African Art

Black, Buckskin, and Blue takes an in-depth look at African Americans who were scouts and soldiers on the United States western frontier during the nineteenth and twentieth centuries. The author explores the incidents and adventures black men were involved in during the westward movement as scouts and soldiers. Bypassing the radical hostilities they endured in frontier towns - well covered by other books - the author examines military incidents involving black soldiers and desperadoes, as well as certain critical military engagements in which they made important contributions. This book is ...

If not for a stint in reform school, young Louis Armstrong might never have become a musician. It was a teacher at the Colored Waifs' Home who gave him a cornet, promoted him to band leader, and saw talent in the tough kid from the even tougher New Orleans neighborhood called Storyville. But it was Louis Armstrong's own passion and genius that pushed jazz into new and exciting realms with his amazing, improvisational trumpet playing. His 70-year life spanned a critical time in American music as well as black history.

Keith Hatschek tells the story of three determined artists: Louis Armstrong, Dave Brubeck, and Iola Brubeck and the stand they took against segregation by writing and performing a jazz musical titled The Real Ambassadors. First conceived by the Brubecks in 1956, the musical's journey to the stage for its 1962 premiere tracks extraordinary twists and turns across the backdrop of the civil rights movement.

As a five-year-old, George Alagiah emigrated with his family to Ghana, the first African country to gain independence from the British Empire. A Passage to Africa is Alagiah's shattering catalogue of atrocities crafted into a portrait of Africa that is infused with hope, insight and outrage. In vivid and evocative prose and with a fine eye for detail, Alagiah's viewpoint is spiked with the freshness of the young George on his arrival in Ghana, the wonder with which he recounts his first impressions of Africa and the affection with which he dresses his stories of his early life.

Lars and Abilene are drawn to each other, but will their relationship end up like an unfinished painting? Savannah artist Abilene Dupree keeps her personal life out of her commercial paintings except one. That one painting has now brought Londoner Lars Cargill back to the coastal town and into her art world. Can she hold the handsome Englishman at bay before he invades her personal space and paints his way into her heart? Lars’s Labor…While on vacation in Savannah last year, Lars Cargill bought a small watercolor painting for his estate in England. The more he stared at the artwork, the...

While many film fans may not be familiar with Bill Duke's name, they most certainly recognize his face. Dating back to the 1970s, Duke has appeared in a number of popular films, including Car Wash, American Gigolo, Commando, Predator, and X-Men: The Last Stand. Fewer still might be aware of Duke's extraordinary accomplishments off-screen as a talented director, producer, entrepreneur, and humanitarian. Bill Duke is the memoir of a Hollywood original.

Even as our world has suffered through successive upheavals, Jesse McCarthy contends, "something was happening in the world of culture: a surging and unprecedented visibility at every level of Black art making". Who Will Pay Reparations on My Soul? reckons with this resurgence, arguing for the central role of art and intellectual culture in an age of widening inequality and moral crisis. McCarthy reinvigorates the essay form as a space not only for argument but for experimental writing that mixes and chops the old ways into new ones.

Actress, activist, and now Dancing with the Stars competitor Skai Jackson is a star! Her rise to fame started on the popular Disney Channel shows Bunk'd and Jessie. Her cool sense of style led her to create her own fashion line. And her success has made her a major influencer, with millions of followers on Instagram, who isn't afraid to stand up for what she believes in.

At once the most lucrative, popular, and culturally oppositional musical force in the United States, hip-hop demands the kind of interpretation Imani Perry provides here: criticism engaged with this vibrant musical form on its own terms. A scholar and a fan, Perry considers the art, politics, and culture of hip-hop through an analysis of song lyrics, the words of the prophets of the hood.

In 1948 most White people in the North had no idea how unjust and unequal daily life was for the 10 million African Americans living in the South. But that suddenly changed after Ray Sprigle, a famous White journalist from Pittsburgh, went undercover and lived as a Black man in the Jim Crow South. Escorted through the South's parallel Black society by John Wesley Dobbs, a historic Black civil rights pioneer from Atlanta, Sprigle met with sharecroppers, local Black leaders, and families of lynching victims.

The figure of the horse, at once earthly and transcendent, represented the contradictions of freedom and captivity that enabled young Octavia to develop her nuanced sense of voice and place. Drawing on previously unknown archival research, this volume illustrates how Butler's development as a writer was tied to her extraordinary resourcefulness and self-awareness growing up as an awkward, bookish Black girl in segregated, Cold War Pasadena.

In the early '80s, the music industry wrote off hip-hop as a passing fad. Few could or would have predicted that the improvised raps and raw beats busting out of New York City's urban underclass would one day become a multimillion-dollar business and one of music's most lucrative genres. Among those few were two visionaries: Russell Simmons, a young black man from Hollis, Queens, and Rick Rubin, a Jewish kid from Long Island.

Alastair Niven has plied a career as a writer, a lecturer and an administrator, including as director of literature at both the Arts Council and the British Council. He was president of English PEN during an epoch of controversial change and has had a special interest in Africa dating from his university years. Dedication to public service finally led him to Cumberland Lodge in Windsor Great Park, where he headed its royal foundation for discussion of educational and ethical issues.

This is the inspiring life and legacy of vocal artist and civil rights icon Paul Robeson - one of the most important public figures in the 20th century - adapted for young adults by the acclaimed Robeson biographer. Featuring a foreword by multiple award-winning author Jason Reynolds, Paul Robeson: No One Can Silence Me will introduce listeners in middle and high school to the inspiring and complicated life of one of America’s most fascinating figures, whose story of artistry, heroism, conviction, and conflict is newly relevant today.

Award-winning civil rights historian Ray Arsenault describes the dramatic story behind Marian Anderson’s concert at the Lincoln Memorial - an early milestone in civil rights history - on the 70th anniversary of her performance. On Easter Sunday 1939, the brilliant vocalist Marian Anderson sang before a throng of 75,000 at the Lincoln Memorial in Washington - an electrifying moment and an underappreciated milestone in civil rights history.

How Long Can She Nurse a Dream? For twenty-some years, Jenna Willows has sheltered a secret—even from her mother whom she serves as a private duty nurse. Long ago, it seemed that Jenna could keep that confidence forever. No one knew about the role she'd played in her former employer’s life. No one except Dr. Owen Potter and his wife, Marie. But shadows of that choice linger. Half a world away, the Potters lovingly raised their daughter, Grace, on the medical mission field in Kenya. For decades, Owen kept their arrangements to himself, even after his wife’s passing a few years back. ...

Super Black places the appearance of black superheroes alongside broad and sweeping cultural trends in American politics and pop culture, which reveals how black superheroes are not disposable pop products, but rather a fascinating racial phenomenon through which futuristic expressions and fantastic visions of black racial identity and symbolic political meaning are presented.

How nature came to be is the basis of African folklore. From a greedy baboon, a vain crocodile, and a clever jackal, African animals are often the characters used to convey the message of human characteristics, their pitfalls, and their triumphs. And unlike stories in other parts of the world, the ending is not always happy. In fact, some African fables are downright gruesome! It was from this point that I wanted to adapt some of Africa’s best-loved stories into tales that could delight a very young audience.

The first book of its kind, A Quick Ting on Afrobeats chronicles the social and cultural development of the eponymous music genre, tracing its rich history from the African continent all the way to the musical centre of the Western world.

When The Flip Wilson Show debuted in 1970, Black faces were still rare on television, Black hosts nonexistent. So how did Clerow “Flip” Wilson go from Jersey City grade-school dropout to national celebrity, heralded on the cover of Time as “TV’s first black superstar”? Flip is a candid, entertaining biography of a consummate comedian who changed the face of American popular culture.