Mostrando resultados por narrador "Bryan Godwin" en Todas las categorías

First published in The World in June 1887. Hughie Erskine is in love and wants to marry, but the girl's father will not allow it, since Erskine has no money. Erskine's friend Alan Trevor is a painter, and he visits him at his studio one day to find him with a pitiable beggar-the model for his painting. Erskine only has one coin, on which he depends for transportation, but he decides he can walk for a couple of weeks and gives the beggar the coin.

Oscar Wilde (16 October 1854 - 30 November 1900) was an Irish poet and playwright. After writing in different forms throughout the 1880s, he became one of the most popular playwrights in London in the early 1890s. THE RISE OF HISTORICAL CRITICISM: This essay was written for the Chancellor's English Essay Prize at Oxford in 1879, the subject being 'Historical Criticism among the Ancients.' The prize was not awarded. To Professor J. W. Mackail thanks are due for revising the proofs.

Oscar Wilde (16 October 1854 - 30 November 1900) was an Irish poet and playwright. LONDON MODELS: Professional models are a purely modern invention. To the Greeks, for instance, they were quite unknown. Mr. Mahaffy, it is true, tells us that Pericles used to present peacocks to the great ladies of Athenian society in order to induce them to sit to his friend Phidias, and we know that Polygnotus introduced into his picture of the Trojan women the face of Elpinice, the celebrated sister of the great Conservative leader of the day.

THE ENGLISH RENAISSANCE OF ART: 'The English Renaissance of Art' was delivered as a lecture for the first time in the Chickering Hall, New York, on January 9, 1882. A portion of it was reported in the New York Tribune on the following day and in other American papers subsequently. Since then this portion has been reprinted, more or less accurately, from time to time, in unauthorised editions.

Oscar Wilde (16 October 1854 - 30 November 1900) was an Irish poet and playwright. After writing in different forms throughout the 1880s, he became one of the most popular playwrights in London in the early 1890s. LECTURE TO ART STUDENTS: Delivered to the Art students of the Royal Academy at their Club in Golden Square, Westminster, on June 30, 1883. The text is taken from the original manuscript. In the lecture which it is my privilege to deliver before you to-night I do not desire to give you any abstract definition of beauty at all.

Oscar Wilde (16 October 1854 - 30 November 1900) was an Irish poet and playwright. After writing in different forms throughout the 1880s, he became one of the most popular playwrights in London in the early 1890s. HOUSE DECORATION: A lecture delivered in America during Wilde's tour in 1882. It was announced as a lecture on 'The Practical Application of the Principles of Aesthetic Theory to Exterior and Interior House Decoration, With Observations upon Dress and Personal Ornaments.' The earliest date on which it is known to have been given is May 11, 1882.

Oscar Wilde (16 October 1854 - 30 November 1900) was an Irish poet and playwright. After writing in different forms throughout the 1880s, he became one of the most popular playwrights in London in the early 1890s. POEMS IN PROSE: One evening there came into his soul the desire to fashion an image of The Pleasure that abideth for a Moment. And he went forth into the world to look for bronze. For he could think only in bronze.

This book sets out as forcibly and exactly as possible the religious belief of the writer. That belief is not orthodox Christianity; it is not, indeed, Christianity at all; its core nevertheless is a profound belief in a personal and intimate God. There is nothing in its statements that need shock or offend anyone who is prepared for the expression of a faith different from and perhaps in several particulars opposed to his own.

The Whisperer in Darkness is a 26,000-word novella by American writer H. P. Lovecraft. Written February-September 1930, it was first published in Weird Tales, August 1931.[1] Similar to The Colour Out of Space (1927), it is a blend of horror and science fiction. Although it makes numerous references to the Cthulhu Mythos, the story is not a central part of the mythos, but reflects a shift in Lovecraft's writing at this time towards science fiction. The story also introduces the Mi-Go, an extraterrestrial race of fungoid creatures.

"The Tree" is a macabre short story by American horror fiction writer H. P. Lovecraft. It was written in 1920, and published in October 1921 in The Tryout. Set in ancient Greece, the story concerns two sculptors who accept a commission with ironic consequences. Lovecraft wrote "The Tree" early in his career. He was dismissive of the story in a 1936 letter. Such stories, he said, "if typed on good stock make excellent shelf-paper, but little else."

The story involves a mine that uncovers a very deep chasm, too deep for any sounding lines to hit bottom. The night after the discovery of the abyss the narrator and one of the mine's workers, a Mexican called Juan Romero, venture together inside the mine, drawn against their will by a mysterious rhythmical throbbing in the ground. Romero reaches the abyss first and is swallowed by it. The narrator peers over the edge, sees something - "but God, I dare not tell you what I saw!" and loses consciousness. The next morning, the narrator and the deceased Romero are both found in their bunks.

While riding his bicycle in the Miskatonic Valley of rural New England, a genealogist seeks shelter from an approaching storm. He enters an apparently abandoned house, only to find it occupied by a "loathsome old, white-bearded, and ragged man", speaking in "an extreme form of Yankee dialect... thought long extinct." The narrator notices that the house is full of antique books, exotic artifacts, and furniture predating the American Revolution. At first, the old man appears harmless and ignorant towards his guest. However, he shows a disquieting fascination for an engraving in a rare old book.

Basil Elton, a lighthouse keeper, engages in a peculiar fantasy in which a bearded man in robes is piloting a mystical white ship which appears when the moon is full. Elton walks across the water on a bridge of moonbeams, joins the bearded man on the ship, and together they explore a mystical chain of islands unlike anything that can be found on Earth. They travel past Zar, a green land where "dwell all the dreams and thoughts of beauty that come to men once and then are forgotten", then the majestic city of Thalarion, "City of a Thousand Wonders", where frightful demons dwell.

"What the Moon Brings" is a prose poem by American horror fiction writer H. P. Lovecraft, written on June 5, 1922. This story was first published in the National Amateur in May 1923. It's shorter than most of Lovecraft's other short stories, and is essentially a fragment. The story is based on one of Lovecraft's dreams, a common technique.

"The Unnamable" is a horror short story by American author H. P. Lovecraft. It was written in September 1923, first published in the July 1925 issue of Weird Tales, and first collected in Beyond the Wall of Sleep. The corrected text appears in Dagon and Other Macabre Tales, (revised ed, 1986). The story's locale was inspired by the Charter Street Historic District Burying Ground in Salem.

"The Tomb" is a fictional short story by American writer H. P. Lovecraft, written in June 1917 and first published in the March 1922 issue of The Vagrant. It tells the story of Jervas Dudley, who becomes obsessed with a mausoleum near his childhood home.

The story is about a golden-haired youth who wanders into the city of Teloth, telling tales of the great city of Aira, where he was a prince. While Iranon enjoys singing and telling his tales of wonder, few people appreciate it. A city solon even orders Iranon to cease his singing & music, and become apprenticed to a cobbler - or leave the city by sunset. When a disenfranchised boy named Romnod suggests leaving Teloth to go to the famed city of Oonai (which he thinks may be Aira, now under a different name), Iranon takes him up on his offer.

One of the masterpieces of classical literature, the "Histories" describes how a small and quarrelsome band of Greek city states united to repel the might of the Persian empire. But while this epic struggle forms the core of his work, Herodotus' natural curiosity frequently gives rise to colorful digressions - a description of the natural wonders of Egypt; an account of European lake-dwellers; and far-fetched accounts of dog-headed men and gold-digging ants. With its kaleidoscopic blend of fact and legend, the "Histories" offers a compelling Greek view of the world of the fifth century BC.

One of the masterpieces of classical literature, the "Histories" describes how a small and quarrelsome band of Greek city states united to repel the might of the Persian empire. But while this epic struggle forms the core of his work, Herodotus' natural curiosity frequently gives rise to colorful digressions - a description of the natural wonders of Egypt; an account of European lake-dwellers; and far-fetched accounts of dog-headed men and gold-digging ants. With its kaleidoscopic blend of fact and legend, the "Histories" offers a compelling Greek view of the world of the fifth century BC.

One of the masterpieces of classical literature, the "Histories" describes how a small and quarrelsome band of Greek city states united to repel the might of the Persian empire. But while this epic struggle forms the core of his work, Herodotus' natural curiosity frequently gives rise to colorful digressions - a description of the natural wonders of Egypt; an account of European lake-dwellers; and far-fetched accounts of dog-headed men and gold-digging ants. With its kaleidoscopic blend of fact and legend, the "Histories" offers a compelling Greek view of the world of the fifth century BC.