American Entertainment History

The origins of rock music claim several founding fathers, with each perspective holding merit and directly contributing to the golden age to follow in rock music. Perhaps the first and ultimately the most successful of this category - those artistic explorers who most effectively blurred racial and political lines through their music - was Chuck Berry.

In early 1960’s Palo Alto, Jerry Garcia randomly opened a dictionary to a fable in which an appreciative soul repays the generosity of a traveler by delivering him a fortune, a “gift of the grateful dead.” After a traumatic car accident that injured him and killed a close friend, Garcia had recently resolved to build the life he wanted, which meant making music. He had practiced relentlessly and caromed across the northern California folk and bluegrass scene, gathered up some fellow musicians and formed a band. Now they had their name.

For No Reason at All: The Changing Narrative of the First World War in American Film discusses a variety of Great War-themed films made from 1915 to the present, tracing the changing approaches to the conflict over time.

The first comprehensive history of Hollywood's high-flying career women during the studio era, Nobody's Girl Friday covers the impact of the executives, producers, editors, writers, agents, designers, directors, and actresses who shaped Hollywood film production and style, led their unions, climbed to the top during the war, and fought the blacklist. Based on a decade of archival research, author J. E. Smyth uncovers a formidable generation working within the American film industry and brings their voices back into the history of Hollywood.

The host of the NBC Today Show’s popular segment shares his favorite stories of citizens making a difference around the country. For the six million people who watch the Emmy Award-winning "American Story with Bob Dotson" on NBC’s Today Show, Bob Dotson’s reports celebrate the inspirational stories of everyday Americans. Dotson has been crisscrossing the country for more than 40 years - logging more than four million miles - in search of people who have quietly but profoundly changed our lives and our counrty for the better.

Con esta sencilla colección de arte americano precolombino pretendemos mostrar las mejores muestras conservadas de una sociedad que fue completamente absorbida por las invasiones europeas del XVI. Mayas, aztecas e incas son los pueblos más importantes que nos dejaron muestras de su expresividad artística y confirmaron que el espíritu humano no puede existir sin manifestaciones artísticas que demuestren de algún modo su capacidad de creación.

In this lively and enlightening study, Kathleen B. Casey explores the ways in which the gender- and race-bending spectacles of vaudeville dramatized the economic, technological, social, and cultural upheaval that gripped the United States in the early 20th century. She focuses on four key performers: Eva Tanguay, Julian Eltinge, Lillyn Brown, and Sophie Tucker.

Timothy R. White begins his history of the theater industry with the dispersed pre-Broadway era, when components such as costumes, lights, and scenery were built and stored nationwide. Subsequently, the majority of backstage operations and storage were consolidated in New York City during what is now known as the golden age of musical theater. Toward the latter half of the 20th century, decentralization and deindustrialization brought the emergence of nationally distributed regional theaters and performing arts centers.

Odetta channeled her anger and despair into some the most powerful folk music the world has ever heard. Through her lyrics and iconic persona, Odetta made lasting political, social, and cultural change. A leader of the 1960s folk revival, Odetta is one of the most important singers of the last hundred years. Her music has influenced a huge number of artists over many decades, including Bob Dylan, Janis Joplin, the Kinks, Jewel, and, more recently, Rhiannon Giddens and Miley Cyrus.

Bob Dylan is many things to many people. Each Bob Dylan joins a collective cast that has made up his persona for more than 50 years. No version of Dylan turns out uncomplicated, but the postmillennial manifestation seems peculiarly contrary - a tireless and enterprising antiquarian; a creator of singular texts and sounds through promiscuous poaching; an artist of innovation and uncanny renewal. The collection of essays does justice to this difficult Bob Dylan by examining his method and effects through a disparate set of viewpoints.

In 1948, the Orioles, a Baltimore-based vocal group, recorded "It's Too Soon to Know". Combining the sound of Tin Pan Alley with gospel and blues sensibilities, the Orioles saw their first hit reach #13 on the pop charts, thus introducing the nation to vocal rhythm & blues and paving the way for the most successful groups of the 1950s. In the first scholarly treatment of this influential musical genre, Stuart Goosman chronicles the Orioles' story and that of myriad other black vocal groups in the postwar period.

Derided for its conformity and consumerism, 1950s America paid a price in anxiety. Prosperity existed under the shadow of a mushroom cloud. Optimism wore a Bucky Beaver smile that masked worry over threats at home and abroad. But even dread could not quell the revolutionary changes taking place in virtually every form of mainstream music. Music historian James Wierzbicki sheds light on how the Fifties' pervasive moods affected its sounds.

Throughout his career, Johnny Cash was depicted - and depicted himself - as a walking contradiction: social protestor and establishment patriot, drugged wildman and devout Christian crusader, rebel outlaw hillbilly thug and elder statesman. Leigh H. Edwards explores the allure of this paradoxical image and its cultural significance. She argues that Cash embodied irresolvable contradictions of American identity that reflect foundational issues in the American experience.

The First 60 Years: The History of Afro-American Musical Theater and Entertainment chronicles the contributions made by Black Americans to the entertainment industry in America from 1871 through 1930. This book describes, among other subjects, the types of traveling circuses performers worked on and the types of material performed there. This book also chronicles the history and the beginnings of Black Vaudeville in America, the creation of the blues, and the beginnings of Black theatrical entrepreneurship that took place in America during its most racist times.

The crowd sways to the melodic strumming of a bossa nova guitarist. A vocalist belts out lyrics that blend English and Spanish. These are the sounds of Latin music. Before Latin music exploded into the mainstream in the 1990s, it was on the sidelines of American pop. Ritchie Valens fused Latin dance music with rock. Julio Iglesias popularized Latin ballads in the United States. And Gloria Estefan was the first crossover artist. But after Ricky Martin's "Livin' la Vida Loca" exploded onto the pop scene in 1999, Latin music took center stage.

Summer 1787. After a long, difficult, and devastating war for independence was won, the Articles of Confederation–our first form of government–was falling apart at the seams. Controversy and dissention reigned supreme as Congress convened at Independence Hall. Fiery passions, ablaze with visions of a new form of government “by and for the people,” hovered on the horizon. Would the sun of a New Age sink under a cloud of doubt and dissention? Or would it represent the dawn of a new era breaking over the world as A Rising Sun.

When Broadway Was the Runway explores the central and largely unacknowledged role of commercial Broadway theater in the birth of modern American fashion and consumer culture. Long before Hollywood's red carpet spectacles, Broadway theater introduced American women to the latest styles. At the beginning of the 20th century, theater impresarios captured the imagination of their largely female patrons by transforming the stage into a glorious site of consumer spectacle.

An independent nation now exists forged in the fires of battle and founded upon lofty principles. But treaties with indigenous people have been broken, women had no rights, and slavery was still legal. Can integrity be legislated? Can equality be lived? Can truth be heard? Can individual rights be secured? These questions are answered in A Voice for the People.

Explore the intricate workings of two pivotal institutions at the heart of America's financial system—the Internal Revenue Service (IRS) and the Federal Reserve. "The Foundations of American Finance: The IRS and the Federal Reserve" offers a comprehensive examination of how these entities shape the nation's economic landscape. This book delves into the historical roots and evolution of the IRS and the Federal Reserve, revealing their critical roles in managing taxation and monetary policy.

Half-Cuban, half-Puerto Rican, Luis "DJ Disco Wiz" Cedeño is 100 percent Boogie Down Bronx. Born in the 60s, Wiz struggled in a turbulent and violent relationship with his alcoholic father while trying to protect his mother who was suffering from breast cancer. Raised in the 70s, Wiz learned the code of the streets while hustling with his crew, the East Side Boys.