African American Literature Anthology

A remarkable talent far ahead of her time, Diane Oliver died in 1966 at the age of 22, leaving behind these crisply told and often chilling tales that explore race and racism in 1950s and 60s America. In this first and only collection by a masterful storyteller finally taking her rightful place in the canon, Oliver’s insightful stories reverberate into the present day.

Critics have compared her work to that of Langston Hughes and Zora Neale Hurston, but J. California Cooper has a warm, witty style that’s definitely her own. Each of her short stories is a gem of downhome wisdom, polished with a bit of gossip, some heartbreak, and lots of humor.

Charles thought he had it all - until a devastating betrayal and the shattering loss of his family drove him to living on the streets. Beatrice is the first person who's truly cared about him in a long time. Little by little, he's finding reasons to care about rebuilding his life. Drawn to Charles and the temptation of a second chance, Beatrice is faced with the hardest of decisions. But his insight, secrets - and the reminder of a profound past encounter - will give her unexpected inspiration, gratitude, and the strength she needs to find her way - perhaps in time for Christmas.

Veteran authors Ashley and JaQuavis offer up their first solo efforts, and they're hotter than ever! Along with Ayana Ellis, they introduce listeners to some "real sistas" who know how to get what they want at all costs. For these women, if it's dangerous it just means the payout will be that much sweeter.

With the same unforgettable and distinctive prose on display in his other books, Airtight Willie & Me is further evidence that Iceberg Slim was an expert at capturing the language of the streets. Always compelling, sometimes funny, and often bleak, Slim gives us six slices of city life that will leave you thirsting for more.

Carl Weber brings the best of urban street lit authors together, all telling their own dramatic tales of life in the streets in known cities across the USA. The second installment continues with Treasure Hernandez telling the tale of the Dirty South.

Danielle Evans is widely acclaimed for her blisteringly smart voice and X-ray insights into complex human relationships. With The Office of Historical Corrections, Evans zooms in on particular moments and relationships in her characters’ lives in a way that allows them to speak to larger issues of race, culture, and history. She introduces us to Black and multiracial characters who are experiencing the universal confusions of lust and love, and getting walloped by grief - all while exploring how history haunts us, personally and collectively.

In Mules and Men, some of the rich cultural heritage of black America is revealed and preserved. In the 1930s, Zora Neale Hurston returned to her home town of Eatonville, Florida, to collect and record the oral histories, songs, and sermons, many dating back to slavery times, that she remembered hearing as a child. These highly metaphorical folktales, "big old lies", and powerful songs helped her to recover her history, and preserve an important part of American culture.

Imagine coming home to find a farewell note, an empty refrigerator, a disconnect notice from the electric company, and an eviction letter giving you 30 days to vacate the premises - all without a job to fall back on. Well, that's what happened to Africa Evans, a shy, insecure woman without a backup plan. From one bad choice to another, Africa leans on love as an escape from her dilemma. But for this girl from da hood, tough love may prove detrimental to her well-being.

For Unique, life is good until her dope-dealing boyfriend, Took, is arrested and winds up in jail. Now she's broke as a joke, trying to put every petty hustle into play to chase hard times away from the door. With an empty refrigerator, a stack of bills piling up, a tenth-grade education, a big butt and a smile, it doesn't take long for her to learn to pull the wool over the eyes of any fool who's blinded by her good looks.

Transgressive, foulmouthed, and brutally funny, Brontez Purnell’s 100 Boyfriends is a revelatory spiral into the imperfect lives of queer men desperately fighting the urge to self-sabotage. As they tiptoe through minefields of romantic, substance-fueled misadventure - from dirty warehouses and gentrified bars in Oakland to desolate farm towns in Alabama - Purnell’s characters strive for belonging in a world that dismisses them for being Black, broke, and queer. In spite of it - or perhaps because of it - they shine.

N. K. Jemisin is one of the most powerful and acclaimed speculative fiction authors of our time. In the first collection of her evocative short fiction, Jemisin equally challenges and delights listeners with thought-provoking narratives of destruction, rebirth, and redemption.

The moment I encounter the beautiful tour guide, it’s clear I'll stop at nothing until she’s mine. She’s a spitfire. Doesn’t hold her tongue for anyone, especially not me. Women fall hard for me. Not Kara. She wants nothing to do with me. Well, at least that’s what she keeps telling herself. A few of the men in the small town of Talkeetna want to be with Kara. Won’t happen. I’ll show Kara I’m the man for her.

Like Gloria Naylor’s The Women of Brewster Place, Sidik Fofana’s electrifying collection of eight interconnected stories showcases the strengths, struggles, and hopes of one residential community in a powerful storytelling experience. Each short story follows a tenant in the Banneker Homes, a low-income high rise in Harlem where gentrification weighs on everyone’s mind. We root for these characters and more as they weave in and out of each other’s lives, endeavoring to escape from their pasts and blaze new paths forward for themselves and the people they love.

Originally published in 1938, Uncle Tom's Children, a collection of novellas, was the first book from Richard Wright, who would go on to win international renown for his powerful and visceral depiction of the Black experience. Set in the American Deep South, each of the powerful and devastating stories in Uncle Tom's Children concerns an aspect of the lives of Black people in the post-slavery era, exploring their resistance to white racism and oppression. The collection also includes a personal essay by Wright titled "The Ethics of Living Jim Crow."

"Black Is Blue" by Victor L. Martin delves into the life of a corporate woman who falls in love with a thug and finds out just how easy it is to stray from the straight and narrow.

Eighteen and hungry, Wiz's only addiction to drugs is the money it makes. But Crystal changes all of that and shows him just how powerful a woman can be, in "The P is Free" by LaShonda Sidberry-Teague.

In Temple Folk, Black Muslims contemplate the convictions of their race, religion, economics, politics, and sexuality in America. The ten “beautiful and vivid” (Jacqueline Woodson, National Book Award­–winning and New York Times bestselling author) stories in this collection contribute to the bounty of diverse narratives about Black life by intimately portraying the experiences of a community that resists the mainstream culture to which they are expected to accept and aspire to while functioning within the country in which they are born.

Afice is the last of nine generations of women who have survived enslavement, sickness, and hunger. Alone at age seventeen, she sets out through the Louisiana swamps to follow the trail of her ancestors and hear their songs anew. On this journey, Afice must decide how to honor her ancestors while embracing her own future.

Zora Neale Hurston is best remembered today for her work as a novelist, but she was also an accomplished dramatist, short story writer, and folklorist. That range of interests and styles is on full display in this collection.

“The People Could Fly,” the title story in Virginia Hamilton’s prize-winning American Black folktale collection, is a fantasy tale of the slaves who possessed the ancient magic words that enabled them to literally fly away to freedom. And it is a moving tale of those who did not have the opportunity to “fly” away, who remained slaves with only their imaginations to set them free as they told and retold this tale.