remains an excellent introduction to both the man and his writing.

A long time ago, in a suburban high school not so far away, a closeted nerd (me) and a closeted soccer star (Hutch) fell in love and planned to make their public debut at prom. Until Hutch bailed at the last minute, leaving me with a broken heart and unworn tuxedo. Tale as old as time, right? I spent the past ten years working to forget Hutch, returning to our old high school to teach and make new memories that could erase ones of him. I thought Hutch was ancient history, off living his professional athlete life.

Christopher Marlowe's play about a man who sells his soul to the devil is not only one of the first of many works to explore this theme but also one of the most startling. Eschewing the usual division of the drama into acts, it presents the story of Faustus' fall in a series of apparently disconnected scenes. However, the integrity of the drama is maintained by the remorseless unraveling of Faustus' fortunes as he approaches his inevitable damnation.

After a century of civil strife in Rome and Italy, the poet Virgil wrote The Aeneid to honor the emperor Augustus by praising Aeneas, Augustus's legendary ancestor. As a patriotic epic imitating Homer, The Aeneid also set out to provide Rome with a literature equal to that of Greece.

Are you looking for love poems? If so, you will really enjoy The Poems of Sappho: An Interpretative Rendition into English. While very little remains of Sappho's poetry, existing fragments suggest that she had a romantic interest in those of her own sex. Her poems are written as words spoken from one person to another and speak about the joys and difficulties of romantic love. In modern times, she has come to be known as a great lesbian poet, and her work is enjoyed by many both within and outside the LGBTQ community.

Though best known now for his collection of lively and vivid Parallel Lives from ancient Greece and Rome, Plutarch (c46 CD-120 CE) was, for centuries, more respected for his Moralia, a remarkable and wide-ranging collection of essays and speeches. No fewer than 78 in total, they range over a broad list of topics in which Plutarch observes, dispenses wisdom, admonishes, entertains and informs: covering social issues and politics, manners and religion - in short, life in general.

Antigone is a famous Greek tragedy attributed to the ancient playwright Sophocles at around 440 BCE. The play expands on the Theban legend of Oedipus that predates it, dealing with Antigone’s burial of her brother Polyneices in defiance of the law and the tragic results of her act. On another level, the play exposes the dangers of the absolute ruler or tyrant in the character of Creon. No one speaks freely to him, so he makes a series of mistakes, illustrating the folly of tyranny.

In all of Roman history there was never a more turbulent year than A.D. 69, the ill-omened "Year of the Three Emperors". By some miracle, the greatest historian of the age, Tacitus, was able to chronicle those momentous events in a work he called The History. In its pages are some of the most memorable events of Roman history described in some of the most intensely passionate prose ever devised.

In a magisterial work, Jaan Puhvel unravels the prehistoric Indo-European origins of the traditions of India and Iran, Greece and Rome, of the Celts, Germans, Balts, and Slavs. Utilizing the methodologies of historical linguistics and archaeology, he reconstructs a shared religious, mythological, and cultural heritage. Separate chapters on individual traditions as well as on recurrent themes—god and warrior, king and virgin, fire and water—give life to Comparative Mythology as both a general introduction and a detailed reference.