Absurdist Fiction

Erin is a plastic girl living in a plastic world. Every day she eats a breakfast of boiled chicken, then conveys her articulated body to Tablet Town, where she sells other figurines Smartbodies: wearable tech that allows full, physical immersion in a virtual world, a refuge from real life’s brutal wars, oppressive governmental monitoring, and omnipresent eco-terrorist insurgency. If you cut her, she will not bleed—but she and her fellow figurines can still be cracked or blown apart by gunfire or bombs, or crumble away from nuclear fallout.

On the outskirts of Buenos Aires in 1907, Doctor Quintana pines for head nurse Menéndez while he and his colleagues embark on a grisly series of experiments to investigate the line between life and death. One hundred years later, a celebrated artist goes to extremes in search of aesthetic transformation, turning himself into an art object. How far are we willing to go, Larraquy asks, in pursuit of transcendence?

Asa’s husband is transferring jobs, and his new office is located near his family’s home in the countryside. During an exceptionally hot summer, the young married couple move in, and Asa does her best to quickly adjust to their new rural lives, to their remoteness, to the constant presence of her in-laws, and the incessant buzz of cicadas. While her husband is consumed with his job, Asa is left to explore her surroundings on her own: She makes trips to the supermarket, halfheartedly looks for work, and tries to find interesting ways of killing time.

In his first novel, A Happy Death, written when he was in his early 20s and retrieved from his private papers following his death in 1960, Albert Camus laid the foundation for The Stranger, focusing in both works on an Algerian clerk who kills a man in cold blood. But he also revealed himself to an extent that he never would in his later fiction. For if A Happy Death is the study of a rule-bound being shattering the fetters of his existence, it is also a remarkably candid portrait of its author as a young man.

It’s as if her life only began once Moon appeared in it. The desultory copywriting work, the boyfriend, and the want of anything not-Moon quickly fall away when she beholds the idol in concert, where Moon dances as if his movements are creating their own gravitational field; on live streams, as fans from around the world comment in dozens of languages; even on skincare products endorsed by the wildly popular Korean boy band, of which Moon is the youngest, most luminous member. Seized by ineffable desire, our unnamed narrator begins writing Y/N fanfic.

Award Winner! "Honorable Mention," Contemporary Fiction, 2021 Writers Digest Self-Published E-Book Awards If you like stories told in unusual ways, enter the emotional, funny, and scary world of Backstory—a single mom’s search for new love and Hollywood fame. But wait: Is a serial killer stalking her and her daughter? Told with a series of letters and brief screenplay scenes, this story's dynamic format will make you laugh, cry, and cheer for Merry Mayfield, a mid-life Columbia University film school grad, who relocates to Austin, Texas, after a devastating divorce. Through her diary-...

Evoking such classics as Elmer Gantry and The Day of the Locust, William Giraldi's About Face boldly transfers the perennial literary themes of celebrity, ambition, and obsession to twenty-first-century Boston. There we meet Val Face, a charismatic self-help guru who captivates multitudes with his uncanny ability to heal adherents using only the power of his words, the mysterious touch of his hands, and the transcendent beauty of his face.

When a dispute over her parents’ will grows bitter, Bergljot is drawn back into the orbit of the family she fled 20 years before. Her mother and father have decided to leave two island summer houses to her sisters, disinheriting the two eldest siblings from the most meaningful part of the estate. To outsiders, it is a quarrel about property and favoritism. But Bergljot, who has borne a horrible secret since childhood, understands the gesture as something very different - a final attempt to suppress the truth and a cruel insult to the grievously injured.

Oskar Matzerath ist anders. Mit drei Jahren beschließt er, nicht weiter zu wachsen. Der groteske Außenseiter betrachtet die Welt mit schonungslos-sarkastischem Blick "von unten". Sein ständiger Begleiter ist eine Blechtrommel. Mit ihr ertrommelt er sich Distanz, fordert, schreckt auf. Wird sie ihm genommen, setzt er sich mit einem Schrei zur Wehr, der Glas zerspringen lässt. So absonderlich der zornige Zwerg ist, so frei ist er. Oskar ist ein unerbittlich scharfsinniger Beobachter des Danziger Kleinbürgertums im "Dritten Reich".

A nameless narrator awakens to the muddle of middle age, no longer certain who or what he is. He finds himself at a party talking to a woman he doesn't know who proves to be his wife. Soon separated but still living in the same apartment, he is threatened by a litigious dachshund and saddled with a stubborn case of erectile dysfunction in a world that seems held together by increasingly mercurial laws and elusive boundaries.

Una novela crítica, divertida y reflexiva sobre la adicción, el consumismo y la soledad de la sociedad norteamericana, desde una perspectiva de gran sabiduría y sentido del humor.

Traveling across the landscapes of time and of space, heading always west, and carrying a dead but laconically opinionated crow in her chest, our undead narrator encounters and loses parts of her body and her self in one terrifying, hilarious, and heartbreaking situation after another.

Awarded a three-month stipend to travel and work, a Swedish writer flies to Madrid, where in a bar she meets a man with an extraordinary story to tell. In exchange for somewhere to sleep and to hide out for a few days, he is willing to tell her the whole astonishing tale. What follows is an account of fantastic proportions and ingredients: the existence of a shadowy Internet TV show with a certain morality clause, a threat to the storyteller's life, a diabolical nun, and the story of a girl with a missing left thumb.

La novela comienza con el arresto de Joseph K., un joven empleado de un banco, que se despierta en la pensión donde reside con la extraña visita de unos hombres que le informan que está detenido. Acusado por alguien de un crimen del que sabe poco y nada, K., aún en libertad, se adentra en una auténtica y enigmática pesadilla. Así comienza un proceso laberíntico en el que se ve inmerso y lo lleva a tomar conciencia de sí mismo y reflexionar sobre su propia existencia, sobre la pérdida de la inocencia y la aparición de la muerte.

Philip Horkman is a happy man - the owner of a pet store called The Wine Shop, and on Sundays a referee for kids' soccer. Jeffrey Peckerman is the sole sane person in a world filled with goddamned jerks and morons, and he's having a really bad day. The two of them are about to collide in a swiftly escalating series of events that will send them running for their lives, pursued by the police, soldiers, terrorists, subversives, bears, and a man dressed as Chuck E. Cheese.

The Novices of Lerna introduces the enigmatic fictions of Ángel Bonomini to English listeners for the first time. Shot through with wry humor and tender absurdity, these meditations on identity, surveillance, and isolation remain eerily prescient. The collection's central novella follows Ramon Beltra, an unambitious scholar who receives a mysterious invitation to a lucrative six-month fellowship at the University of Lerna in Switzerland.

In Temporary, a young woman’s workplace is the size of the world. She fills increasingly bizarre placements in search of steadiness, connection, and something, at last, to call her own. Whether it’s shining an endless closet of shoes, swabbing the deck of a pirate ship, assisting an assassin, or filling in for the Chairman of the Board, for the mythical Temporary, “there is nothing more personal than doing your job.”

Gregor Samsa, el protagonista, se despierta una mañana sintiendo extraños dolores. Asustado, se percata de que sus miembros no le responden, y además nota que su cuerpo pesa en exceso. Gregor vive con sus padres y hermana, y piensa en ellos y en su trabajo, cuando aquella mañana descubre que ha dejado de ser humano para convertirse en un bicho.

What I wanted more than anything was to be standing beside Schmidt, in concert with Schmidt, at the foot of Saint Sebastian’s Abyss along with Schmidt, hands cupped to the sides of our faces, debating art, transcendence, and the glory of the apocalypse.” Former best friends who built their careers writing about a single work of art meet after a decades-long falling-out. One of them, called to the other’s deathbed for unknown reasons by a “relatively short” nine-page email, spends his flight to Berlin reflecting on Dutch Renaissance painter Count Hugo Beckenbauer.

Ein Blaubär entführt den Hörer in eine Welt, in der Phantasie und Humor auf abenteuerliche Weise außer Kontrolle geraten sind. Dem Hörer geht es in dieser akustischen Neufassung wie der Hauptfigur: Gepackt vom Sog der Lesung Dirk Bachs geht es über sparsam, aber effektvoll eingesetzte Musik zu Zwergpiraten, Klabautergeistern und Gimpeln. Dramatische Klangbilder machen die Reise so plastisch, dass Finsterberge, der Große Wald, der Ewige Tornado, Atlantis u.v.m.