African American Women Studies

Born in 1937 and raised by her physician great aunt, chorus-line dancing grandmother, and glamorous murdermystery writing mother, psychotherapist Carole Ione knew more about the men in her family than she did about her secretive female forbearers. This critically acclaimed memoir is the lyrical fruit of an 18-year quest for her maternal roots. This is the fascinating truth of the complexities of race and class that make up her family.

Growing up as a Black girl in America, Deborah Mouton felt alienated from the stories she learned in class. She yearned for stories she felt connected to—true ones of course—but also fables and mythologies that could help explain both the world and her place in it. What she encountered was almost always written by white writers who prospered in a time when human beings were treated as chattel, such as the Greek and Roman myths, which felt as dusty and foreign as ancient ruins. When she sought myths written by Black authors, they were rooted too far in the past, a continent away.

Black women have been dehumanized through sexual objectification in the United States of America for hundreds of years and are still being degraded to this very day. The history behind this needs to be shared with the world so that the negative untruths about the Black woman can be dispelled and our young women will understand that media, news, music, and television are also tools used to take away their intelligence, respect, strength, beauty, and self-pride that they innately own.

From the editor of the best-selling anthology The Meaning of Michelle, a celebration of one of the greatest stars of our time, Beyoncé Knowles-Carter.

Remaking a Life uses the HIV/AIDS epidemic as a lens to understand how women generate radical improvements in their social well being in the face of social stigma and economic disadvantage. Drawing on interviews with nationally recognized AIDS activists as well as over one hundred Chicago-based women living with HIV/AIDS, Celeste Watkins-Hayes takes listeners on an uplifting journey through women’s transformative projects, a multidimensional process in which women shift their approach to their physical, social, economic, and political survival.

Fueled by the insights of women of diverse backgrounds, including Michelle Obama, Angela Davis, Shonda Rhimes, Misty Copeland Yara Shahidi, and Mary J. Blige, this book is a celebration of Black women's voices and experiences that will become a collector's items for generations to come. Maxine Waters shares the personal fulfillment of service. Moguls Cathy Hughes, Suzanne Shank, and Serena Williams recount stories of steadfastness, determination, diligence, dedication and the will to win.

Can’t Tell Me Nothing is a critical anthology that helps us to talk about things that hurt when it comes to Black hair; what makes us uncomfortable and squeamish with pain as we recall our personal history with hair care from the kitchen to the salon. Sixteen brave Black women have poured out their souls in this book. They share about their unspoken pains and hair traumas; the things we don’t like to talk about when it comes to Black hair, but they impact us just the same. My hope is that this anthology will serve as a guide, helping Black women to become comfortable in their truths ...

Pearl K. Ford Dowe argues that ambition for Black women cannot be measured only by political candidacies and ascents of the political chain of power. Black women are uniquely positioned within their communities to influence politics and public policy, which stems from unique variables of socialization, gender and racial identity, and marginalization that shape the political attitudes of Black women. Thus, Dowe asserts that Black women's political ambition often manifests outside formal politics, in activism and community building, a process that is linked to a wider radical vision.

A poignant biography as told to Olive Gilbert by Isabella Bomefree - a slave who later took the name of Sojourner Truth. She recounts the harshness of life under slavery, and after winner her freedom, became a vociferous abolitionist for which she has been long remembered and revered.

Black women have higher rates of premature birth than other women in America. This cannot be simply explained by economic factors, with poorer women lacking resources or access to care. Even professional, middle-class Black women are at a much higher risk of premature birth than low-income White women in the United States. Dána-Ain Davis looks into this phenomenon, placing racial differences in birth outcomes into a historical context, revealing that ideas about reproduction and race today have been influenced by the legacy of ideas which developed during the era of slavery.

The Essence of Liberty blends social, political, and economic history to analyze black women’s experience in both the North and the South, from the colonial period through emancipation. Focusing on class and familial relationships, King examines the myriad sources of freedom for black women to show the many factors that, along with time spent in slavery before emancipation, shaped the meaning of freedom. Her book also raises questions about whether free women were bound to or liberated from gender conventions of their day.

In this fresh exploration of cultural appropriation, wokeness, tone policing, and more, Holt carefully dismantles myths about Black womanhood, allowing readers to assess their biases while examining the roles Black millennial women are forced to take on simply to survive.

Enslaved West Indian women had few opportunities to record their stories for posterity. Yet from their dusty footprints and the umpteen small clues they left for us to unravel, there's no question that they earned their place in history. Pick any Caribbean island and you'll find race, skin color, and rank interacting with gender in a unique and often volatile way. In A Kick in the Belly, Stella Dadzie follows the evidence and finds women played a distinctly female role in the development of a culture of slave resistance - a role that was not just central, but downright dynamic.

Is it social programming, status, or self-hate that's driving Black males into the arms of white women? Is there a problem that needs fixing or simply just media hype? The Top 5 Reasons Why Black Men Choose White Women states very compelling facts you need to know!

When Betsey Stockton was a child, she was "given, as a slave" to the household of Rev. Ashbel Green, a prominent pastor and later the president of what is now Princeton University. Although she never went to school, she devoured the books in Green's library. After being emancipated, she used that education to benefit other people of color, first in Hawai'i as a missionary, then Philadelphia, and, for the last three decades of her life, Princeton—a college town with a genteel veneer that never fully hid its racial hostility.

Renowned as a diversity and inclusion strategist, Michelle Gadsden-Williams held C-Suite positions at major organizations for many years and then took the off-ramp to probe a different career path, launching Ceiling Breakers LLC, with the primary goal to help women and professionals of color reach their full potential. As a woman of color and corporate executive who has worked and traveled the world for several Fortune 500 companies - all while managing a chronic illness - she provides insight into overcoming the barriers facing professionals in today's workplace.

In June 2022, at the Black Men’s Forum (BMF), we went to the source and provided a platform for African American men and a few African American male teenagers to speak their truths in answering 58 questions. All information shared is a part of history and will be passed onto the next generation to build upon society and learn about the strengths and hindrances affecting African-American boys.

World-renowned poet and Professor of African American Studies at U.C., Berkeley, June Jordan writes a deeply personal memoir of her formative years. June recalls her childhood experiences and reveals the duality of her parents’ influence on her stellar achievement as a poet. The first 12 years in Harlem were both peaceful and tumultuous for June, as she was raised the daughter of dirt-poor West Indian immigrants.

Chief Carmen Best has spent the last 28 years as a member of a big-city police force, an institution where minorities and women have historically found it especially difficult to succeed. She defied the odds and became the first Black woman to lead the Seattle Police Department.

Shayla Lawson is major. You don’t know who she is. Yet. But that’s okay. She is on a mission to move Black girls like herself from best supporting actress to a starring role in the major narrative. Whether she’s taking on workplace microaggressions or upending racist stereotypes about her home state of Kentucky, she looks for the side of the story that isn’t always told, the places where the voices of Black girls haven’t been heard.