Mostrando resultados por autor "Graham Swift" en Todas las categorías

It's the summer of 1959, and something magical can be witnessed at the end of the pier in beach town Brighton, England. Jack Robbins, Ronnie Deane, and Evie White are performing in a seaside variety show, starring as Jack Robinson, the compere comedian, and The Great Pablo and Eve, a magic act. By the end of the summer, Evie's glinting engagement ring will be flung to the bottom of the ocean, and one of the trifecta will vanish forever.

In a London Pub called The Coach and Horses, four men gather. Three of them have been friends for half a lifetime, having fought in the same war, drunk in the same pubs, and bet on the same horses. Now they have come together to deliver the ashes of a fifth man, Jack Dodds, to the sea. Their journey, which will take them deep into their collective and individual pasts, lies at the center of an astonishingly moving novel of friendship, memory, and fate.

The author takes us inside George Webb's -a divorced ex-policeman turned private investigator- mind. For one day, we see what Webb sees and know only what his thoughts reveals. We learn about his childhood and the secret it forced him to carry; the last moments with his ex-wife; his fall as a cop; the ease with which he has turned his police skills to the demands of his new profession. And we learn how those demands have put him in a league with a client, a woman he has come to love.

It is March 30th 1924. It is Mothering Sunday. How will Jane Fairchild, orphan and housemaid, occupy her time when she has no mother to visit? How, shaped by the events of this never to be forgotten day, will her future unfold? Beginning with an intimate assignation and opening to embrace decades, Mothering Sunday has at its heart both the story of a life and the life that stories can magically contain.

One summer morning in 1943, lock-keeper Henry Crick finds the drowned body of a 16-year-old boy. Nearly 40 years later, his son Tom, a history teacher, is driven by a bizarre marital crisis and the provocation of one of his students to forsake the formal teaching of history - and tell stories.

Prentis, employed in the police archives, is becoming confused. His obsession with the plight of his father, a wartime hero, now the mute inmate of a mental hospital, is alienating him from his wife and children, while at work, he feels under scrutiny from his intimidating boss, Quinn. Gradually, Prentis suspects that his father’s breakdown and Quinn’s menacing behaviour are related and that the connection is to be found in his father’s memoir: 'Shuttlecock'.

On an autumn day in 2006, on the Isle of Wight, Jack Luxton, former Devon farmer and now the proprietor of a seaside caravan park, receives the news that his soldier brother, Tom, not seen for years, has been killed in Iraq. For Jack and his wife, Ellie, this will have a potentially catastrophic impact. For Jack in particular it means a crucial journey - to receive his brother’s remains, but it is also a journey into his own most secret, troubling memories and into the land of his and Ellie’s past.

It is Brighton, 1959, and the theatre at the end of the pier is having its best summer season in years. Ronnie, a brilliant young magician, and Evie, his dazzling assistant, are top of the bill, drawing audiences each night. Meanwhile, Jack – Jack Robinson, as in ‘before you can say’ – is everyone’s favourite compère, a born entertainer, holding the whole show together. As the summer progresses, the off-stage drama between the three begins to overshadow their theatrical success, and events unfold which will have lasting consequences for all their futures.

Bill Unwin, an academic of dubious status, has never recovered from the death of his famous actress wife and is now convalescing from a recent brush with his own mortality. He has two tales to tell. One, spanning postwar Paris, 1950s Soho and contemporary sexual and scholarly entanglements, surveys the muddle of his own life. The other, drawn from the notebooks of a Victorian ancestor, is the very different story of Matthew Pearce, a serious-minded man whose happiness is destroyed by his compulsive search for truth.

In the aftermath of the Second World War Private Caan, a young Jewish soldier stationed in Germany, seeks the truth about lost family members; in the 1960s a father focuses on his daughter’s wedding even as the Cuban Missile Crisis brings the world to the brink of disaster; in 2001, while planes fly into the Twin Towers, a maid working for US Embassy staff in London wonders if her birth on the day of the Kennedy assassination shaped her life...

Four men once close to Jack Dodds, a London butcher, meet to carry out his peculiar last wish: to have his ashes scattered into the sea at Margate. For reasons best known to herself, Jack’s widow, Amy, declines to join them. On the surface a simple tale of an increasingly bizarre day’s outing, this Booker Prize-winning, internationally acclaimed novel is a resonant and classic exploration of the complexity and courage of ordinary lives.

On a June night, Paula, a successful art dealer, lies awake. Mike, her husband of 25 years, is asleep beside her. In nearby rooms, their twin teenage children, Nick and Kate, sleep, too. The next day, Paula knows, will define all their lives. As dawn approaches, Paula recalls the years before and after her children were born. Her story is both a celebration of love possessed and a moving acknowledgement of the fear of loss, of the fragility on which even our most inward sense of who we are can rest.

One o'clock A.M. Paula Hook lies awake next to her husband, Mike; her 16-year-old twins, Kate and Nick, are asleep down the hall. When the day begins, she and Mike will share a secret with their children that may change all their lives forever.

In the aftermath of the Second World War, Private Joseph Caan, a young Jewish soldier stationed in Germany, seeks the truth about lost family members; in the 1960s a father focuses on his daughter’s wedding even as the Cuban Missile Crisis brings the world to the brink of disaster; in 2001, while planes fly into the Twin Towers, a maid working for US Embassy staff in London wonders if her birth on the day of the Kennedy assassination shaped her life.

On a cold but dazzling November morning, George Webb, a former policeman turned private detective, prepares to visit Sarah, a prisoner and the woman he loves. As he goes about the business of the day he relives the catastrophic events of two years ago that have both bound them together and kept them apart. Making atmospheric use of its suburban setting and shot through with a plain man’s unwitting poetry and rueful humour, The Light of Day is a powerful and moving tale of murder, redemption and the discovery, for better or worse, of the hidden forces inside us.

For 40 years, Willy Chapman has struck a strange but steadfast bargain between the two poles of his life: his beautiful but emotionally damaged wife and the sweet shop he runs on a South London high street. Devoted to each, he has maintained a delicate, precarious balance. Now, on a hot summer’s day, he attempts to settle his final accounts and reach an understanding with a third, disruptive element in his reckoning: his angry, unforgiving daughter.

In 1972, Robert Beech, First World War veteran and prominent figure in the arms industry, is killed by a car bomb. The event cuts short the career of his son Harry, a news photographer, and comes close to destroying his granddaughter Sophie. Ten years later, Harry, now working in aerial photography, and Sophie, visiting an analyst in New York, remain scarred and divided by the event. Around their broken relationship and Harry’s memories of his truncated career and his father, the novel builds a story that is acutely private, yet sweepingly public.

These 25 new stories mark Graham Swift's return to the short form after seven acclaimed novels and confirm him as a master storyteller. They unite into a richly peopled vision of a country that is both a crucible of history and a maze of contemporary confusions.

Graham Swift’s first collection of short stories confirms his power to bring an edge of the extraordinary, the dangerous or the subversive into otherwise familiar, safe, even comforting settings. On a holiday beach, a mismatched couple wage a sexually charged war for the devotion of their literally floundering son. A family doctor, oppressed by his own domestic insecurities, intimidates an apparent time-wasting patient. A zookeeper becomes the keeper of a bizarre fixation.

In Making an Elephant, Graham Swift brings together a richly varied selection of essays, portraits, poetry and reflections on his life in writing. Full of insights into his passions and motivations, and wise about the friends, family and other writers who have mattered to him over the years, this is a revealing and intimate collection. Kazuo Ishiguro advises on how to choose a guitar, Salman Rushdie arrives for Christmas under guard and Ted Hughes shares the secrets of a Devon river. There are private moments, too, with long-dead writers.