Commissario Brunetti

As Venice experiences a debilitating heatwave, Commissario Brunetti prepares to escape the city and spend time with his family in the mountains. However, the weather is the last thing on Ispettore Vianello’s mind; it seems his aunt has become obsessed with horoscopes and has been withdrawing large amounts of money from the family business. Not knowing what to do, he consults Brunetti and asks permission to unofficially trail her, which leads to the flat of Stefano Gorini. But who is this man?

Commissario Guido Brunetti must contend with ingenious corruption, bureaucratic intransigence, and the stifling heat of a Venetian summer. As he plans a trip to the mountains with his family, he learns that cases at the local court - hardly known as a model of efficiency - are being delayed to the benefit of one of the parties. A creative new trick for corrupting the system, perhaps, but what can Brunetti do about it?

Late one night, Brunetti is called away from dinner to investigate the death of a widow in her modest apartment. Though there are some signs of a struggle, the medical examiner rules that she died of a heart attack. It seems there is nothing for Brunetti to investigate. But he can’t shake the feeling that something or someone may have triggered her heart attack, that perhaps the woman was threatened. Conversations with the woman’s son, her upstairs neighbor, and the nun in charge of the old-age home where she volunteered do little to satisfy Brunetti’s nagging curiosity.

Late one night, Commissario Guido Brunetti's telefonino rings. A woman's body has been found in a Spartan apartment on Campo San Giacomo dell'Orio. Brunetti sees some signs of force on the old woman, but they could just as easily have been from the radiator near where she fell. When the medical examiner rules that the woman died of a heart attack, it seems there is nothing to investigate.

When Anna Maria Giusti returns from holiday to find her elderly neighbour Constanza Altavilla dead, with blood on the floor near her head, she immediately alerts the police. Commissario Brunetti is called to the scene and it seems the woman has suffered a fatal heart attack. Patta, the Vice-Questore, is eager to dismiss the case as a death from natural causes, but Brunetti believes that there is more to it.

When the body of a man is found in a canal, damaged by the tides, carrying no wallet, and wearing only one shoe, Commissario Guido Brunetti has little to work with. No local has filed a missing-person report, and no hotel guests have disappeared. With Inspector Vianello, Brunetti canvasses shoe stores, and winds up on the mainland in Mestre, outside his usual sphere, where they learn that the man had a kindly way with animals. Meanwhile, animal rights and meat consumption are quickly becoming preoccupying issues at the Venice Questura, as well as in Brunetti’s home.

When a man is found stabbed to death floating in the canal, Commissario Brunetti is convinced he recognises him from somewhere. It doesn't take long for Brunetti to realise why he remembers the dead man - he saw him at a demonstration a couple of years ago, where farmers were protesting about European milk quotas. But what was his involvement with the protest? And could it have anything to do with his murder?

When the body of man is found in a canal, damaged by the tides, carrying no wallet, and wearing only one shoe, Brunetti has little to work with. No local has filed a missing-person report, and no hotel guests have disappeared. Where was the crime scene? And how can Brunetti identify the man when he can’t show pictures of his face? The autopsy shows a way forward: It turns out the man was suffering from a rare, disfiguring disease.

When a body is found floating in a canal, disfigured and with multiple stab wounds, Commissario Brunetti is called to investigate and is convinced he recognises the man from somewhere. However, with no identification except for the distinctive shoes the man was wearing, and no reports of people missing from the Venice area, the case cannot progress. Brunetti soon realises why he remembers the dead man, and asks Signorina Elettra if she can help him find footage of a farmers' protest the previous autumn.

In The Golden Egg, as the first leaves of autumn begin to fall, Vice Questore Patta asks Brunetti to look into a minor violation committed by the mayor’s future daughter-in-law. Brunetti has no interest in helping his boss amass political favors, but he has little choice but to comply. Then Brunetti’s wife, Paola, comes to him with a request of her own. The mentally handicapped man who worked at their dry cleaners has just died of a sleeping pill overdose, and Paola loathes the idea that he lived and died without anyone noticing him, or helping him.

Twenty-one years ago, when a conductor was poisoned and the Questura sent a man to investigate, readers first met Commissario Guido Brunetti. Since 1992’s Death at La Fenice, Donna Leon and her shrewd, sophisticated, and compassionate investigator have been delighting readers around the world. For her millions of fans, Leon’s novels have opened a window into the private Venice of her citizens, a world of incomparable beauty, family intimacy, shocking crime, and insidious corruption.

In The Golden Egg, as the first leaves of autumn begin to fall, Commissario Guido Brunetti’s wife Paola comes to him with a request. The mentally handicapped man who worked at their dry cleaners has suffered a fatal sleeping pill overdose, and Paola loathes the idea that he lived and died without anyone noticing or helping him. To please her, Brunetti investigates the death and is surprised to find nothing on the man: no birth certificate, no driver’s license, no credit cards. As far as the Italian government is concerned, he never existed. And yet, there is a body.

One afternoon, Commissario Guido Brunetti gets a frantic call from the director of a prestigious Venetian library. Someone has stolen pages out of several rare books. After a round of questioning, the case seems clear: The culprit must be the man who requested the volumes, an American professor from a Kansas university. The only problem-- the man fled the library earlier that day, and after checking his credentials, the American professor doesn't exist.

By Its Cover is the much anticipated twenty-third instalment in Donna Leon's bestselling crime series, where Commissario Brunetti is better than ever as he addresses questions of worth and value alongside his ever-faithful team of Ispettore Vianello and Signorina Elettra. When several valuable antiquarian books go missing from a prestigious library in the heart of Venice, Commissario Brunetti is immediately called to the scene.

In Death at La Fenice, Donna Leon’s first novel in the Commissario Brunetti series, readers were introduced to the glamorous and cut-throat world of opera and to one of Italy’s finest living sopranos, Flavia Petrelli - then a suspect in the poisoning of a renowned German conductor. Now, many years after Brunetti cleared her name, Flavia has returned to the illustrious La Fenice to sing the lead in Tosca. As an opera superstar, Flavia is well acquainted with attention from adoring fans and aspiring singers.

Donna Leon's Death at La Fenice, the first novel in her beloved Commissario Guido Brunetti series, introduced listeners to the glamorous and cutthroat world of opera and one of Italy's finest living sopranos, Flavia Petrelli - then a suspect in the poisoning of a renowned German conductor. Years after Brunetti cleared her name, Flavia has returned to Venice and La Fenice to sing the lead in Tosca.

Fifteen years ago the teenage granddaughter of the grand Contessa Lando-Continui was rescued at the last moment from drowning in the canals. But young Manuela's life was never the same again. Now aged thirty, she lives trapped in an eternal youth. The Contessa, certain that this was no accident, implores Brunetti to find the culprit she believes ruined Manuela's life.

Fifteen years ago a teenage girl fell into a canal late at night. Unable to swim, she went under and started to drown, surviving only thanks to a nearby man, an alcoholic, who heard her splashes and pulled her out, though not before she suffered irreparable brain damage that left her in a state of permanent childhood, unable to learn or mature. The drunk man claimed he saw her thrown into the canal by another man, but the following day he couldn't remember a thing.

A good man who loves his family and his city, Commissario Guido Brunetti is relentless in his pursuit of truth and some measure of justice. In Earthly Remains, Brunetti's endurance is tested more than ever before. During an interrogation of an entitled, arrogant man suspected of giving drugs to a young girl who then died, Brunetti acts rashly, doing something he will quickly come to regret. In the fallout, he realizes that he needs a break, needs to get away from the stifling problems of his work.

During the interrogation of an entitled, arrogant man suspected of giving drugs to a young girl who then died, Commissario Guido Brunetti acts rashly, doing something he will quickly come to regret. In the aftermath he begins to doubt his career choices and realises that he needs a break from the stifling problems of his work. Granted leave from the Questura, Brunetti is shipped off by his wife, Paola, to a villa owned by a wealthy relative on Sant'Erasmo, one of the largest islands in the Venetian laguna.