American Entertainment History

It was in Brooklyn, New York, in 1883 that William F. Cody - known across the land as Buffalo Bill - conceived of his Wild West show, an "equestrian extravaganza" featuring cowboys and Indians. The idea took off. For four months in 1885, the Lakota chief Sitting Bull appeared in the show. Blood Brothers tells the story of these two iconic figures through their brief but important collaboration.

The Rainbow Age of Television explores why queer people are so invested in—and conflicted by—the kinds of storytelling that TV has to offer. Above all, it's a celebration of the LGBTQIA+ shows, their characters, and their creators that define this new age in television.

Even 150 years later, we are haunted by the Civil War---by its division, its bloodshed, and perhaps, above all, by its origins. Today, many believe that the war was fought over slavery. This answer satisfies our contemporary sense of justice, but as Gary W. Gallagher shows in this brilliant revisionist history, it is an anachronistic judgment.

A lot of ink has been spilled covering the lives of history's most influential figures, but how much of the forest is lost for the trees? In Charles River Editors' American Legends series, listeners can get caught up to speed on the lives of America's most important men and women in the time it takes to finish a commute, while learning interesting facts long forgotten or never known.

A comprehensive social history of Jewish contributions to American popular music in the 20th century. Musician, journalist, producer, and author, Sidran, uses his first person experience to frame the story behind the story of Jews in American popular music.

In early 1960’s Palo Alto, Jerry Garcia randomly opened a dictionary to a fable in which an appreciative soul repays the generosity of a traveler by delivering him a fortune, a “gift of the grateful dead.” After a traumatic car accident that injured him and killed a close friend, Garcia had recently resolved to build the life he wanted, which meant making music. He had practiced relentlessly and caromed across the northern California folk and bluegrass scene, gathered up some fellow musicians and formed a band. Now they had their name.

Compelling from cover to cover, this is the story of one of the most recorded and beloved jazz trumpeters of all time. With unsparing honesty and a superb eye for detail, Clark Terry, born in 1920, takes us from his impoverished childhood in St. Louis, Missouri, where jazz could be heard everywhere, to the smoke-filled small clubs and carnivals across the Jim Crow South where he got his start, and on to worldwide acclaim.

Fifty years ago, a little boy was cast in a movie with some of Hollywood's brightest stars. The movie: It's a Wonderful Life; the boy: Jimmy Hawkins; today, he tells his story. Through personal recollection, careful research, and interviews with cast and crew, actor Jimmy Hawkins, who played four-year-old Tommy Bailey, takes you behind the scenes for a first-hand look at the American movie classic It's a Wonderful Life.

Wouldn’t it be wonderful if all American school children learned something about our great American art form of jazz? If they not only listened to and played their music, but also learned the stories of our American jazz geniuses? If by hearing these stories, they also came to understand something of how systemic racism has hurt and continues to hurt us all? If they were inspired to begin the long walk toward justice, accompanied by the joy of jazz? Jazz, Joy and Justice is the trio that will help us as we stand at the crossroads between education and catastrophe.

Benjamin Franklin is renowned for his landmark inventions, including bifocals, the Franklin stove, and the lightning rod. Yet his own favorite invention is unknown to the general public. The glass armonica, the first musical instrument invented by an American, was constructed of stacked glass bowls and played by rubbing one's fingers on the rims. It was so popular in the late 18th and early 19th centuries that Mozart, Beethoven, Handel, and Strauss composed for it. In Angelic Music, Corey Mead describes how Franklin's instrument fell out of popular favor.

This Is Our Music, declared saxophonist Ornette Coleman's 1960 album title. But whose music was it? At various times during the 1950s and 1960s, musicians, critics, fans, politicians, and entrepreneurs claimed jazz as a national art form, an Afrocentric race music, an extension of modernist innovation in other genres, a music of mass consciousness, and the preserve of a cultural elite. This original and provocative book explores who makes decisions about the value of a cultural form and on what basis.

In the 1920s and 1930s, as radio took over the pop music business, record companies were forced to leave their studios in major cities in search of new styles and markets. Ranging the mountains, prairies, rural villages, and urban ghettos of America, they discovered a wealth of unexpected talent - farmers, laborers, and ethnic minorities playing styles that blended the intertwining strands of Europe, Africa, Asia, and the Americas.

In this lively and enlightening study, Kathleen B. Casey explores the ways in which the gender- and race-bending spectacles of vaudeville dramatized the economic, technological, social, and cultural upheaval that gripped the United States in the early 20th century. She focuses on four key performers: Eva Tanguay, Julian Eltinge, Lillyn Brown, and Sophie Tucker.

It was a time when music fans copied and traded recordings without permission. An outraged music industry pushed Congress to pass anti-piracy legislation. Yes, that time is now; it was also the era of Napster in the 1990s, of cassette tapes in the 1970s, of reel-to-reel tapes in the 1950s, even the phonograph epoch of the 1930s. Piracy, it turns out, is as old as recorded music itself. In Democracy of Sound, Alex Sayf Cummings uncovers the little-known history of music piracy and its sweeping effects on the definition of copyright in the United States.

Dive into the intricate world of American politics with American Political Parties: A Comprehensive Guide to History, Agendas, and Influence. This audiobook offers an in-depth exploration of the diverse political landscape in the United States, providing listeners with a detailed understanding of the major and minor political parties that have shaped the nation’s history.

Updated and expanded for the third edition, this volume combines scholarship with movie lore to present a comprehensive account of the development and influence of the American screenwriter. The text is written in an informal style and includes anecdotes and stories that spotlight the writers' creative work and their struggle to achieve recognition.

An examination of African American imagery and participation in American movies includes a timeline of important African American events in film history and discusses the achievements of noted celebrities.

Reagan's name is still relevant in American politics today, with every politician with an R next to his or her name trying to claim Ronald Reagan's conservative mantle. In the Republican presidential nomination debates in 2011, Reagan's name was invoked an average of over five times per debate, more than every other president combined. Meanwhile, Americans of all stripes continue to debate the merits of "Reaganomics" more than 30 years after Reagan was elected.

Robert Altman and the Elaboration of Hollywood Storytelling reveals an Altman barely glimpsed in previous critical accounts of the filmmaker. This re-examination of his seminal work during the "Hollywood Renaissance" or "New Hollywood" period of the early 1970s (including M*A*S*H and Nashville) sheds new light on both the films and the filmmaker, reframing Altman as a complex, pragmatic innovator whose work exceeds, but is also grounded in, the norms of classical Hollywood storytelling rather than someone who rejected those norms in favor of modernist art cinema.

Stingray’s memoir vividly shows how the energy of youth culture and an international love affair with rock ‘n’ roll forged alliances among a new generation who brought an end to the U.S.S.R.