Mostrando resultados por autor "Laura Levine" en Todas las categorías

Jaine has been hired by uber-pushy stage mom Heather Van Sant to write lyrics for her daughter Taylor's song in the talent competition for the Miss Teen Queen America pageant. It's different from anything Jaine has done before, but if nothing else, she's looking forward to a free weekend in a swanky hotel and a chance to see what really goes on backstage at a beauty pageant. But the hotel is a dump, the cattiness is out of control, and Candace - the perfectly coiffed, whip-cracking pageant director - is making even Jaine's life miserable.

When Jaine Austen's beloved cat Prozac unwittingly scares to death a parakeet belonging to the neighborhood's resident curmudgeon, Jaine finds herself knee-deep in toil and trouble. The cantankerous Hollywood has-been once played Cryptessa Muldoon, television's fourth most famous monster mom. Now she spends her days making enemies with everyone on the block. So when the ornery D-lister is murdered with her own Do Not Trespass sign on Halloween night, the neighborhood fills with relief - and possible culprits.

Smarmy personals ads. Daring declarations of love. Freelance writer Jaine Austen has penned them all. But no one needs her help more than geeky, gawky Howard Murdoch. His request is simple enough: a letter proclaiming his undying love for Stacy Lawrence, a gorgeous aerobics instructor. The fact that he's never actually met the woman gives Jaine pause - yet she soon overcomes her misgivings, and the unlikely Romeo lands a date! But his triumph is short-lived. On Valentine's Day, Howard finds Stacy bludgeoned to death with a Thigh Master - and is quickly named the prime suspect.

Wordsmith Jaine Austen's ship has finally come in. Her new teaching gig on a fancy cruise line nabs her a free vacation - and access to a 24-hour buffet! But sooner than you can say "bon voyage," Jaine's all-expenses-paid trip to the Mexican Riviera seems destined to be a wreck....

Daisy Kincaid is in her 60s and heiress to a fortune. Now she wants to make a name for herself as a romance author...with a little help from Jaine, that is. As Jaine labors away on love scenes, she gets to know the wealthy woman's gentleman friend, her household staff, and her social circle - every one of whom is horrified when Daisy falls under the spell of a much younger stud named Tommy, a rude, crude lothario who's made himself a fixture in Daisy's Bel Air mansion. It doesn't take long for someone to stab him in the neck....

Scotty Parker is a former child star who once played Tiny Tim, but now he's grown up into the role of the neighborhood Scrooge. He thinks he can stage a comeback with the screenplay he's working on, and Jaine's been reluctantly helping him edit it. So when Scotty is bludgeoned with a frozen chocolate yule log and the police start making a list of suspects and checking it twice, Jaine's name is unfortunately included.

A gal with a serious Ben & Jerry's habit can't afford to be too picky about employment opportunities. So when Beverly Hills socialite SueEllen Kingsley offers freelance writer Jaine Austen megabucks to ghostwrite a book of hostess tips, it's time to sharpen the #2s.

Jaine still hasn't found a good man - or a way to keep all those sugary snacks from going straight to her hips. But - with a little help from her best friend Kandi-she's finally landed a gig as a sitcom writer! True, Muffy 'n Me (a.k.a. "Bewitched with Tits") isn't going to win any Emmys. And her office at Miracle Studios needs a little sprucing up, and a few dozen rat traps. But it sure beats writing boring brochures and bad resumes, so Jaine's not complaining. Until the plot thickens - with murder....

Tis the season for trimming the tree, caroling, baking cookies, and curling up by the Yuletide waiting for Santa to drop down the chimney. But in this festive collection of holiday whodunits, murder is also paying a visit.

If clothes make the man, then what do Jaine Austen's elastic-waist pants and T-shirts make her? A fashion nightmare, according to her neighbor, Lance. She doesn't expect Lance - who works in the designer shoe department at Nieman Marcus - to understand...which is how she ends up visiting his favorite boutique, Passions. While the couture is definitely not for Jaine, the staff's gossip is. Tiny orange-haired clerk Becky starts complaining about her coworker Giselle - a.k.a. "Frenchie".

Freelance writer Jaine Austen has never been able to resist the siren call of an Eskimo Pie, just like she can't resist renewing her romance with Andrew, an old crush. With her bank account hitting new lows, she's also just agreed to write jokes for Dorcas, a stand-up comic who throws her pantyhose into the audience as a punch line.

In this batch of sweet, short murder mysteries, three cooks don’t spoil the broth. New York Times best-selling author Joanne Fluke pens the title story, in which a box of Hannah Swensen’s gingerbread cookies is found near the corpse of her neighbor. Popular co-authors Laura Levine and Leslie Meier offer “The Dangers of Gingerbread Cookies” and “Gingerbread Cookies and Gunshots”, respectively.

When Jaine lands a job writing web copy and brochures for matchmaker Joy Amoroso, she's excited for a chance to help the lovelorn - until she realizes Joy is a ruthless taskmaster who screams at her employees for the smallest infractions, pads her website with pictures of professional models posing as clients, and offers up convincing but empty promises of love.

Jaine's accepted her share of lame gigs to pay the bills, but rewriting Shakespeare's got to be an all-time low. The fiasco begins with a call from Jaine's high-school nemesis, uber rich uber witch Patti Devane. It seems Patti will soon be sashaying down the aisle with another former classmate from Hermosa High, and she'd like the exchange of vows to evoke Romeo and Juliet...except without the "downer" of an ending.

On the frontlines of the battle of the bulge, otherwise known as trying on bathing suits in the communal dressing room at Loehmann's, freelance writer Jaine Austen makes a new friend - a wannabe actress named Pam - and gets a new job: sprucing up Pam's bare-bones resume. Their feeling of connection is mutual, so Pam invites Jaine to join The PMS Club - a women's support group that meets once a week over guacamole and margaritas.

Since she started penning dialogue for Some Day My Prince Will Come - a cheesy dating show that features bachelorettes competing for the heart of Spencer Dalworth VII, a very distant heir to the British throne - Jaine's life has been a royal pain. She's been fending off golf-ball-size bugs on the sweltering tropical island and having her patience tested by an irritable production crew and the fierce contestants who will do anything to get their prince. But Jaine never expected murder to enter the script.

Without a job or a date in sight, freelance writer Jaine Austen is equally out of luck in finance and romance. So when her friend Lance offers to treat her to brunch at the Four Seasons, Jaine leaps at the invite. They've barely made it through the menu when Lance spots his friend Bunny, who is the new trophy wife of mattress maven Marvin Cooper.

When freelance writer Jaine Austen is surprised with an über-luxe spa getaway, she and her feline pal Prozac are eager to hit the road and bask in a week of pampering and pedicures. But what she gets is a California fat farm in disguise, complete with celery-juice cocktails, humiliating weigh-ins, and a zero-tolerance position on carbs.

It seems Jaine's life couldn't get any better - until her cat, Prozac, is tapped to star in a Skinny Kitty commercial. But Jaine never would have guessed the world of cat food could be quite so catty. Jaine is nervous that Prozac won't be able to take direction, but the finicky furball ditches her diva behavior for the camera, eating and napping on cue like a seasoned pro. But just as Jaine begins dreaming of fame and fortune, Skinny Kitty's inventor drops dead on the set. Everyone is a suspect - including Jaine.

Afterlives of Endor offers an analysis of the way early modern English literature addressed the period's anxieties about witchcraft and theatricality. What determined whether or not a demonologist imagined a trial as a spectacle? What underlying epistemological constraints governed such choices and what conceptions of witchcraft did these choices reveal? Pairing readings of demonological texts with canonical plays and poetry, Laura Levine examines such questions.