Mostrando resultados por narrador "Eve" en Todas las categorías

I'm not a worldly woman. I'm not cultured, well-traveled, or well educated. I'm just a housewife. A mother. I'm the woman with the handsome husband, beautiful daughter, the large house. If you saw it from the outside, you'd probably think I have the perfect life. You would most definitely be wrong. But I don't blame you. We all see what we want to see, turning a blind eye to what others want to stay hidden. Especially when it comes to love. They say love is blind. But I'm more apt to say it's wretched. Love is what made me stay. But love is also what saved me.

Demeter just wants to do her job: shuttling humans between Earth and Alpha Centauri. Unfortunately, her passengers keep dying—and not from equipment failures, as her AI medical system, Steward, would have her believe. These are paranormal murders, and they began when one nasty, ancient vampire decided to board Demeter and kill all her humans. To keep from getting decommissioned, Demeter must join forces with her own team of monsters. Together, this motley crew will face down the ultimate evil—Dracula.

Earth Government turned soldiers into cyborgs to terraform Mars. After a decade of hard, lonely work they are little more than the machines as which they are treated—until the arrival of female settlers awakens feelings they have almost forgotten....

The Sounds of Crime is an exclusive collection of five brand new short stories by some of the best crimewriters around. Using the theme of 'audio', this unique collection features brand new stories by Lawrence Block, Peter James, Val McDermid, Mark Billingham and Christopher Fowler.

Written by Sebastian Baczkiewicz and Steve May, these gripping plays take in all the famous Arthurian legends, from Lanslot’s tryst with Gwenfar to the quest for the Holy Grail. Ben Whishaw and Philip Glenister star as Arthur, with Ian McDiarmid as Merlin, Jane Lapotaire as Morgan, Eve Myles as Gwenfar and Andrew Scarborough as Lanslot.

The good girl falls for the bad boy. Can we name a bigger, or better cliché? Despite my ideas about the deep misogyny associated with this particular one, I've somehow found myself in the middle of it. Except, I'm not the good girl. I'm exceptional at playing that role. But I'm not. My secrets make sure of that. And he's not a boy. He's a man. Older than me by decades. An outlaw. A villain. A member of one of the most notorious MCs in the country. The Sons of Templar.

Pioneering director J. J. Abrams has delivered an explosive action thriller that takes Star Trek into darkness. When the crew of the Enterprise is called back home, they find an unstoppable force of terror from within their own organization has detonated the fleet and everything it stands for, leaving our world in a state of crisis. With a personal score to settle, Captain Kirk leads a manhunt to a war-zone world to capture a one-man weapon of mass destruction. As our heroes are propelled into an epic chess game of life and death, love will be challenged, friendships will be torn apart, and sacrifices must be made for the only family Kirk has left: his crew.

Rowan Summerwaite is no ordinary woman. Physical vessel to the Celtic goddess Brigid and raised by the leader of the Vampire Nation, she's a supercharged hunter with the power to slay any vampire who violates the age-old treaty. A recent string of murders has her at odds with Las Vegas's new Scion, the arrogant and powerful Clive Stewart. The killings have the mark of Vampire all over them, and Rowan warns Clive to keep his people in line - or she'll mete out her own brand of justice.

When Zlata’s Diary was first published at the height of the Bosnian conflict, it became an international best-seller and was compared to The Diary of Anne Frank, both for the freshness of its voice and the grimness of the world it describes. It begins as the day-to-day record of the life of a typical 11-year-old girl, preoccupied by piano lessons and birthday parties. But as war engulfs Sarajevo, Zlata Filipovic becomes a witness to food shortages and the deaths of friends and learns to wait out bombardments in a neighbor’s cellar.

Ever since Damon Wilder sought refuge in Sea Haven, he's heard the same breathless rumor pass the lips of nearly every local in the sleepy coastal town. Even the wind seems to whisper her name - a reverie so powerfully suggestive that it carries the curious Damon to Sarah's cliff top home, and seeks to shelter him there. But Damon has not arrived alone. Two men have tracked him to Sea Haven, and into the shadows of Drake House, where Sarah hides her own secrets.

As I struggle to stay afloat in the housekeeping hustle, a handsome guest and I have a magical night sneaking into the pool, making wishes under the stars, and spilling secrets. But at midnight, I risk turning into a pumpkin, er, my not-so-fancy self, compared to the pro hockey player with the expensive watch. Time is slipping through my fingers as the bill for my dad's care comes due.

Gabe Talmadge languished in prison for 10 years, convicted of a horrible crime. Now free, he's unable to find work in the midst of the Great Depression. In desperation, he returns home to Ransom, Idaho, hoping his uncaring father will give him food and shelter, if not love. But the prodigal isn't welcomed home. Hudson Talmadge, who virtually owns the town, despises his son as much as ever, and Gabe is as powerless as an adult as he was as a child to win his father's approval.

Derral Eves has generated over 60 billion views on YouTube and helped channels grow to one million subscribers from zero. In The YouTube Formula: How Anyone Can Unlock the Algorithm to Drive Views, Build an Audience, and Grow Revenue, the owner of the largest YouTube how-to channel provides the secrets to getting the results that every YouTube creator and strategist wants. Eves will reveal what listeners can't get anywhere else: the inner workings of the YouTube algorithm that's responsible for determining success on the platform, and how creators can use it to their advantage.

Selena Kitt's Power Play where those uber-hot alpha authority figures take full advantage of their status to strike up all sorts of sexy naughtiness with their subordinates!

The broad-minded Baumgartners are ready to open their arms - and their marriage - once again. While Ronnie, their former flirtatious babysitter, is exploring her newfound naughty nature with her lover, Gretchen, Doc and Mrs. B have their sights set on old friends, Daphne and Ari Wilson.

Drawing on deep archival research and decades of scholarship, Ann Schmiesing tells the affecting story of how the Grimms’ ambitious projects gave the brothers a sense of self-preservation through the atrocities of the Napoleonic Wars and a series of personal losses.

I'm going to make her my queen. One wedding. One child. Five years. Ten million dollars. Those are the terms of our contract. My offer is sound, bold, and necessary. In order to gain my inheritance, I have to have a wife. She thinks her clause will keep me from having her skin on mine. She's very wrong. The de Loughrey's rule the world, and I am their king. I get what I want, and what I want is her. I'll have her beneath me no matter what.

Jewish masculinity as a diverse set of adaptive reactions to masculine hegemony and the political, religious, and social realities of American Jews throughout the twentieth century. For twentieth-century Jewish immigrants and their children attempting to gain full access to American society, performative masculinity was a tool of acculturation. However, as scholar Miriam Eve Mora demonstrates, this performance is consistently challenged by American mainstream society that holds Jewish men outside of the American ideal of masculinity.

Trois femmes vivaient dans un village. La première était méchante, la deuxième était menteuse, la troisième était égoïste. Elles possédaient pourtant un point commun, un secret en quelque sorte : toutes les trois rêvaient de fuir... Le jour paraît sur Giverny. Du haut de son moulin, une vieille dame veille, surveille. Le quotidien du village, les cars de touristes... Des silhouettes et des vies. Deux femmes, en particulier, se détachent : l'une, les yeux couleur nymphéa, rêve d'amour et d'évasion ; l'autre, onze ans, ne vit déjà que pour la peinture.

Talon Mitchell had gotten a job right out of college, had her own coffee mug at the office that no one else could use, and planned to keep her job as sales manager for a long time, because she had practically grown up working for this company. She was content and not looking for anything, when a new sales director showed up and changed everything.... She couldn’t date someone who worked with her. Feeling the simmering heat begin to boil over, the two women decide to at least take one step, and deal with the rest later.