African American Women Studies

Social worker, activist, and cultural commentator Feminista Jones explores how Black women are changing culture, society, and the landscape of feminism by building digital communities and using social media as powerful platforms. As Jones reveals, some of the best-loved devices of our shared social media language are a result of Black women’s innovations, from well-known, movement-building hashtags (#BlackLivesMatter, #SayHerName, and #BlackGirlMagic) to the now ubiquitous use of threaded tweets as a marketing and storytelling tool.

Now is the time for women of color to step into their distinct power and be the transformative force for good at work. With the emergence of the #MeToo, #TimesUp, and #BlackLivesMatter movements, as well as the election of the most diverse and female Congress in history, America is experiencing a referendum on what power and leadership looks like. Women of color are the answer to that referendum and uniquely positioned to assume powerful roles in the country. But first, we have to be honest about the misogyny and racism that women of color experience at work and in their lives.

Fueled by the insights of women of diverse backgrounds, including Michelle Obama, Angela Davis, Shonda Rhimes, Misty Copeland Yara Shahidi, and Mary J. Blige, this book is a celebration of Black women's voices and experiences that will become a collector's items for generations to come. Maxine Waters shares the personal fulfillment of service. Moguls Cathy Hughes, Suzanne Shank, and Serena Williams recount stories of steadfastness, determination, diligence, dedication and the will to win.

This immersive and empowering book blends history, reporting, and personal stories to weave a gorgeous tapestry from the resilience of Black women. As White writes, “Black women are not victims. Black women are alchemists, spinning gold from a life of hardship. . . . This book is dedicated solely to Black women surviving, thriving, and glowing.” White’s book features revolutionary women from across time and space, liberating them from reductive stereotypes like “the strong Black woman,” and allowing space for emotional nuance, individual motivation, and richness of expression.

Documenting multiple challenges at every turn - as a target for racism from society at large and sexism both inside and outside of the Negro League - this is the unique story of the first woman to play professional baseball on a men's team, breaking barriers in sports while believing, "There's got to be a first in everything. Maybe it will be me." The text explains that as players began to leave the Negro League for major league teams, Toni Stone seized her only opportunity to play professional ball and replaced Henry Aaron on the Negro League's top team.

Black women have higher rates of premature birth than other women in America. This cannot be simply explained by economic factors, with poorer women lacking resources or access to care. Even professional, middle-class Black women are at a much higher risk of premature birth than low-income White women in the United States. Dána-Ain Davis looks into this phenomenon, placing racial differences in birth outcomes into a historical context, revealing that ideas about reproduction and race today have been influenced by the legacy of ideas which developed during the era of slavery.

Making headlines when it was launched in 2015, Omise’eke Natasha Tinsley’s undergraduate course “Beyoncé Feminism, Rihanna Womanism” has inspired students from all walks of life. In Beyoncé in Formation, Tinsley now takes her rich observations beyond the classroom, using the blockbuster album and video Lemonade as a soundtrack for vital new-millennium narratives.

A powerful document about slavery, emancipation, faith, and resilience, Narrative of Sojourner Truth chronicles the life of a nineteenth-century trailblazer in the battle for racial and gender equality. Beginning with her earliest reminiscences of her brutal childhood, Truth recounts the first thirty years of her life in bondage, including her marriage and her trials as a mother, and then describes her eventual liberation. At the heart of this extraordinary record is Truth’s spiritual epiphany.

Feminism and atheism are “dirty words” that Americans across the political spectrum love to debate - and hate. Throw them into a blender and you have a toxic brew that supposedly defies decency, respectability, and Americana. Putting gender at the center of the equation, progressive “Religious Nones” of color are spearheading an anti-racist, social justice humanism that disrupts the “colorblind” ethos of European American atheist and humanist agendas, which focus principally on church-state separation.

Black women have been dehumanized through sexual objectification in the United States of America for hundreds of years and are still being degraded to this very day. The history behind this needs to be shared with the world so that the negative untruths about the Black woman can be dispelled and our young women will understand that media, news, music, and television are also tools used to take away their intelligence, respect, strength, beauty, and self-pride that they innately own.

Remaking a Life uses the HIV/AIDS epidemic as a lens to understand how women generate radical improvements in their social well being in the face of social stigma and economic disadvantage. Drawing on interviews with nationally recognized AIDS activists as well as over one hundred Chicago-based women living with HIV/AIDS, Celeste Watkins-Hayes takes listeners on an uplifting journey through women’s transformative projects, a multidimensional process in which women shift their approach to their physical, social, economic, and political survival.

Pearl K. Ford Dowe argues that ambition for Black women cannot be measured only by political candidacies and ascents of the political chain of power. Black women are uniquely positioned within their communities to influence politics and public policy, which stems from unique variables of socialization, gender and racial identity, and marginalization that shape the political attitudes of Black women. Thus, Dowe asserts that Black women's political ambition often manifests outside formal politics, in activism and community building, a process that is linked to a wider radical vision.

When Betsey Stockton was a child, she was "given, as a slave" to the household of Rev. Ashbel Green, a prominent pastor and later the president of what is now Princeton University. Although she never went to school, she devoured the books in Green's library. After being emancipated, she used that education to benefit other people of color, first in Hawai'i as a missionary, then Philadelphia, and, for the last three decades of her life, Princeton—a college town with a genteel veneer that never fully hid its racial hostility.

Hair is not simply a biological feature; it's a canvas for expression. Yet, its significance extends beyond mere aesthetics. Hair can carry profound moral, spiritual, and cultural connotations, serving as a reflection of one's beliefs, heritage, and even political stance. In Natural, Chelsea Mary Elise Johnson delves into the complex world surrounding Black women's hair, and offers a firsthand look into the kitchens, beauty shops, conventions, and blogs that make up the twenty-first century natural hair movement, the latest evolution in Black beauty politics.

This is the unflinching memoir of a female African American advertising executive’s unprecedented and unlikely success, which began in the Mad Men era. It follows her journey from the projects of Motown-era Michigan to the skyscrapers of Madison Avenue and beyond.

Renowned as a diversity and inclusion strategist, Michelle Gadsden-Williams held C-Suite positions at major organizations for many years and then took the off-ramp to probe a different career path, launching Ceiling Breakers LLC, with the primary goal to help women and professionals of color reach their full potential. As a woman of color and corporate executive who has worked and traveled the world for several Fortune 500 companies - all while managing a chronic illness - she provides insight into overcoming the barriers facing professionals in today's workplace.

Enslaved West Indian women had few opportunities to record their stories for posterity. Yet from their dusty footprints and the umpteen small clues they left for us to unravel, there's no question that they earned their place in history. Pick any Caribbean island and you'll find race, skin color, and rank interacting with gender in a unique and often volatile way. In A Kick in the Belly, Stella Dadzie follows the evidence and finds women played a distinctly female role in the development of a culture of slave resistance - a role that was not just central, but downright dynamic.

Can’t Tell Me Nothing is a critical anthology that helps us to talk about things that hurt when it comes to Black hair; what makes us uncomfortable and squeamish with pain as we recall our personal history with hair care from the kitchen to the salon. Sixteen brave Black women have poured out their souls in this book. They share about their unspoken pains and hair traumas; the things we don’t like to talk about when it comes to Black hair, but they impact us just the same. My hope is that this anthology will serve as a guide, helping Black women to become comfortable in their truths ...

Joan, Tisha, and Lila are three single, ambitious party girls embarking on a journey where they attempt to give up sex and draw nearer to God. Giving up their boyfriends and club hopping for empty beds and Bible study is more challenging than they could have imagined. The Single Sister Experiment is a fast-paced, drama-filled ride that you don’t want to miss!

World-renowned poet and Professor of African American Studies at U.C., Berkeley, June Jordan writes a deeply personal memoir of her formative years. June recalls her childhood experiences and reveals the duality of her parents’ influence on her stellar achievement as a poet. The first 12 years in Harlem were both peaceful and tumultuous for June, as she was raised the daughter of dirt-poor West Indian immigrants.